Lions Gallery Figurative Paintings

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso titled: "a marriage made in heaven, potatoes and gravy" A handshake, a silver gravy boat and potatoes floating. cut and pasted cardstock assemblage, collaged art. David Gilhooly RCA (1943 – 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk surrealism art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures. David James Gilhooly III was born on April 15, 1943, in Auburn, California. He was raised in Los Altos, California; Saint Croix in the Virgin Islands; and Humacao, Puerto Rico. He enrolled in University of California, Davis (UC Davis) initially studying biology, followed by anthropology, and ending with a focus on fine art. While attending UC Davis, Gilhooly served as artist Robert Arneson assistant starting in 1963. He graduated from UC Davis with a BA degree in 1965, and an MA degree in 1967. Gilhooly, together with Robert Arneson, Peter Vandenberge...

This is a hand painted copy of the New Yorker Magazine cover image from September 25, 1978. It is not signed. I was told it is not by the artist. I am selling it as in the style of Gretchen Dow Simpson...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

Genre: Classic Subject: Portrait, Sabra in Haifa Medium: Oil Surface: Canvas Country: United States Bacia Gordon (1904-1977) came to the United States from Poland and studied at th...

In this painting, Nussbaum portrays a joyful holiday celebration of the megillah reading in the synagogue in a sketch-like manner without focusing on any specific details. The vibran...

In this painting, Nussbaum portrays a joyful holiday celebration of the megillah reading in the synagogue in a sketch-like manner without focusing on any specific details. The vibran...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

ARIEH ALLWEIL [ARIE ALWEIL] 1901-1967 Galicia 1901-1967 Safed, Israel (Ukranian/Polish/Israeli) Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. ALlweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust. Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggada and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed. Education 1921-25 Art Academy, Vienna, Austria 1921-25 Dresden Academy, Germany Teaching Herzliyah Gymnasium High-School, Israel, art. Tel Aviv High School Awards And Prizes 1937 Dizengoff Prize for Painting and Sculpture, Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa 1946 Dizengoff Prize 1955 Turov Prize for Bible Illustrations Select Solo Exhibition: 1933 Tel Aviv Museum, Solo Exhibition 1942 Katz Gallery, Tel Aviv 1950 Tel Aviv Museum, Tel Aviv 1956 The Blue Dome, Safed 1968 Memorial Exhibition of the artist Arieh Allweil Yad Labanim Museum, Petach-Tikva 1969 Solo Exhibition The Knesset, Jerusalem 1987 Arieh Allweil: 1901-1967 - ''Return to Betanya Ilit'' Beit Gabriel, Zemah 1994 Arieh Allweil: Prints and Caligraphy The Isaac Kaplan Old Yishuv Court Museum,Jerusalem 2011 Arieh Allweil, Letters, Figures, Landscapes Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod Select Group Exhibitions 1929 Eged - Palestine Painters Group Allenby Street, Tel Aviv Artists: ChanaOrloff, Abraham Melnikoff, Reuven Rubin, Nachum Gutman, Sionah Tagger, Arieh Allweil, Haim Gliksberg, Yossef Zaritsky, Leon Arie Fein, Pinchas Litvinovsky, Elias Newman. 1932 The Bezalel National Museum, Jerusalem Artists: Litvinovsky, Pinchas Gutman, Nachum Allweil, Arieh Exhibition of Artists: P. Litvinovsky, A. Allweil, N. Gutman 1936 First Exhibition of ''Hever Omanim'' Steimatzky Galleries, Jerusalem Artists: Gutman, Nahum Holzman, Shimshon Moshe Mokady, Miron Sima, Jakob Steinhardt, Zeev Ben Zvi, Moshe Ziffer, Allweil, Arieh. 1944 Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv Artists: Hermann Struck, Hermann Moshe Sternschuss, Arie Reznik, Aaron Priver, Itzhak Danziger, Itzhak Zvi Aldouby, Menahem Shemi...

Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kleinman and Itshak Holtz the artist captures this Jewish scene with a particular sensitivity. Part of the Ecole De Paris The term "School of Paris" was used in 1925 by André Warnod (fr) to refer to the many foreign-born artists who had migrated to Paris. School of Paris artists were progressively marginalized. Beginning in 1935 art publications no longer wrote about Marc Chagall, just magazines for Jewish audiences, and by June 1940 when the Vichy government took power, School of Paris artists could no longer exhibit in Paris at all. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miró, Constantin Brâncuși, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The "core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism." One account points to the 1924 Salon des Indépendants, which decided to separate the works of French-born artists from those by immigrants; in response critic Roger Allard (fr) referred to them as the School of Paris. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder, Chagall, Moïse Kisling, Maxa Nordau...

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

Genre: Modern Subject: Organ grinder with parrot Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), wh...

Moshe (Matusovski) Matus (Polish Israeli , 1908-1958), Depicting an orchestral concert. Hand signed lower right. Dimensions: (Frame) H 31" x W 37", (Sight) H 21" x W 28" Moshe Matus (Matusovski) 1908, Warsaw, Russian Poland - November 23, 1958 Toronto, Canada. was a Polish Israeli modernist painter who lived during the last decade of his life in The United States and Canada. Matus was born in 1908 in the Russian city ​​of Warsaw, into a traditional and Zionist family, the eldest of the three children of Dr. Josef Matusovsky, a dentist, and was a member of Hashomer Hatzair in Warsaw in 1924. When he was 15, He studied at the Bezalel Academy of Art and Design in the 1920s with Boris Schatz and was educated at the Herzliya Gymnasium where he studied painting and sculpture. He studied for several years at École nationale supérieure des Beaux-Arts (Bose-R) in Paris. He returned to Tel Aviv and lived there on Sheinkin Street. From the 30s was one of the most prominent artists in the country. he exhibited In shows general as well as in solo shows - which exhibition at the Herzliya in Tel Aviv, which opened Benzion friends (1932); in Allenby 15, Tel Aviv (1935) exhibition in Pomrock , which opened the poet Saul Tchernichovsky and Moses (1936), at the Steimatzky Gallery in Jerusalem , opened by Dr. Moshe Duchan (March 23, 1937); An exhibition at the Cosmopolitan Gallery in Tel Aviv (formerly the Bach Gallery, 1 Hess Street), opened by Mayor Israel Rokach (March 5, 1938); and an exhibition at the Tel Aviv Museum (1946). He painted the stage...

Frame is 23 X 27, Canvas is 16 X 20 Born in Milan, Italy Lupetti studied at the Royal Academy in Rome where he received classical training and was apprenticed to the school of restoration at the Vatican. At the age of fourteen he was accepted to attend Brera Liceo Artistico, one of the most prestigious art academies in Italy, graduating at age eighteen and then went on to win honors from the Royal Academy of Fine Arts in Rome eventually receiving the degree of Professor of Fine Arts. In Milan, he helped restore the famed La Scala Opera House, and in Rome he earned the right to help in the restoration of the Masters' Works in the Vatican's Sistine Chapel. Following service in WWII, Roberto came to America sponsored by the famous conductor Arturo Toscanini. A painting he did of the maestro was purchased by the San Francisco Art Commission. He moved to San Francisco where he taught at the Art Institute. Roberto Lupetti (1918 - 1997) was active/lived in California / Italy. Roberto Lupetti is known for Figure, ship, still life painting. Particularly judaic rabbi paintings and Jewish genre scenes. Lupetti earned five degrees from the Italian Royal Academy of Fine Arts, was a team member for the refurbishment of the Vatican's Sistine Chapel, and immigrated to the U.S after World War II. Known for his Renaissance art and large murals, he created a few western genre pieces, including a Day in the Life of A Cowboy (5) 5'x10' murals were painted oil on masonite in 1959. He was born in 1917. He painted very few seascapes, preferring to paint scenes of fishermen on ships, usually in a storm setting. He lived all his life in America on the west coast, mostly in Carmel and Carmel Valley, California. As well as decorating churches throughout the U.S., he also painted portraits of such celebrities as Ingrid Bergman, Barbara Stanwyck, and General George Marshall. Roberto Lupetti earned five degrees at the Royal Academy of Fine Arts. Roberto was married to fellow artist Lynn Lupetti...

Genre: Modern Subject: Klezmer Musicians Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether fa...

Genre: Modern Subject: Klezmer Musicians Medium: Oil Surface: Board, size includes artist decorated frame without frame 16X12 Country: United States The imagery of Maurice Kish (189...

Genre: Modern Subject: Fiddler on the roof Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether f...

Genre: Modern Subject: Wood carver, Circus Fair Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved throug...

similar in style to David Azuz a new Expressionist Israeli market scene possibly by Roz Rice.

Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. 31x34.75, 23.5x27.5 without frame. Hungary, b. 1923, d. 1992 Jossi (Yossi) Stern, son of David and Katerina, was born in the Bakon Hills of Hungary, in 1923. He was already drawing when at the age of ten he moved with his family from the Bakon Hill region to the considerably more cosmopolitan Budapest. Recognizing the looming threat of Hitler and the pending Nazi invasion of Hungary, in 1940, at the age of seventeen, the young artist made his way to Palestine aboard the Sakaria, an old ship heavily crowded with 2,300 other refugees. Before reaching the shores of Palestine, then under the British Mandate, the British Navy intercepted the ship and declared Stern and all those aboard illegal immigrants. Stern was sent to a prison camp where he remained incarcerated by the British for six months. In 1943, having spent a few years doing agricultural work, Stern was encouraged by close friends who recognized his artistic talent to enroll in the prestigious Bezalel School of the Arts in Jerusalem. An outstanding student, he eventually became a highly respected teacher of Graphic Arts at Bezalel. Stern is recognized in Israel as having been one of the country's premier artists...

Natan Heber was trained by his father in Poland to be a ritual slaughterer. In 1925, he joined the Zionist movement "Mizrachi" and in 1936 immigrated to Palestine where he opened a poultry shop in Haifa. He began to paint at the age of sixty-one, after ill health forced him to retire. Driven by a need to memorialize his family and their shtetl community lost in the Holocaust, he drew scenes of traditional Jewish life. Unfamiliar with the conventions of scale and perspective, he set his heavily outlined frontal figures on steeply rising surfaces and often portrayed his father in monumental size to mark his importance. One of Israel's greatest naive-style painters. Along with Shalom of Safed, Kopel Gurwin and Gabriel Cohen, He is renowned as one of Israel's greatest living naive-style folk art painters, The Haifa Museum of Art will be opening the first ever Outsider Art exhibition (also known as Art Brut) in Israel in January 2013. He was included in the show of Outsider art at Haifa Museum The exhibition included works by Classical Outsider artists, none of them have ever been shown in Israel - Henry Darger, Martin Ramirez, Adolf Wölfli, Aloïse, Hauser, Carlo Zinnelli, Bill Traylor, Minnie Evans...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject figures walking in old city Jerusalem. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject figures walking in old city Jerusalem. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Abstract, Figure of Woman, Safed Oil on Masonite. Signed. Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Genre: Judaica Subject: People Medium: Oil Surface: Canvas Country: United States Dimensions: 40" x 30 1/4" Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Gol...

Nguyen Thanh Son (Vietnamese, b. 1954) Nights and Echoes, 2007 Oil on canvas Hand signed and dated lower right Dimensions: 62 5/8 x 76 5/8 inches. Provenance: Totem Art...

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative Surrealist figures. . Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

"School of Paris" Isis Kischka was born in Paris on the 26 October 1908 to a Polish Jewish family who had migrated from the Ukraine two years earlier. After completing studies in c...

size includes frame Adolf Adler 1917 - 1996 Adolf Adi Adler was born in Romania in 1917. Attended the Art College of Kluj Romania in 1950. (in Satu Mare, original home city of the Satmar Hasidic group). In 1963, Adler was chief among a group of well known artists who immigrated to Israel. He was awarded the Nordau prize in 1978. He works have been auctioned at Sloan's Auction House in Maryland and Karrenbauer Auction House in Germany and today are represented in the Yad Vashem Holocaust Museum in Jerusalem. In 1984, a retrospective of his work was held in Rishon Le Zion. He died in 1996. Awards and Prizes 1993 Mordecai Ish-Shalom Prize, Artists House...

El Balcon, the courting couple flirting over the balcony railing ala Romeo and Juliet. Eliana Menassé is a Mexican painter and member of the Salón de la Plástica Mexicana, an honor society for Mexican artists She was born in New York, but lived in Mexico since she was two years old and considers herself Mexican. As of 2015 she lived and worked at her Mexico City apartment overlooking Parque México. She has been painting for over half a century and has held twenty five individual exhibitions since 1958. These include Universidad Autónoma Metropolitana (2010), Instituto Nacional de Ciencias Médicas y Nutrición (Hospital de Nutrición) (2008). Galería Alberto Misrachi (1995, 2001, 2006), a retrospective at the Galería Alba de la Canal, Universidad Veracruzana, Xalapa (2003), a retrospective at the Casa del Tiempo UAM (2001), a retrospective at the Museo de Arte de Aguascalientes (1997), Expo 4 Pintores, Sala Nacional INBA (1989), Galería “El Granero”, Torreón, Coahuila (1981), Galería Francisca Díaz (1980), Galería Merkup (1968, 1970 y 1972), Gallery of the Los Angeles Mart, Los Angeles, CA (1967), Steven Laurence Gallery, Detroit,MI (1967), Salón de la Plástica Mexicana (1963, 1966, 1975), Instituto Francés de América Latina (1962) and the Galería Tuso (1958). She has participated in over 250 collective exhibitions in various parts of Mexico as well as in the United States, the Netherlands, Germany, Japan and other countries. Her work can be found in the collections of the Ghetto Fighters' House in Israel, Bell Telephone Co. Museum in Chicago, Musée Beitar et Rami in Israel, Museo de Arte Contemporáneo, Morelia, Centro Cultural de Oaxaca, Museo del Estado de México, Toluca, Mexican Engraving Museum in Bulgaria, Colección Gráfica de la UNAM, México the General Motors Collection, The B. Lewin Collection of Mexican Art, Palm Springs Desert Museum, Los Angeles County Museum of Art, Museo de Arte de Aguascalientes, Colección Pago en Especie SHCP, Colección Instituto Nacional de Nutrición and the Acervo Cultural El Agora, Xalapa. She was a Jewish Mexican...

WEISBUCH, Claude. Oil on Canvas "Clown a la Colerette" 1961. Signed lower right, further signed, titled and dated verso. Dimensions: 18.25" high x 24" wide. Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative surrealist figures with a carousel horse. This reminds me of a Latin American Niki de Saint Phalle. Dreamlike imagery. Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

Ramon Antonio Carulla (Cuban, born 1936). Artist signature to lower right. Label verso. Retains original JOY MOOS GALLERY label. Dimensions: 38.5 X 28 inches. Paper is 28 X 19.5 inches. This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting a male figure with geometric forms. Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series – Forma Galley (Miami, Florida) Masks, Hats, Other Headgear: A Retrospective - Schweyer-Gallardo Gallery 1983 Recent Works – VI Graphic Biennial (San Juan, Puerto Rico) 1980 Life Boundaries Series – Virginia Miller Gallery (Coral Gables, Florida) 1975 Atelier J. Lukacs (Montreal, Canada) 1967 Bacardi Art Gallery (Miami, Florida) Ramón Antonio Carulla (born December 7, 1936 in Havana, Cuba) is a Cuban art...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a range of styl...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Nandor Brenner Viday, Born in Budapest, Hungary in 1903, date of death u...

In this painting, Nussbaum portrays Rabbi in lively conversation outside the synagogue in a sketch-like manner without focusing on any specific details. The vibrant colors used in th...

From a collection by a long time Miami Beach art dealer on the old Lincoln Rd. This is a piece he brought back from hungary. from a collection of good Hungarian artists and Illustrat...

Genre: Realism Subject: Family Portrait Medium: Oil Surface: Canvas Dimensions: 12X14 includes frame

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...

Melitta Schiffer, painter. b. Trieste, Italy. In her youth, moved to Weimar, Germany with her parents. Studied at Art Academy, Weimar, Germany; Advanced studies with artist Mildan; 1...

Genre: Realism Subject: Portrait Medium: Oil Surface: Canvas Country: Israel Dimensions: 23.75" x28.75" Marina Grigoryan (Armenian/Russian/Israeli) was born in 1963 in Dushanbe, Rus...

This painting, exemplifies the type of traditional portraits the artist Ariane Beigneux was specially known for. Here, Beigneux depicts the portrait of a little boy and horse in a realistic, and seemingly idealized manner. The artist uses local colors and controlled brushstrokes to render the subject, paying close attention to details adding a special clarity to the naturalism of the portrait. it is painted on Whatman illustration board. some drawing in the margins. Ariane Beigneux was born to French parents in Roxbury, CT in 1918 and passed in 2011. She studied art at the National Academy of Design with Gifford Beal, Sidney Dickinson and Ivan Olinsky and at the Art Students League in New York with Jon Corbino and Jean Liberte. Ariane painted professional artist childrens portraits for six decades. Her work was included in the book 6 Artists Paint a Portrait: Alfred Chadbourn...

PATRICK ARCHER (American b. 1926) "Genesis VI" Collage on board. Sight: 13 x 11 inches, framed: 23 .5 x 21.5 inches. Signed and dated at lower right, signed titled and numbered on v...

Moshe Katz (Romanian Israeli), 1937- an Israeli citizen, studied art at the Bezalel Academy of Art in Jerusalem, as well as at the Chicago Academy of Fine Arts. Although not an expo...

Moshe Katz (Romanian Israeli), 1937- an Israeli citizen, studied art at the Bezalel Academy of Art in Jerusalem, as well as at the Chicago Academy of Fine Arts. Although not an expo...

Housewives Choice, A-Z a cute Folk Art Alphabet of kitchen utensils and cooking implements rendered in a whimsical naive style. CHRISTINE McARTHUR was born in Kirkintilloch, near Glasgow, in 1953 and studied at Glasgow School of Art between 1971 and 1976. She taught and produced book illustrations before turning to paint full time. she was elected a member of the Royal Glasgow Institute and in 1995 a member of the Royal Scottish Society of Painters in Watercolour. McArthur has been the recipient of a number of awards including The Scottish Arts Council Award and the Glasgow Society of Women Artist Trust Fund Award. She has exhibited widely in the UK, particularly in London and Scotland, as well as in Russia, Hong Kong, Her early work was primarily in oil and she became well known for her large scale still life paintings on canvas. In the late 1980s she began to work in oil pastel and watercolour but more recently she has reverted to oil, as well as acrylic and collage. She has exhibited widely with solo exhibitions in the Roger Billcliffe Gallery, Glasgow, Lemon Street Gallery, Truro, and Ainscough Gallery, London, among others. AWARDS S.E.D. travelling scholarship 1975, and 1976, Arts Council Award 1979, and 2004. Glasgow Society of Women Artist’s Trust Fund Award, Lauder Award; R.G.I., N.S. Macfarlane Award; Alexander Graham Munro prize, RSW. Christine McArthur was awarded Scottish Education Department travelling scholarships in 1975 and 1976 and was elected a member of the Royal Glasgow Institute of the Fine Arts in 1990. In 1995 she was elected a member of the Royal Scottish Society of Painters in Watercolour. In 1997 John Lewis commissioned four large murals – each 6ft x 15ft - for the Glasgow store in 1999. In 2002 she received a commission from John Lewis for murals for the extension to their Peter Jones store, Sloane Square, London. Solo Exhibitions from 1984 - present include: Peter Potter Gallery, Haddington; Sue Rankin Gallery, London; Fine Art Society, Glasgow; Portland Gallery, London; Roger Billcliffe Gallery, Glasgow; Ancrum Gallery, Roxburgh; Open Eye Gallery, Edinburgh; Courtyard Gallery, Crail; John Martin Gallery, London; Gertsey Gallery, Moscow; Gertsey Gallery, Atlanta, USA; Lemon Street Gallery, Cornwall; Ainscough Gallery, Devon; Thackeray Gallery, London Private and Corporate Collections include: Lord Irvine of Lairg; Scottish Arts Council; Glasgow Caledonian University; Arthur Anderson; Scottish Nuclear PLC; University of Strathclyde...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

EMŐD, AURÉL (Budapest 1897-1958) A pupil of János Vaszary at the Academy of Fine Arts, he then went to Italy, Germany and France on study trips. Not only his master but also the Italian novecento affected him strongly. He worked as an art teacher in Budapest. From 1933 and 1935 he won a scholarship to Collegium Hungaricum. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Tribe of Benjamin, Biblical mural with wolf. I believe this is a study for a stained glass window. Untitled, mixed media on paper, signed lower left, inscribed "To my dear friend Dav...

Nice American Modernist Oil Painting. with old label verso. not dated but estimating it to the 70s. Not sure which Doris turner this is...

1951 Born in Tel Aviv, Israel Since graduating from the Fine Art Academy in Florence, Italy and his return to Israel, Griffit presents a fascinating and unique journey from etchings...

Realistic portrait of an older rabbi by Polish Austrian artist M. Wysocki. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre artists who depicted judaic scenes sensitively and with a sense of quiet dignity. Lazar Krestin, Isidor Kaufmann...

Abstracted painting of a man and a woman, the paint has been applied to textured plastic. An abstracted painting of a couple applying paint to the textured plastic surface. Genre Expressionist Fauvist Subject People Medium Acrylic Plastic Surface Board Country United States Dimensions 24" x 11 1/2" She exhibited her painting at the famous Jewish art show held at the Dallas Museum Contemporary Fine Arts Exhibition of the American Jewish Tercentenary in 1955 alogside artists Aarons, George, Benn, Ben, Berkman, Aaron, Bloom, Hyman Bohrod, Aaron Gottlieb, Adolph, Gropper, William, Gross, Chaim Gurr, Lena amongst others. Born in 1899, Belle Golinko is a listed Jewish mid...

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject three male figures with tefilin are depicted during prayer. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Genre: Other Subject: Figures Medium: Other, Gouache Surface: Paper Country: United States sight size 17 X 13 inches Emigrating to Boston in 1913 from Poland with his Russian-Jewis...

Subject: Jewish American Family Bar Mitzvah with Rabbi Medium: Oil Surface: Canvas Country: United States In this painting, Joseph Wolins uses vibrant and complimentary colors and...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a range of styl...