Galerie Yves Gastou Furniture

These striking chairs, created by Guy de Rougemont around 1986, exemplify the artist’s singular ability to merge fine art and functional design. Crafted in wood marquetry with a dyna...

A rare set of 9 chairs by Sido & François Thévenin.

Emile Gilioli (1911 - 1977) ‘‘Astrale’’, 1966 White marble, base in black laquered wood Sculpture : H. 63,5 x 29 x 39 cm / Base : H. 100 x 43 x 42,5 cm At the height of the 20th cen...

César (1921 - 1998) ‘‘Expansion n° 55’’, 1975 Resin, glass wool and acrylic lacquer 108 x 58 x 18 cm Certificate from the Durand-Ruel archives N° 2.198 (César archives) César Baldac...

Ado Chale ‘‘Pastilles’’ illuminated coffee table, 1983 Mosaic of cornaline agate stones and resin H. 35 x 150ø cm Son of a woodworker, Ado Chale spent his formative years in the Belgian countryside and began working with metal at a young age, training initially as an iron-worker. In the 1950s, he began working with sheet metal on which he would test various methods of printing with enamel. However, it was on a trip to Germany that he found his true passion: mineralogy. Stones, precious and semi-precious as well as fossils and other natural minerals, became the focal point of his self-taught artistic path. In 1961, Chale opened a mineral shop in Brussels where he showed his first creations featuring inclusions of marcasite, a dark stone he discovered on the beaches of the Cape of Blanc- Nez in northern France. By 1965, these creations had garnered significant attention and he began to widen the range of his creations. He began working with a great variety of stones and fossilized wood and developing new techniques, one of the most remarkable of which is featured in the ‘‘Pastilles’’ coffee table: the integration of light. Noticing the transformation of certain stones when lit from a certain angle, Chale aimed to demonstrate the delicate details that remained hidden without this illumination. With this objective in mind, he began integrating lighting systems beneath the mosaic tops of his coffee tables, a rare technique of which Chale was a true pioneer. Beyond the striking effect achieved through the illumination of his tables, Chale’s mastery in mosaic resulted in truly unique tabletops - no two mosaics exactly the same. Over the years, Chale’s creations found their way into some of the world’s most prestigious collections, both private and public, including those of the British royal family, the King of Saudi Arabia, Belgium’s King Baudouin and Queen Fabiola, and Queen Juliana of the Netherlands. 2014 marked the 50th anniversary of Ado Chale’s creation, an occasion celebrated with a landmark exhibition at the Galerie Yves Gastou.

Cast bronze table with surrealist shapes. Model signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

Pedestal table with surrealist shapes. Composed by a bronze leg with a surrealist ornamentation mounted by a white marble circular plate. Model signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

Burnished bronze structure with a surrealist ornementation Synthetic fur Signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

René Collamarini & Manufacture de Sèvres "Les Elements" 3 part centerpiece, 1958 Signed & stamped Porcelain Measures: H. 34 x 35 x 20 cm H. 26 x ...

Dino Gavina "Omaggio a Lucio Fontana" mirror. From a sketch by Lucio Fontana, 1964. Polished mirrored steel, equidistant mechanical piercings. Dino Gavina (1922 – 2007) was an Italian entrepreneur, designer and publisher. He is one of the most important entrepreneurial figures in the Italian furniture and design sector. Founder of the companies Gavina Spa, Flos and Simon at a time when design was just being born, his history as an industrialist will deeply influence Italian design, revolutionizing the field of furtniture and lighting. Gavina was the first to work with young architects like the Castiglioni brothers, Tobia Scarpa, Bellini, and Vico Magistretti. He was also responsible for the revival of Marcel Breuer’s Bauhaus movement. He was also one of the first to understand the great importance of the store front, enlisting Carlo Scarpa to design the first Gavina store on the via Altabella in the heart of Bologna, Italy. Later, in various other cities, he organized events and exhibitions in collaboration with artists such as Meret Oppenheim, Man Ray, Sebastian Matta, René Magritte, Jackson Pollock, Marcel Duchamp and Lucio Fontana. It was with Fontana in particular that Gavina felt a deep connection, and this would be one of the most important professional relationships of his career. Their first encounter in 1954 marks the beginning of a great friendship that would last a lifetime. Over the course of more than a decade, Gavina would direct Fontana to the greatest architects in Milan for the design of their products. In 1964, following the “Lamiere” exhibition (Metal Sheets) at the Gavina shop in Milan, Dino Gavina gave Lucio Fontana the IDEA to create a large metal plated...

Erwin Miserre "Rhino" sculpture, circa 1990 Bronze Measures : H. 51,5 x 62 x 16 cm. Quite fascinating story. Erwin Miserre was the spy name of Horst Meier a german secret agent...

Antonio Ronchetti for Sormani Set of 6 sculptural chairs, circa 1970 Black lacquered wood, black leather Measures : H. 135 x 46 x 42 cm.

Ugo La Pietra (né en 1938). Lampadaire Arcangelo Metropolitano Métal et méthacrylate peint Signé ‘Ugo La Pietra’ sur la base Lumen Center Prod. Date de création : 1977 Measures...

Emile Gilioli Les nuits et les jours 1969 Tapisserie de lice Manufacture Nationale de Beauvais Signature : en bas à gauche MBN / en bas à droite Gilioli Les tapisseries de Gilioli se situent dans cette recherche de l’absolu, de la pureté, de la spiritualité qui marque toute son oeuvre.  « D’abord j’aime la laine...

Cast bronze mirror with a surrealist shape. Model signed and numbered. Limited edition of 25 copies of a model created in the 1970's by the sculptor Victor Roman.

Model designed for the Auriol House, France. En 1965, Dominique Zimbacca expose les meubles issus de sa collaboration avec Françoise Sée à la galerie M.A.I situé au 12 rue Bonaparte, aujourd’hui remplacée par la Galerie Yves Gastou...

The award-winning design and architecture duo met in 1954 and opened their independent studio the following year. Together, they established a prolific career part...

A rare Throne armchair by François & Sido Thévenin.

A spectacular cantilevered table with gravity joint made by the famous architect Angelo Mangiarotti. An elegant mix of minimalism and stone textures.

A rare and important central table from the "Aztèques" series. Circa 1978 Angelo Mangiarotti’s work as an architect and industrial designer was led by a belief that carefully res...

A rare and important spindle feet console in patinated wrought iron with a spectacular carrare marble A similar model is located at the Louvre museum at the bronze room into the deco...

Resin structure with a top in slates and pyrites.

Base in a tubular chrome steel structure Fiberglass white hull around the exterior Beige padding in silky velvet on the seat.

Oval table surface in fractal resin Table legs and struts in stainless steel Artist signature on the edge of the surface.

This sculpture by Breton sculpter Raymond Vaillant depicts the famed Saint George slaying the dragon, thereby demolishing an evil force that ...

Model designed for the Auriol House, France. Frame in fir wood Assembly by threaded rod, secured by nuts Piece from the artist's former collection. En 1965, Dominique Zimbacca expose les meubles issus de sa collaboration avec Françoise Sée à la galerie M.A.I situé au 12 rue Bonaparte, aujourd’hui remplacée par la Galerie Yves Gastou...

Price for a pair, 3 pairs available. Executed by Renzo Brugola Distributed by Blum Helman Gallery Collection Centre Georges Pompidou The Metropolitan Museum of Art collection In 1987, he designed the Miss, don’t you like caviar? chair for the I suppose you know what I’m talking about dining room suite. Each piece of this ensemble consists of a number of heterogeneous geometrical elements having a symbolic connotation. The honesty with which Sottsass designed and marketed this work to a luxury clientele could be seen as antithetical to modernism’s democratic ethos predicated on mass production. With the suite of furniture that includes this chair, there was no illusion of reaching ordinary consumers—the pieces are loft-scaled, exquisitely proportioned ensembles made of rare stones and exotic woods. Titles of other items in the series include What’s the Name of Your Swiss Bank...

Little desk or console, composed of folded and entangled metal tubes. Rectangular glass slab.

Cast bronze lamp with a surrealist shapes Lampshade in white fabric Limited edition of 8 ex. after a model created in the 1970s. Signed and numbered. Limited edition of 8 + 4 AP of a model created in the 1970's by the sculptor Victor Roman. Victor Roman was born in 1937 in Martinis in Romania. In 1950, he leaves his village to to go high-school in Tirgu-Mures. He then studies at the Fine Arts Institute Nicolae Grigorescu...

Black slate top, sprinkled with marcassites.

Stainless steel structure with imitation leather cover.

Darkened patina bronze. Reproduced in "Maxime Adam-Tessier", Editions du Linteau, p. 23.

Exceptional crystal of amethyst on a steel base. Unique piece.