Hickmet Fine Arts Furniture

Joao Cutileiro 'Tentation' by Daum Glass A fabulous limited edition pate de verre glass study of a nude woman lying on her side with her knees tucked...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

An excellent early 20th century American Glass Art Nouveau silvered vase. The surface of the vase has an iridescent green casing highlighting the central decorative flower made out of applied silver. ADDITIONAL INFORMATION Height: 17 cm Depth: 9 cm Width: 9 cm Condition: excellent condition Circa: 1910 Materials: Art glass and silver SKU: 6513 ABOUT American glass Art Nouveau silvered vase Art Nouveau Glassware...

An excellent mid 20th century American silvered glass vase. The surface of the vase has a deep rouge colour that accentuates the silver acorn branch design around the circumference of the body. Additional information Height: 16 cm Depth: 9 cm Width: 9 cm Condition: Excellent Condition Circa: 1960 Materials: Art Glass and Silver About American glass Art Nouveau silvered vase Art Nouveau Glassware...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

A beautiful early 20th Century cameo glass vase acid cut and etched with a deep red floral decoration against a yellow background. Exhibiting very fine hand finised surface detail an...

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

"Blue flower vase" by Emile Gallé A beautiful early 20th Century cameo glass vase acid cut and etched with a blue and purple floral decoration against a yellow field. Exhibiting ve...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

"Daphne" by Ernst Fuchs Dramatic gilt and black patinated bronze study of a seductive young woman holding aloft a feathered display, raised on a domed base, signed and inscribed on the underside Euro Art - Venturi Arts 0998 from the limited edition produced by this foundry ADDITIONAL INFORMATION Height: 41 cm Condition: Excellent Original Condition Foundry Venturi Arte Circa: 1970 Materials: Bronze SKU: 8193 ABOUT Ernst Fuchs (13 February 1930 – 9 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh. At the Academy, he met Arik Brauer, Rudolf Hausner...

"Chinese Legend" by Erté An eye catching limited edition cold painted Art Deco bronze figure of an elegant beauty in a full length costume resembling a Fenghuang. The bronze surface with excellent colour and detail, signed Erté, numbered 50/500, dated 1988 and with foundry mark. ADDITIONAL INFORMATION Height: 55 cm Circa: 1988 Foundry: Seven Arts Materials: Bronze Book Ref: Erte – The Last Works by Eric Estorick Page No: 152 SKU: 8260 ABOUT Erté Sculpture...

"Printemps" by Gauthier An excellent early 20th century Art Deco cold painted bronze figure of a naked dancer in an energetic pose standing on one leg and holding spring flowers i...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A dramatic early 20th Century French Art Deco gilt and enamel bronze figure of a beautiful elegant dancer in stylised pose wearing an attractive costume and headdress with superb intricate surface detail and colour, raised on an intergral shaped bronze base and lifted on a lavanto marble plinth, signed Cl.J.R.Colinet ADDITIONAL INFORMATION Height: 37 cm Width: 16 cm Condition: Excellent Original Condition Circa: 1925 Materials: Gilt Bronze & Marble Book Ref: Art Deco & Other Figures by Bryan Catley Page: 120 SKU: 8717 ABOUT Colinet Claire Jeanne Roberte Colinet (1880–1950) was French sculptor of Belgian birth who worked during the early-to-mid 20th century. The subject matter of her best known work was primarily Arab female dancers. The majority of her career output in sculpture can be classified as being of the Art Deco style. Colinet was a frequent exhibitor at the Salon des Artistes Francais and Salon des Independents art exhibitions in Paris. Her sculptures, most of which depicted beautifully figured, energized, and dramatic female forms, were exhibited posthumously at the Paris Salon for nearly 30 years. Early Life Colinet was born in Brussels, Belgium, in 1880. Little is known about her life other than the artwork she produced during a successful career that spanned more than 40 years. As a woman, she was in the minority in her chosen field of sculpture during the era in which she worked and lived. Career At an undetermined date – probably around 1910 – Colinet emigrated to Paris, France, where she studied sculpture under the watchful eye of Jef Lambeaux and exhibited for the first time at the Salon des Artistes Francais in 1913 and became a permanent member of the organization in 1929. From 1937 to 1940, she exhibited at the Salon des Independents in Paris and joined the Union of Women Painters and Sculptors. Colinet's work is primarily done in the Art Deco style, and her models included odalisques, exotic dancers, jugglers and artists of cabaret. A number of her female dancer pieces were influenced by a revival of the Orientalism movement which had been popular in Europe from about 1860 to 1880. Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory. Colinet's sculpture has become highly desirable to collectors and, increasingly, is selling for exorbitant sums. At a Christie's sale on 4 May 2007, her Ankara Dancer...

A fabulous early 20th Century Art Deco cold painted bronze figure of a naked dancer in an elegant flowing pose, exhibiting excellent colour and fine hand finished detail, raised on a green onyx base and signed Lorenzl Additional Information Measures: Height: 25 cm Width: 11 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Cold painted Bronze & Green Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 225 ABOUT Lorenzl Fleur Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Fleur – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory...

Excellent quality and very rare mid-19th century French Animalier bronze study of a seated griffon hound looking intently at two pigeons feeding beside him. The bronze with excellent...

Arab Water Carrier by Dieder Debut An excellent French late 19th Century Art Nouveau bronze, of a an Arab man Carrying two jugs, one on each arm. With good detail and a rich brown p...

A entrancing late 19th century French Art Nouveau bronze bust entitled ‘Lucrece’, of a beautiful classical lady modeled in the Art Nouveau style with excellent rich brown variegated patina and smooth tactile surface detail. Signed E Villanis...

An attractive limited edition cold painted Art Deco bronze figure of an elegant beauty dressed in a purple full length gown with excellent color and detail, signed Erté, numbered 145...

An inspiring early 20th Century Art Deco glass salver decorated with swirling fronds of seaweed around the circumference of the plate, with excellent deep opalescent colour and very ...

A stunning early 20th century French bronze figure of a semi clad young woman holding a bird in classic high Art Deco pose with excellent gilt patination and intricate surface detail...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

A beautiful early 20th century cold painted Austrian bronze study of young semi clad dancer wearing only a skirt which is mechanically hinged to reveal her naked body creating the il...

A fantastic and very rare early 20th century pate-de-verre glass vase decorated with a lizard coiled around the bottom with a very fine orange and green color that fades out into yel...

A fabulous cold painted Art Deco bronze figure of a naked beauty in a revealing pose with very fine colour and excellent detail, raised on an onyx base and signed Adolph Additional information Height: 27 cm Condition: Excellent Original Condition Circa: 1930 Materials: cold painted bronze & onyx SKU: 7692 ABOUT Josef Adolph Josef Adolph ~ Austrian, created many small figural models in the Art Deco period around 1910-1939. Typical for Adolph and at the same time characteristic of the Art Deco era, was the depiction of the concept of modern life - in particular, that of the “modern woman” in rhythmic, sensual and aerodynamic poses taken from the new forms of dance, for which there was a lot of enthusiasm at that time. The Art Deco Period: although Art Deco derives its name from the great 1925 Paris Exhibition, ‘L’Exposition Internatlionale des Arts Décoratifs et Industriels Modernes’, the term is now generally applied to the typical artistic productions of the 1920’s and 1930’s. It might best be characterised as an attempt to unite arts with industry, embracing the machine age and repudiating the old antithesis of ‘Fine’ and ‘Industrial’ art. The sources of the Art Deco movement include Egyptian and Mayan Art, Cubisim, Fauvism and Expressionism, heavily influencing the chief force underlying all Art Deco...

A very fine bronze study of Venus taking an arrow from Cupid her son, who at times would shoot his arrows without meaning or reason into the hearts of men, igniting their desire. Exhibiting excellent rich brown patina and good detail, signed Sul Abadie and stamped. Additional information Height: 93 cm Condition: excellent condition Circa: 1885 Materials: bronze & marble SKU: 4979 ABOUT Jean Sul-Abadie Jean Sul-Abadie (Born 1850 ~ Died 15th April 1890) was a French artist, a pupil of Jouffroy and Falguière. Specialising in bronze sculpting in the Art Nouveau style. He made his Salon debut in 1872. Cupid & Venus Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god of war. Out of this relationship, Cupid was born. In the following painting you see Venus with Mars, who is being disarmed by Cupid. Cupid has attributes from both of his parents. Like his mother he is considered to be the god of love, or more precisely, the god of falling in love. He is portrayed as an innocent little child with bow and arrows. He shoots arrows to the heart, and awakening a love that you’re powerless to resist. In classical mythology, Cupid (Latin Cupido, meaning “desire”) is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god Mars, and is known in Latin also as Amor (“Love”). His Greek counterpart is Eros. Although Eros is in Classical Greek art as a slender winged youth, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as “Love conquers all” and the retaliatory punishment or torture of Cupid. In art, Cupid often appears in multiples as the Amores, or amoriniin the later terminology of art history, the equivalent of the Greek erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto. Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine’s Day. Venus is the Roman goddess whose functions encompassed love, beauty, sex, fertility, prosperity, victory, and desire. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, who survived the fall of Troy...

A very fine late 19th century bronze figure of a young lad dressed in period attire holding a broken jug, with excellent rich brown patina and fabulous hand finished surface detail, signed & titled ADDITIONAL INFORMATION Height: 20 cm Condition: excellent original condition Circa: 1890 Materials: Bronze SKU: 8279 ABOUT Charles Anfrie...

A delightful Art Nouveau early 20th Century gilt bronze figure of a very beautiful young lady holding a flower in her right hand, the surface of the bronze exhibiting fine detail and...

An endearing early 20th Century Spanish patinated gilt bronze study of a young girl sitting upon a stool whilst putting on her shoe. The surface of the bronze with excellent rich ...

A charming early 20th Century Spanish bronze study depicting a young girl trying to escape from her high chair, exhibiting excellent rich brown and gilt patina and fine detail. Signe...

A striking French Animalier gilt and patina tied bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères Additional information Height: 50 cm Width: 46 cm Condition: excellent original condition Foundry: Thiebaut Frères Circa: 1910 Materials: Bronze SKU: 7528 ABOUT Louis Riché Bronze...

An endearing early 20th century bronze study of an owl perched upon a branch with excellent colour and very fine smooth tactile surface, signed and dated 1921 Additional information...

A fabulous French Animalier gilt bronze group of two Alsatians, one seated in alert pose with its head turned slightly and ears pricked whilst the other one lays in an alert pose. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères Additional Information Height: 32 cm Width: 38 cm Condition: Excellent Original Condition Foundry: Thiebaut Frères Circa: 1900 Materials: Bronze About Louis Riché Bronze...

Delightful mid 19th Century French Animaliers bronze study of a playful Greyhound and King Charles Spaniel, with rich brown rubbed to a golden colour and fine hand chased surface det...

Delightful late19th century French Animaliers bronze study of a turning whippet looking around in an attitude to play, with rich brown colour and fine hand chased surface detail. Sig...

Exquisite mid 19th century French bronze study of an anthropomorphic bear sitting on a barrel playing a violin, the barrel can be opened halfway to form a container. The surface with excellent mid to dark brown patina and very fine hand chased surface detail, signed Fratin and titled Le Père Odry Additional Information Height: 17.8 cm Width: 8.6 cm Depth: 7.2 cm Condition: Excellent Original Condition Circa: 1845 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg About Le Père Odry Le Père Odry is a character in one of Balzac's novels, Unconscious Comedians which is one of the lesser known novels in the series La Comédie Humaine. The novel tells the story of a famous painter who takes his provincial cousin on a trip of Paris to open his eyes to what really goes on in the city behind the respectable façade. Le Père Odry appears in the novel as a dissolute actor. Christopher Fratin, French 1801 ~ 1864 also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality this foible is actually an indicator of authenticity. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

Wonderful 19th Century animalier bronze group of a standing ewe with her feeding lamb beneath her, the bronze with excellent rich brown patina and very fine hand chased surface detai...

A large and impressive early 20th Century bronze study of a walking lion with fine deep brown, gold and orange patination and good surface detail. Raised on naturalistic bronze base,...

A very fine French Animaliers bronze study of a stallion standing behind a post and rail fence exhibiting excellent hand finished surface detail and good...

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A striking early 20th century Austrian bronze group of an Bedouin man standing next to his camel by the side of a palm tree on a naturalistic raised base, the saddle on the camel ope...

Impressive large early 20th Century Austrian bronze study of a stag with outstretched neck as he is 'calling' to dominate his ground. The surface of the bronze with rich cold painted...

A fabulous early 20th Century cold painted bronze figure of a female Art Deco beauty in a running pose holding a large harvest of grapes under her arm, with fine colour and excellent...

A fabulous early 20th Century Art Deco cold painted silver and enamel bronze figure of a dancer holding a garland of flowers in her arms, raised on a circular stepped onyx and marble...

“Standing Hen” Vienna bronze by Franz Bergman - circa 1900. A very fine early 20th century cold painted Austrian bronze study of a standing hen with excellent hand chased surface detail and fine naturalistic colour, signed with the Bergman ‘B’ in an amphora vase Franz Bergman - Austrian, 1861 - 1936 - is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze...

A fabulous limited edition cold painted bronze figure of an elegant beauty dressed in a full length gown looking into her pocket mirror with excellent colour and very fine hand finished detail. Signed Erté, numbered 70/375, dated 1986 and with foundry mark. ADDITIONAL INFORMATION Height: 46 cm Circa: 1986 Foundry: Fine Art Acquisitions Materials: Bronze Book Ref: Erté The Last Works by Eric Estorick Page no. 104 SKU: 4996 ABOUT Erté Sculpture Erté La Coquette...

Excellent French bronze study of a mounted Caucasian Warrior in full armour, the bronze with excellent hand chased surface detail and rich green, brown, black and orange patination, ...

Fabulous late 19th Century French Animalier bronze study of a standing horse with wonderful rich dark brown lightly rubbed to mid/golden brown patina and excellent crisp surface detail, raised on a stepped integral base, signed I Bonheur ADDITIONAL INFORMATION Height: 13 cm Length: 19 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book Ref Animals in Bronze by Christopher Payne Kjellberg Page no. 177 SKU: 8526 DESCRIPTION Isidore Bonheur Bonheur Cheval– Isidore Bonheur (1827 ~ 1901) was born on May 15th 1827 in Bordeaux, France, and died in Paris in 1901. He was an important Animalier sculptor, the brother of Rosa Bonheur, and brother-in-law to Hippolyte Peyrol the founder. The Bonheurs were a well known family of painters, sculptors and artists. Isidore studied painting under the tutelage of his father at a very early age. He moved on to sculpture in 1848 with his first Salon entry of a plaster study of An African Horseman attacked by a lion. Isidore Bonheur continued exhibiting his sculpture throughout the years, both at the Salon in Paris as well as the Royal Academy in London. He won medals at the Salon in 1865 and 1869, and won the Gold Medal at the Paris Exposition Universelle of 1889. Bonheur was awarded the Legion of Honneur in 1895. Isidore Bonheur’s bronzes range from domestic cattle and sheep, which he excelled at, to wild bears and lions as well as equestrian and hunting groups, all done in a very natural and realistic manner. His Le Grand Jockey...

An erotically charged early 20th century Art Deco cold painted bronze figure of a seductively dressed young lady holding a riding crop behind her back standing in a domineering pose and wearing a revealing basque with gartered stockings, raised on an oval shaped Brazilian green onyx plinth, signed Zach. Bruno Zach (German, 1891–1935) - Bruno Zach was a prolific creator of tall, athletic, independent women in bronze...

An impressive late 19th century polychromed bronzed metal sculpture of an Orientalist maiden resting on a twin handled jardinière with excellent hand chased surface detail and fine naturalistic colours, signed Waagen Arthur Waagen (German, 1833-1898) was born at Memel in Prussia, was a little-known German Animalier and orientalist figurative sculptor. Early in his career he moved to Paris, where he settled permanently to persue a career as a sculptor. His studio was based at 40, Cours de Vincennes, east of Place de la Nation. Inspired by the trend for the oriental, he exhibited several works with north African themes...

A wonderful cameo glass vase etched and enameled with silver birch trees bent over in a rain-swept landscape. The design heightened with deep pink and green colors interwoven on the ...

An eye-catching limited edition cold painted Art Deco bronze figure of an elegant beauty in a full length costume resembling a Fenghuang. The bronze surface with excellent color and detail, signed Erté...

A large and impressive late 19th century French animalier bronze group of a Pheasant surprised by a weasel, both animals heightened with original gilding and raised on a naturalistic...

Fabulous Art Deco bronze figure of an energetic dancer with her leg raised high. The surface of the bronze with excellent deep dark color and very fine hand finished detail, raised o...