1980s Rhino Sculpture by Erwin Miserre Aka Horst Meier

Emile Gilioli (1911 - 1977) ‘‘Astrale’’, 1966 White marble, base in black laquered wood Sculpture : H. 63,5 x 29 x 39 cm / Base : H. 100 x 43 x 42,5 cm At the height of the 20th cen...

Darkened patina bronze. Reproduced in "Maxime Adam-Tessier", Editions du Linteau, p. 23.

Ado Chale ‘‘Pastilles’’ illuminated coffee table, 1983 Mosaic of cornaline agate stones and resin H. 35 x 150ø cm Son of a woodworker, Ado Chale spent his formative years in the Belgian countryside and began working with metal at a young age, training initially as an iron-worker. In the 1950s, he began working with sheet metal on which he would test various methods of printing with enamel. However, it was on a trip to Germany that he found his true passion: mineralogy. Stones, precious and semi-precious as well as fossils and other natural minerals, became the focal point of his self-taught artistic path. In 1961, Chale opened a mineral shop in Brussels where he showed his first creations featuring inclusions of marcasite, a dark stone he discovered on the beaches of the Cape of Blanc- Nez in northern France. By 1965, these creations had garnered significant attention and he began to widen the range of his creations. He began working with a great variety of stones and fossilized wood and developing new techniques, one of the most remarkable of which is featured in the ‘‘Pastilles’’ coffee table: the integration of light. Noticing the transformation of certain stones when lit from a certain angle, Chale aimed to demonstrate the delicate details that remained hidden without this illumination. With this objective in mind, he began integrating lighting systems beneath the mosaic tops of his coffee tables, a rare technique of which Chale was a true pioneer. Beyond the striking effect achieved through the illumination of his tables, Chale’s mastery in mosaic resulted in truly unique tabletops - no two mosaics exactly the same. Over the years, Chale’s creations found their way into some of the world’s most prestigious collections, both private and public, including those of the British royal family, the King of Saudi Arabia, Belgium’s King Baudouin and Queen Fabiola, and Queen Juliana of the Netherlands. 2014 marked the 50th anniversary of Ado Chale’s creation, an occasion celebrated with a landmark exhibition at the Galerie Yves Gastou.

Gaetano Pesce "Dalila Due" pair of chairs, 1980 Polyurethane foam, epoxy resin finish H. 75 x 57 x 52 cm H. 85 x 49 x 50 cm

Exceptional crystal of amethyst on a steel base. Unique piece.

Price for a pair, 3 pairs available. Executed by Renzo Brugola Distributed by Blum Helman Gallery Collection Centre Georges Pompidou The Metropolitan Museum of Art collection In 1987, he designed the Miss, don’t you like caviar? chair for the I suppose you know what I’m talking about dining room suite. Each piece of this ensemble consists of a number of heterogeneous geometrical elements having a symbolic connotation. The honesty with which Sottsass designed and marketed this work to a luxury clientele could be seen as antithetical to modernism’s democratic ethos predicated on mass production. With the suite of furniture that includes this chair, there was no illusion of reaching ordinary consumers—the pieces are loft-scaled, exquisitely proportioned ensembles made of rare stones and exotic woods. Titles of other items in the series include What’s the Name of Your Swiss Bank...

Designed by Hanns-Peter Krafft for Meier. This sheep is a playful interpretation of a stool, but also acts as a sculptural accent. Handmade in Germany, this piece has a beautiful pat...

Rhino sculpture by Pulpo. Dimensions: D24.5 x W12 x H14.5 cm. Materials: bronze. A crash, a tower, a herd, a flock. However you name this group, t...

Article: Ceramic stoneware object Designer and producer: Horst Kerstan, Kandern in Germany Information: Horst Kerstan (born March 29, 1941 in Frankfurt, † March 21, 2005 in Kandern) was a German ceramist, craftsman and internationally recognized artist. Founder of Group 83. Decade: 1980s This original vintage Studio Stoneware Object was designed by Horst Kerstan and produced in his own Studio in the 1980s in Kandern in Germany. It is made of solid stoneware pottery and has a very unique brown beige coloration and structure. the bottom is marked with typical Kerstan Producer signature K and signed with Keratin. a very collectible and very rare item of the Kerstan Collection. the object has a very sculptural form and in its size of 25cm in length, 14,5cm in height and 16cm in depth, it is very impressive. straighforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 14,5cm Length 25cm Depth 16cm. Condition: This item is in a very good vintage condition with patina. VITA Horst Kerstan: Horst Kerstan grew up in Frankfurt am Main, where he became acquainted with the manufacture of ceramic products through his father Walter Kerstan, who headed the "Ceramic Colors" department of Farbwerke Hoechst AG. After a porcelain painter apprenticeship, he worked from 1956 to 1957 as a porcelain painter in the porcelain manufactory of Hoechst AG, then from 1957 to 1959 in the ceramics department of the Werkkunstschule Offenbach (today: Hochschule für Gestaltung Offenbach am Main) with Lore Kramer-Koehn, the wife of Frankfurt architect Ferdinand Kramer, the pottery to learn and incidentally at the College of Fine Arts, Frankfurt, the drawing. After Kerstan met the ceramist and painter Richard Bampi...

1980s Glass Trumpet Sculpture.

1980s Bronze Buddha Sculpture.

Sculpture Rhino Resin, in patinated bronzage finish. Cubic style sculpture. Exceptional piece.