Miguel Angel Aybar Llauca

Peruvian Expressionist Oil Painting Miguel Aybar Modernist Latin American Art

Jichak Pressburger, Painter. b. 1933, Bratislava, Czechoslovakia. A concentration camp survivior. Came to Israel aboard the ship, "The Exodus". 1964 Went to Paris. In 1979 Returned as new immigrant. Education Tel Aviv University, B.A. in art, with Marcel Janco and Isidor Ascheim at Avni art school. Beaux Arts, Paris with Professor Coutaud. Itzchak Pressburger Stays in Paris from 1963 – 1979, Resident of the “Cité des Arts” 1969-1972. Lives and works in Jerusalem since 1979. One-Man Exhibitions 1963 Gallery Dugit, Tel-Aviv 1968 Cultural Center Enkhuizen, Netherlands 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) 1970 Gallery Zunini, Paris 1973 Gallery Maitre Albert, Paris. Cultural Center Verfeil sur Seye, France 1974 Gallery Maitre Albert, Paris 1976 Gallery Mundo, Barcelone 1980 Artists’ House, Jerusalem 1981 Gallery Alain Gerard, Paris Group Exhibitions 1966 Rathaus Charlottenburg, Berlin. (The first show of Israeli painters in Germany Artists Center of Silvarouvres, Nantes, Ffance XXXth Salon of Finances at “l’Hotel des Monnaies”, Paris 1969 Maison de Culture, Le Havre, France 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) Salon « Grands et Jeunes d’Aujourd’hui », Paris Museum of Fine Arts, Nantes, France Cultural Center Vitry, France Gallery Il Giorno, Milan Cité des Arts, Paris 1972 Salon “Grands et Jeunes d’Aujourd’hui”, Paris Salon de Mai, Paris 1973 Städtische Galerie, Siegen, Germany 1974 Jewish Cultural Center, Paris Publicis, Paris 1975 Réalitiés Nouvelles, Paris 1976 Salon de Mai, Paris 1977 “Perspectives Israeliennes”, Grand Palais, Paris 1981 Salon Alain Gerard, Paris 1984 Artists’ House, Jerusalem Publication 1990 Haggadah Yom Kippour (Hebrew/French) Abraham Bliah (private edition), Paris Acquisitions 1968 The City of Paris 1972 The State of France The Yitzchak Pressburger artist was born in Bratislava – known for centuries by its German name of Pressburg – but the outbreak of World War II found him and his family in Prague. His father realized they had to escape from the Nazi occupiers and tried to get the family across the border into Hungary. However, they were caught near the crossing point, arrested and incarcerated overnight at the nearby railway station. The Czechs put them on a train to Hungary early the next morning. That was their first miracle in their quest for survival. They survived with relative ease until late 1943, when the father was taken away to a forced labor camp. He subsequently died in a death march. Things became even more precarious in early 1944, when the Holocaust made its full-blown presence felt in Hungary. “It wasn’t the Germans, it was the Hungarian Nazis who did the dirty work,” Pressburger points out. The family lived in so-called “safe houses” that were protected by Switzerland, Finland and Sweden. The havens were dismantled in late 1944, and the Pressburgers moved into one of the two Jewish ghettos in Budapest. The Nazis had found two houses with Jews, including the one where we had been, and took them all out and shot them next to the Danube. Today there is a monument by the river [called Shoes on the Danube Bank]. We should have been with the Jews who were killed by the river,” he says. After the war, Pressburger and his siblings were farmed out to various orphanages run by the Jewish Agency, and things took a decidedly better turn. “We finally had food to eat,” he recalls. “After a while we were put on trains that were protected by the Jewish Brigade [of the British Army], and we were sent to Austria, and then to Germany.” “My uncle was a famous artist, and I learned a lot from him,” he says. While in Germany, Pressburger also took some lessons with a local artist. His mother managed to get him and two of his siblings berths on the Exodus, which set sail from Marseilles for Palestine in July 1947. Pressburger was 13 at the time and clearly recalls the aborted attempt to get to the Promised Land. “It was so crowded on the boat. This was a ship that was made to ply rivers in the United States, with a few hundred people on board, and we had over 4,500 passengers crammed in.” As we know, the British prevented the Exodus from docking in Palestine, and the passengers were shipped – in three far more seaworthy vessels – back to France. After the French government refused to cooperate with the British, Pressburger and the others found themselves back in Germany. The teenager eventually made it here in 1948, just one month before the Declaration of Independence. After a short furlough in Tel Aviv, during the first lull in the fighting in the War of Independence, he moved to Kibbutz Kfar Ruppin, where he worked in the cowshed. All the while he continued feverishly drawing and honing his artistic skills, which he says came in handy when he joined the IDF. After completing his military service, which included a spell as one of the founding members of the Flotilla 13 naval commando unit, he worked in Sdom for a while at the Dead Sea Works before starting his formal arts training in earnest. I was in the first group of students at the Avni Institute [in Tel Aviv],” he says. “There was quite a famous bunch of students and teachers like Moshe Mokadi and Isidore Ascheim and Aaron Giladi.” In such illustrious company, one might have thought Pressburger was set to unleash his burgeoning talents on art connoisseurs across the globe, but it was a while before that happened. Pressburger arrived in the French capital in 1964 and spent close to 15 years there, with a short interlude in Germany, before returning to Israel. His time in Paris was a professionally rewarding period of his life, and he also found love. “[Avni Institute teacher] Yochanan Simon gave me the name and address of a French-Israeli family in Paris, but when I got to the house, a young woman opened the door and told me the family was on vacation in Israel,” he explains. Despite missing his expected hosts’ welcome, he and the German-born young lady who greeted him soon fell for each other, and romance quickly led to wedding bells. By all accounts, Pressburger did well in Europe. He secured a rare three-year berth at Cité Internationale des Arts, where artists are normally provided with accommodation and studio space for between two months and a year. He was also accepted to the prestigious Beaux Arts academy of fine arts, mounted solo exhibitions, and took part in group shows all over Europe. One of these last was a group exhibition at Rathaus Charlottenburg in Berlin in 1966 – the first exhibition of Israeli artists in Germany after the Holocaust. When he arrived in Berlin, the lineup for the Israeli show was already signed and sealed, but somehow his work came to the attention of the German culture minister, who arranged for him to join. The Pressburgers’ year-long sojourn came to an abrupt end following an encounter he had one day while walking through the crowded Berlin streets...

This is a small oil painting on on panel. A Rabbi at a Farbrengen 15.5 X 14.5 with frame. 6.5 X 5.5 painting alone Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev...

This is a large hand signed mixed media paiting on Arches French paper. A chess game encounter. Figurative Abstract Expressionist painting. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian border region. He fled the Nazi Holocaust and in 1948 Arrived in Israel via Cyprus, where he studied with Rafael Ben­ Zvi. Studies in Tel­ Aviv with Mordecai Ardon, Aharon Avni, Moshe Mokadi and Marcel Janco founder of the Dada art movement. Studies at The Bezalel Art School, Jerusalem. 1956 Awarded a scholarship by the Israel​ American Fund. In 1991, Roland Topor invited him to participate in the last exhibitions of the Panique group and collaborated in the review Le Fou Parle. Select Group Exhibitions 1950­ 55 Israeli Artists​ Exhibition, Tel­ Aviv Museum 1956 Cimaise de Paris, 1958 "School of Paris", Charpentier Gallery, 1959 Les Grands et les Jeunes Aujourd ​hui Salon National 1960 Les Grands et les Jeunes d ​ Aujourd ​hui Contemporary Israeli Art, Museum of Modern Art, Paris 1961 Russian Artists of the Paris School , Ecole du Paris ​1961​ Salon de la Jeune Peinture, 1964 Salon des Indépendants, Grand​ Palais, Paris 1965 Salon d'Automne, Grand​ Palais, Paris 1966 Lauréat for the Gravure du Prix de la Critique 1967 Biennale, Paris 1970 stay with Theodor Ahrenberg, the eminent Swedish art collector. MILSHTEIN has an exhibition at ARC, in the museum of modern art in Paris. Drawings suspended in a liquid contained in a bottle thus creating a three dimensional effect. 1978 An retrospective exhibition of his etchings engravings is held at the Bibliotheque Nationale; the publication of a book illustrated with 33 drawings : Le rite du chat, on exhibit at Artcurial in Paris. Milshtein has also written several plays and has worked in etching intaglio carborundum, lithograph techniques. listed in adec artprice. He has exhibited at galleries in Germany, France and Switzerland with Theodore Theo Tobiasse, Mane Katz, Raya Sorkine, Avigdor Arikha and Abram Krol. A fine Judaica artist. Since 2007 Milshtein has had his workshop in the Rhône in Gleizé where he also lives. Personal exhibitions 1952: Tel Aviv (Israel), Studio Avni 1955: Tel Aviv (Israel), Museum 1957: Paris, Galerie Saint Placide 1958: Paris, La Cave de la Galerie Saint-Placide - Paris, Galerie Katia Granoff 1959: Tel Aviv (Israel), Museum Dizengoff House 1960: Paris, Galerie Katia Granoff 1962: Tel Aviv (Israel), Chemerinsky Art Gallery - Jerusalem (Israel), Musée National Bezalel —New York (United States), Bodley Gallery - Bat Yam (Israel), Bat Yam Museum 1963: Geneva (Switzerland), Museum of Art and History, Cabinet des Estampes 1964: Paris, Galerie Katia Granoff 1965: Paris, Librairie-Galerie Alexandre Loewy 1966: Paris, Galerie Saint-Placide - Brussels (Belgium), Galerie Le Creuset...

Bold, colorful, still life oil painting of a pear. In lush, vibrant color. SUZANNE WALLACE MEARS During college she focused on painting and clay. Then it became photography and clay, then only clay, then kiln formed glass and today its kiln formed glass, painting and plasma cut steel sculpture. She also works in oil paint and encaustic. Reminiscent of the color works of Jim DIne and the fruit paintings of Tom Seghi. She never works with only one medium. She uses color and texture to create energetic, luminous, joyous works with the glass. Bright, bold color using reds, blues, oranges reflect my travels in color saturated countries such as Tibet, Nepal, China and Mexico. At random I use solid color fields as a challenge to my driving love of vibrant color. Her favorite themes are inspired by nature and antiquity. Kiln formed glass uses flat sheets of glass which are cut into shapes, layered and incorporate accessory elements of frits, copper wire and mesh, pieces of sheet copper or brass and dichroic glass fired in a kiln. EDUCATION BA, University of Iowa, Iowa City, Iowa, 1964 Graduate School, 44 hours, double major Summer School University of Wisconsin, Madison, Wisconsin 1963 Master Class, Patty Gray Instructor, tde Glass Furnace, Turkey Master Class, Richard La Londe...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Nguyen Thanh Son (Vietnamese, b. 1954) Nights and Echoes, 2007 Oil on canvas Hand signed and dated lower right Dimensions: 62 5/8 x 76 5/8 inches. Provenance: Totem Art...

An original oil on canvas by American artist Darren LeGallo. “Devotion and Love”, was exhibited in our recent premiere solo exhibition of American artist Darren LeGallo, “Darren LeGa...

Bold and expressive oil portrait of a modernist nude figure in blue seated in profile with bright yellow flowers by Allie William “Bill” Skelton (American, 1942-1986). Signed and dated "Allie Bill Skelton '72" by the artist in the lower right corner. Unframed. Image size: 48.75"H x 32.75"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Colorful and bold impasto oil portrait with dynamic, expressive brushstrokes by Richard Lofton (American, 1908-1966). The name of the sitter, Kenneth Lucas, is inscribed along the ri...

Bold abstract figurative of a figure in a blue scarf by San Francisco artist Michael William Eggleston (American, 20th c.)From a collection of his works. Si...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, and peop...

Provenance: Collection of the Artist Collection of Mr. & Mrs. Robert Warner, Washington, Connecticut Collection of the Washington Art Association, Inc. Private Collection, California...