Hickmet Fine Arts

A charming late 19th Century French animalier bronze group of a family of hounds. The bronze of three seated dogs including a mother, father and pup exhibiting excellent rich brown p...

An attractive limited edition bronze study of a green frog in a stretched position with its head raised exhibiting very fine enamel colours and excellent tactile surface, signed Tim,...

An attractive late 19th Century French cameo glass souffle vase decorated with raised deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail an...

An attractive late 19th Century French cameo glass vase decorated with deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail and colour, signe...

A fabulous Vittorio Ferro clear glass vase with fused marbled murrines in hues of blue and grey. Signed Vittorio Ferro and with original Murano label ADDITIONAL INFORMATION Height: ...

A dramatic early 20th century Art Deco bronze study of a muscular male athlete lifting a heavy weight above his head with one arm. The bronze exhibiting stunning rich brown patina an...

A fabulous Art Deco bronze figure of a beautiful woman wearing a loose fitted figure hugging dress and high heels holding a riding whip, with excellent colour and very fine hand finished detail, signed Bruno Zach ADDITIONAL INFORMATION Height: 45 cm Condition: Very fine Original Condition with slight signs of wear Circa: 1925 Materials: Cold Painted Bronze Book Ref: Art Deco Sculpture by Victor Arwas Page no. 224 SKU: 261 ABOUT Zach Whip Girl Zach Whip Girl – Bruno Zach (Austrian, 1891 – 1945) – Bruno Zach was a prolific creator of tall, athletic, independent women in bronze and ivory. He depicted both the healthy outdoor pursuits, and also the dream mistresses of the demi monde...

An attractive late 20th Century frosted glass vase cased and acid cut with a decoration of two flying dragonflies amongst water reeds with very fine colour and detail, signed StanMir...

Charming mid 19th Century French gilt bronze study of two rabbits standing in alert positions outside their burrow. The bronze exhibiting excellent han...

A very rare late 19th Century French Animalier bronze study of a standing ostrich, the detailed feathering chased with extremely fine precision, the flightless giant bird...

An inspiring early 20th Century Art Deco glass salver decorated with swirling fronds of seaweed around the circumference of the plate, with excellent deep opalescent colour and very ...

An iconic large Art Deco bronze sculpture of a strong athletic man in a powerful pose holding a long spear in his hand as he climbs a l...

An impressive clear and frosted glass paperweight in the form of a grazing bison with excellent hand finished detail, signed Lalique France ADDITIONAL INFORMATION Height: 9.5 cm Width: 12 cm Condition: Excellent Condition circa: 1970 Materials: Frosted Glass ABOUT Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Impressive clear and frosted glass flower vase by Marc Lalique, the body rectangular cut with four tapering sides that pull in to a rounded base above a pair of reclining deer modelled as the stem and raised on a spreading circular foot. Signed under the base Lalique France. ADDITIONAL INFORMATION Height: 28 cm Condition: Excellent Condition circa: 1970 Materials: Clear and Frosted Glass DESCRIPTION Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. Oiseau de Feu (Firebird), 1922 In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

A very fine Mid-20th century clear and frosted glass figurative study trophy in the form of a jazz musician playing a saxophone with excellent crisp handcut detail, signed and with original sticker. ADDITIONAL INFORMATION Height: 21 cm Condition: Excellent Condition circa: 1950 Materials: Clear Glass ABOUT Cristallerie de Sèvres is born in 1750 by the initiative of Madame Pompadour. However, it was not until the reign of Charles X when the true splendor of Cristal de Sèvres occurs. This has only been possible thanks to the remarkable quality of its products, including his famous “Opalines”, crown jewel, or the wonderful pieces set in silver and gold and released in the Universal Exhibition of 1878. In just a century and a half, Cristal de Sèvres and their luxury glassware conquer the “art de la table” lovers, with its aesthetic with the times, its timeless sophistication and its famed crystal Craft...

Very fine Mid 20th Century oil on canvas painting of a resting Woodcock with good naturalistic colour, signed Colin Burns to lower right. Framed in original wooden veneered frame wit...

A striking mid 20th Century Art Deco silver plated bronze car mascot in the form of a leaping horse, with fine detail. Raised on a wooden rectangular base, signed Bazin ADDITIONAL INFORMATION Height: 18 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition with light wear to surface Circa: 1935 Materials: Silver Plated Bronze and Wood SKU: 8764 ABOUT François Bazin...

An excellent late 19th century still life oil painting of apples and grapes on their vines laid out on the ground, against a warm autumnal themed background. Mounted in a decorative ...

An elegant mid 20th century frosted and opalescent glass figure of a naked kneeling lady with fine hand finished detail and good sky blue colour, signed Lalique France ADDITIONAL INFORMATION Height: 8 cm Condition: Excellent Condition circa: 1960 Materials: Opalescent Glass SKU: 20011 ABOUT Lalique Floreal Originally designed by René Lalique this vibrant model of a seated Art Nouveau beauty with flowers in her hair was originally produced between 1942 and 1947 and later re-issued by Marc Lalique in clear and opalescent coloured crystal glass...

An eye catching pink and white 'vertical stripes' blown glass vase with inner white casing, and applied black glass undulating terfoil rim. ADDITIONAL INFORMATION Height: 24 cm Diameter: 13 cm Condition: Excellent Original Condition Circa: 1930 Materials: Coloured Glass SKU: 6523 ABOUT Franz Welz The Franz Welz glass...

Delightful French frosted glass clock surmounted with two perched lovebirds, the dial with black enamel numerals, signed Lalique France ADDITIONAL INFORMATION Height: 15 cm Width: 10 cm Condition: Excellent Condition Circa: 1980 Materials: Frosted Glass SKU: 6367 ABOUT Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Captivating modern oil on canvas painting of a business man and woman taking a romantic soujourn on a showery spring day. Signed lower right McKean, titled to rear and presented in a dark wooden stepped frame. ADDITIONAL INFORMATION Unframed Height: 73 cm Unframed Width: 38 cm Condition: Excellent as new Condition Circa: Contemporary Materials: Oil on Canvas SKU: 299 ABOUT Graham McKean In 1996, after 17 years as a graphic designer, Graham McKean decided to commit himself totally to producing his oil paintings. Graham is presently registered as a self-employed artist, painting full-time from a W.A.S.P. studio at the harbour side in Irvine, Ayrshire. Graham McKean’s paintings have featured in numerous exhibitions and are increasingly appearing at the U.K.’s leading auction houses. His work has now become highly collectible and is held in prestigious private and public collections worldwide. Graham also supports a number of charities through events and auctions. A review by the late W. Gordon Smith...

Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth ADDITIONAL INFORMATION Height: 33 cm Width: 16 cm Depth: 11 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 17 SKU: 8616 ABOUT Puccini's Opera - La Bohème SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

Impressive Mid-20th Century clear and frosted glass figural study of an African elephant with its trunk raised. The surface with fine detail, signed Lalique France Additional information Height: 15 cm Condition: Excellent Condition circa: 1970 Materials: Clear & Frosted Glass About Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Excellent late 19th century animalier bronze study of a feeding reindeer with rich brown colour and very fine hand chased and etched surface detail, raised on a stepped naturalistic base, stamped with Peyrol Foundry mark and signed Isidore Bonheur Additional information Height: 16 cm Width: 22 cm Condition: Excellent Original Condition Foundry: Peyrol circa: 1880 Materials: Bronze SKU: 8211 DESCRIPTION Isidore Bonheur Isidore Bonheur, born in Bordeaux May 15 1827. Isidore was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men). Isidore was the brother of Auguste Bonheur...

A surprising frosted glass figure of a scorpion with its tail raised, ready to strike its prey. The frosted glass surface with excellent hand finished detail, signed Lalique France Additional information Measures: Height: 7 cm Condition: Excellent Condition circa: 1950 Materials: Hand Finished Frosted Glass SKU: 6008 DESCRIPTION The Scorpion...

An excellent early 20th century Austrian bronze study of a standing Kangaroo with very fine hand chased surface detail and good naturalistic colour, signed with the Bergman 'B' in an Amphora vase ADDITIONAL INFORMATION Height: 15 cm Width: 20 cm Depth: 6 cm Condition: Excellent Original Condition circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8910 ABOUT Bergman Kangaroo Franz Bergman Sculptures Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental...

A very fine Mid-20th Century clear and frosted glass figurative study trophy in the form of a jazz musician playing a saxophone with excellent crisp handcut detail, signed and with original sticker. Additional information Height: 21 cm Condition: Excellent Condition circa: 1950 Materials: Clear Glass SKU: 5954 ABOUT Cristallerie de Sèvres is born in 1750 by the initiative of Madame Pompadour. However, it was not until the reign of Charles X when the true splendor of Cristal de Sèvres occurs. This has only been possible thanks to the remarkable quality of its products, including his famous “Opalines”, crown jewel, or the wonderful pieces set in silver and gold and released in the Universal Exhibition of 1878. In just a century and a half, Cristal de Sèvres and their luxury glassware conquer the “art de la table” lovers, with its aesthetic with the times, its timeless sophistication and its famed crystal Craft...

An excellent full colour multi-layered original production cel of an animated character from the film 'Cool World'. Authenticated by Paramount and dated 1992. Original production cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand painted by studio artists on a piece of celluloid acetate, and has been photographed over a background painting to create a frame of the finished production. Additional information Framed Height: 46 cm Framed Width: 54 cm Condition: Excellent Original Condition Dated: 1992 Materials: Sericel SKU: 245 About Paramount Pictures...

A striking black glass study modelled as an Art Deco stylised pelican with very fine smooth tactile surface, signed Baccarat France. Additional information Height: 16 cm Conditio...

An exceptional frosted glass salver with raised deep opalescent design of a beautiful mermaid in a swirling watery landscape, the three large bubbles around her protruding from the underside to act as feet, signed R Lalique Sirène Catalogue Number: 376 Signature Identification: “R. Lalique France” moulded in relief Date Introduced: 1920 Dimensions: 36 cm Diameter Felix Marcilhac Catalogue Raisonné Page 290 Additional information: Diameter: 36 cm Condition: Excellent Original Condition circa: 1920 Materials: Frosted and Opalescent Glass Book Ref: R.Lalique – Catalogue Raisonné by Felix Marcilhac About: 1860 Birth of René Lalique René Lalique was born in Aÿ-en-Champagne in the Marne region of France. Some years later, the Lalique family moved to Paris but continued to spend holidays in Aÿ. René remained deeply attached to his birthplace throughout his life. 1885 The first Parisian workshop Following the death of his father, René became an apprentice to craftsman and jeweller Louis...

A very well modelled study of an Arab horse in full motion turning to his right, the bronze with good rich brown colour and fine hand chased detail, raised on a stepped oval black marble base, signed S Winterburn and numbered 1 of 6 ADDITIONAL INFORMATION height: 41 cm width: 52 cm Condition: As New Condition Circa: 2010 Materials: bronze & marble SKU: 7631 ABOUT Steve Winterburn Steve Winterburn (born 1959, Coventry) is a self-taught artist whose creative development has been fuelled by his conviction, immense energy and curiosity. Possessing an innate comprehension of engineering and design enables him to explore his passion for challenge and experimentation. Steve began teaching himself to sculpt in 1994. With the progression of his sculpting an ambition emerged to personally shape each piece of his work from concept to completion. He had entrusted the casting of his earlier bronzes to the established foundries. But the delays in delivering his work became frustrating and he was disillusioned by the changes that resulted from not handling the finishing stages himself. In 2002 Steve moved to Yorkshire, in the north of England, and began converting the vast workshop next to his house into the current 9 room studio & foundry. It was here he started to experiment in order to gain an understanding of the entire process that is traditionally a closely guarded secret handed down between foundry men. The challenges included mastering mould making skills and the lost wax impression of the moulds from which a one off ceramic mould is made ready for the bronze pouring. Expanding his expertise with chasing the bronze, his ability to hand work the malleable surface and with the patina (colours). These stages are normally undertaken by a succession of different people, each skilled in their particular phase of the evolving sculpture. Involvement with a diversity of initiatives has taken Steve to India, Peru, Kenya, Tanzania, Rwanda, Australia and Ethiopia, sculpting people and animals. Steve has regularly exhibited with Hickmet Fine Arts at the internationally acclaimed LAPADA Fine Art and Antiques Fairs ( the highly prestigious UK Antiques Federation) and twice with The Wildlife Arts Society at the Westminster Gallery where in 1998 he won the award for best 3 dimensional piece. He has exhibited twice at the Royal Academy in London. Projects include developing designs for two statues...

An attractive early 20th century original gouache painted costume design from front and rear for the London Hippodrome production of Stars and Stripes. Mounted in modern silver coloured frame & signed Erté Additional information Framed height: 59 cm framed width: 46 cm Condition: excellent original condition circa: 1950 Materials: Gouache SKU: 241 ABOUT Erté’, Russian 1892 ~ 1990 Erté’s words: ” In fashion- creating forms for living people-in the design of furniture, in the design of theatrical settings and costumes, in the design of jewellery, one is functioning in three dimensions, and all this work in the round can be considered sculptural. In this sense, my theatrical settings are large environmental sculptures...

A very fine Mid-20th Century original gouache painted costume design for a theatrical musical production. Mounted in modern silver coloured frame and signed Erté. Additional information Framed Height: 53 cm Framed Width: 39 cm Condition: Excellent Original Condition circa: 1950 Materials: Gouache About Erté’s words ” In fashion- creating forms for living people-in the design of furniture, in the design of theatrical settings and costumes, in the design of jewellery, one is functioning in three dimensions, and all this work in the round can be considered sculptural. In this sense, my theatrical settings are large environmental sculptures...

A very fine French Animaliers bronze study of a stallion standing behind a post and rail fence exhibiting excellent hand finished surface detail and good...

An amusing early 20th Century bronze group of a bear peering over the edge of a rock at a rabbit quietly hiding under a ledge, with excellent rich brown patina and fine hand chased surface detail. Signed Paillet ADditional information Measures: Height: 18 cm. Condition: Excellent Original Condition. circa: 1910. Materials: Patinated Bronze. ABOUT Charles Paillet Charles Paillet (French, 1871 ~ 1937) Paillet studied sculpture under Georges Gardet. Paillet’s first exhibit was in the Salon of 1897 and he exhibited regularly until 1921. Most of his works were cast by the foundry Thiebault Freres both in lost wax and by the sand-cast method. A few of his works have been recorded bearing the F. Barbedienne foundry mark also. Charles Paillet, Georges Gardet, Rene Paris...

A very fine early 20th Century cold painted Austrian bronze study of an eagle spreading its wings. The sculpture balances naturally on the talons of the eagle, free standing this a marvellous representation for these free and noble creatures. The bronze surface has excellent colour and very fine hand finished detail, signed with the Bergman 'B' in an amphora vase. ADDITIONAL INFORMATION Height: 9 cm Width: 17 cm Length: 9 cm Condition: Excellent Original Condition Circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8757 ABOUT Bergman Eagle Franz Bergman Sculptures Bergman Eagle – Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze...

Very fine cold painted Austrian Bronze study of a salmon leaping from the water. The bronze with excellent cold painted colours and very fine hand chased surface detail, raised on a shaped onyx plinth ADDITIONAL INFORMATION Height: 10 cm Width: 13 cm Condition: Excellent Original Condition with light surface wear Circa: 1900 Materials: Cold Painted Bronze and Onyx ABOUT Vienna Bronze Leaping Salmon...

Impressive Austrian cold painted silver bronze figure of a naked Art Deco lady in a questioning pose with one hand out, signed Adolph and raised on a tall cy...

A fabulous early 20th century bronze study of an elegant naked beauty carrying wheatsheafs on her shoulder, exhibiting excellent rich brown and green patina and very fine detail, sig...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

A charming early 20th century animalier gilt bronze group of three seated puppies fascinated by an approaching snail. The bronze with fine hand chased surface detail and good colour,...

Entrancing mid 20th Century French pate-de-verre vide-poche decorated with variegated colours of greens and browns with a raised figure of a snake exhibiting fine translucent colour ...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

An excellent early 20th century American Glass Art Nouveau silvered vase. The surface of the vase has an iridescent green casing highlighting the central decorative flower made out of applied silver. ADDITIONAL INFORMATION Height: 17 cm Depth: 9 cm Width: 9 cm Condition: excellent condition Circa: 1910 Materials: Art glass and silver SKU: 6513 ABOUT American glass Art Nouveau silvered vase Art Nouveau Glassware...

An excellent mid 20th century American silvered glass vase. The surface of the vase has a deep rouge colour that accentuates the silver acorn branch design around the circumference of the body. Additional information Height: 16 cm Depth: 9 cm Width: 9 cm Condition: Excellent Condition Circa: 1960 Materials: Art Glass and Silver About American glass Art Nouveau silvered vase Art Nouveau Glassware...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

A beautiful early 20th Century cameo glass vase acid cut and etched with a deep red floral decoration against a yellow background. Exhibiting very fine hand finised surface detail an...

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

"Blue flower vase" by Emile Gallé A beautiful early 20th Century cameo glass vase acid cut and etched with a blue and purple floral decoration against a yellow field. Exhibiting ve...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

"Daphne" by Ernst Fuchs Dramatic gilt and black patinated bronze study of a seductive young woman holding aloft a feathered display, raised on a domed base, signed and inscribed on the underside Euro Art - Venturi Arts 0998 from the limited edition produced by this foundry ADDITIONAL INFORMATION Height: 41 cm Condition: Excellent Original Condition Foundry Venturi Arte Circa: 1970 Materials: Bronze SKU: 8193 ABOUT Ernst Fuchs (13 February 1930 – 9 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh. At the Academy, he met Arik Brauer, Rudolf Hausner...

"Chinese Legend" by Erté An eye catching limited edition cold painted Art Deco bronze figure of an elegant beauty in a full length costume resembling a Fenghuang. The bronze surface with excellent colour and detail, signed Erté, numbered 50/500, dated 1988 and with foundry mark. ADDITIONAL INFORMATION Height: 55 cm Circa: 1988 Foundry: Seven Arts Materials: Bronze Book Ref: Erte – The Last Works by Eric Estorick Page No: 152 SKU: 8260 ABOUT Erté Sculpture...

"Printemps" by Gauthier An excellent early 20th century Art Deco cold painted bronze figure of a naked dancer in an energetic pose standing on one leg and holding spring flowers i...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A dramatic early 20th Century French Art Deco gilt and enamel bronze figure of a beautiful elegant dancer in stylised pose wearing an attractive costume and headdress with superb intricate surface detail and colour, raised on an intergral shaped bronze base and lifted on a lavanto marble plinth, signed Cl.J.R.Colinet ADDITIONAL INFORMATION Height: 37 cm Width: 16 cm Condition: Excellent Original Condition Circa: 1925 Materials: Gilt Bronze & Marble Book Ref: Art Deco & Other Figures by Bryan Catley Page: 120 SKU: 8717 ABOUT Colinet Claire Jeanne Roberte Colinet (1880–1950) was French sculptor of Belgian birth who worked during the early-to-mid 20th century. The subject matter of her best known work was primarily Arab female dancers. The majority of her career output in sculpture can be classified as being of the Art Deco style. Colinet was a frequent exhibitor at the Salon des Artistes Francais and Salon des Independents art exhibitions in Paris. Her sculptures, most of which depicted beautifully figured, energized, and dramatic female forms, were exhibited posthumously at the Paris Salon for nearly 30 years. Early Life Colinet was born in Brussels, Belgium, in 1880. Little is known about her life other than the artwork she produced during a successful career that spanned more than 40 years. As a woman, she was in the minority in her chosen field of sculpture during the era in which she worked and lived. Career At an undetermined date – probably around 1910 – Colinet emigrated to Paris, France, where she studied sculpture under the watchful eye of Jef Lambeaux and exhibited for the first time at the Salon des Artistes Francais in 1913 and became a permanent member of the organization in 1929. From 1937 to 1940, she exhibited at the Salon des Independents in Paris and joined the Union of Women Painters and Sculptors. Colinet's work is primarily done in the Art Deco style, and her models included odalisques, exotic dancers, jugglers and artists of cabaret. A number of her female dancer pieces were influenced by a revival of the Orientalism movement which had been popular in Europe from about 1860 to 1880. Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory. Colinet's sculpture has become highly desirable to collectors and, increasingly, is selling for exorbitant sums. At a Christie's sale on 4 May 2007, her Ankara Dancer...

A fabulous early 20th Century Art Deco cold painted bronze figure of a naked dancer in an elegant flowing pose, exhibiting excellent colour and fine hand finished detail, raised on a green onyx base and signed Lorenzl Additional Information Measures: Height: 25 cm Width: 11 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Cold painted Bronze & Green Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 225 ABOUT Lorenzl Fleur Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Fleur – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory...