Arie Kaplun

Israeli KIbbutz Artist Toddler, Swim Tube Pointilist Oil Painting Bezalel School

Bold, colorful, still life oil painting of a pear. In lush, vibrant color. SUZANNE WALLACE MEARS During college she focused on painting and clay. Then it became photography and clay, then only clay, then kiln formed glass and today its kiln formed glass, painting and plasma cut steel sculpture. She also works in oil paint and encaustic. Reminiscent of the color works of Jim DIne and the fruit paintings of Tom Seghi. She never works with only one medium. She uses color and texture to create energetic, luminous, joyous works with the glass. Bright, bold color using reds, blues, oranges reflect my travels in color saturated countries such as Tibet, Nepal, China and Mexico. At random I use solid color fields as a challenge to my driving love of vibrant color. Her favorite themes are inspired by nature and antiquity. Kiln formed glass uses flat sheets of glass which are cut into shapes, layered and incorporate accessory elements of frits, copper wire and mesh, pieces of sheet copper or brass and dichroic glass fired in a kiln. EDUCATION BA, University of Iowa, Iowa City, Iowa, 1964 Graduate School, 44 hours, double major Summer School University of Wisconsin, Madison, Wisconsin 1963 Master Class, Patty Gray Instructor, tde Glass Furnace, Turkey Master Class, Richard La Londe...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Nguyen Thanh Son (Vietnamese, b. 1954) Nights and Echoes, 2007 Oil on canvas Hand signed and dated lower right Dimensions: 62 5/8 x 76 5/8 inches. Provenance: Totem Art...

Dennis Hollingsworth (American, b. 1956) large scale painting, 1994 "Leaf Blower #15", oil & alkyd on canvas over wood panel, Hand signed and dated verso, Dimensions: 72" X 72" Dennis Hollingsworth, Born 1956 in Madrid, Spain he has lived and worked in Los Angeles, California. He currently lives and works in New York City and Tossa De Mar Spain. He attended Claremont Graduate School, Claremont, USA, 1991, B.A. Architecture, California Polytechnic State University, San Luis Obispo, USA, 1985 Dennis Hollingsworth is a painter whose works combine abstraction with a pop art sensibility. The newer pieces bring to mind other artists whose work also investigates the structure and support, including Molly Zuckerman-Hartung, Elizabeth Murray, Ron Gorchov, James Hyde, Rosy Keyser, and Fabian Marcaccio. His first exhibition was Painting Beyond The Idea at Manny Silverman Gallery in Los Angeles, CA in 1995, and the most recent exhibition was TEN at Hionas Gallery in New York City, NY in 2021. Dennis Hollingsworth is most frequently exhibited in United States, but also had exhibitions in Germany, Spain and elsewhere. Hollingsworth has at least 27 solo shows and 67 group shows over the last 26 years. Hollingsworth has also been in no less than 14 art fair. A notable show was Dennis Hollingsworth - Wet On Wet at Blum & Poe in Los Angeles, CA in 1996. He was included in the show “Under Erasure” at Pierogi Gallery curated by Heather and Raphael Rubinstein. Artists included: Jean-Michel Basquiat, Mel Bochner, Jane Hammond, Dennis Hollingsworth, Glenn Ligon, Richard Prince, Robert Rauschenberg, Nicole Eisenman and Antoni Tapies. His work was exhibited in 1999 at the Kunsthalle Basel as part of the group show ‘Nach-Bild’, which also featured artists Richard Hamilton and Laura Owens. Other notable shows were at Nicole Klagsbrun Gallery in New York City, NY and Kohn Gallery in Los Angeles, CA. Dennis Hollingsworth has been exhibited with Katharina Grosse and Herbert Brandl. Dennis Hollingsworth’s art is in museum collections, including MOCA Grand Avenue in Los Angeles, CA and Columbus Art Foundation in Ravensburg among others. He is represented by Hionas Gallery, New York, NY 1956, BORN IN MADRID, SPAIN 1985, BACHELOR OF ARCHITECTURE, CALIFORNIA POLYTECHNIC STATE UNIVERSITY 1991, MASTERS OF FINE ARTS, CLAREMONT GRADUATE SCHOOL LIVES AND WORKS IN NEW YORK CITY, USA AND TOSSA DE MAR, SPAIN SOLO EXHIBITIONS: GALERIA MIGUEL MARCOS, BARCELONA, SPAIN GALERIE RICHARD, NYC, USA HIONAS GALLERY, NYC, USA FRONT GALLERY, HOUSTON, TEXAS, USA TOMIO KOYAMA GALLERY (HIKARIE),TOKYO, JAPAN MICHAEL KOHN GALLERY, LOS ANGELES, CA, USA CIRRUS GALLERY, LOS ANGELES, CA, USA GALERIA PELAIRES, PALMA DE MALLORCA, SPAIN NICOLE KLAGSBRUN GALLERY, NEW YORK, NY, USA GALERIA ANA SERRATOSA, VALENCIA, SPAIN GALERIE ANDRÉ BUCHMANN, COLOGNE, GERMANY GALERIE TANYA RUMPFF, HAARLEM, NETHERLANDS GALERIE MARK MULLER, ZURICH SWITZERLAND CHAC MOOL GALLERY, LOS ANGELES, CA, USA BRETT/MITCHELL SHAHEEN GALLERY, CLEVELAND, OH BARBARA FARBER/LA SERRE, TRETS FRANCE THE BOX, TORINO, ITALY STEENDRUKKERIJ AMSTERDAM, M.V., HOLLAND BARBARA FARBER/ROB JURKA GALLERY, AMSTERDAM, HOLLAND LAWING GALLERY, HOUSTON, TX, USA SCHMIDT CONTEMPORARY ART, ST. LOUIS, MI MEYERSON & NOWINSKI GALLERY, SEATTLE, WASHINGTON BLUM POE GALLERY, SANTA MONICA, CA, USA SCARABB GALLERY, CLEVELAND, OH BENNETT ROBERTS FINE ART, LOS ANGELES, CA, USA LEE ARTHUR STUDIO, NEW YORK, NY STUDIO RAID GALLERY, LOS ANGELES, CA, USA GROUP EXHIBITIONS 2020 “OEUVRES CHOISIES”, GALERIE RICHARD, PARIS GALERIE RICHARD, NYC, PARIS Rainer Gross, Dennis Hollingsworth, Kim Young-Hun, Jeremy Thomas. “UNTITLED”, GALERIE RICHARD, NYC, PARIS 2019 “LITTORAL”, MUNICIPAL MUSEUM OF TOSSA DE MAR, TOSSA DE MAR, SPAIN “DIVINE INTERVENTIONS”, CHRIST EPISCOPAL CHURCH IN SAG HARBOR, LONG ISLAND, USA “ANGLES DE REFLEXIÓ”, GALERIE RICHARD VANDERAA, GIRONA, SPAIN 2018 “UNDER/ERASURE”, PIEROGI GALLERY, NYC, USA “COLOR MATTERS”, GALERIE RICHARD, NYC,USA “EVOLUTION”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN “WORKS FROM THE GALLERY ARTISTS AND THE COLLECTION 3”, TOMIO KOYAMA GALLERY, TOKYO, JAPAN 2012 “NEXUS”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN “FOR EXAMPLE PAINTING”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND “FRÜHLING”, GALERIE EUGEN LENDL, GRAZ, SWITZERLAND 2011 GROUP SHOW, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND “ALUSIONES-ILUSIONES”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN “THE WORKING TITLE”, BRONX ART CENTER, BRONX, NEW YORK, USA “GREATER LA”, NEW YORK, NEW YORK, USA 2010 25TH ANNIVERSARY SHOW, MICHAEL KOHN GALLERY, LOS ANGELES, CALIFORNIA, USA “CRYSTAL WORLD”, ANDRE BUCHMANN GALLERY, BERLIN, GERMANY GROUP SHOW, TOMIO KOYAMA GALLERY, TOKYO, JAPAN PINTURA SIN TREGUA GALERIE MIGUEL MARCOS, BARCELONA, SPAIN GROUP SHOW, TANYA RUMPFF GALLERY, HAARLEM, NETHERLANDS PALM PAINTINGS, ANDRÉ BUCHMANN GALLERY, BERLIN, GERMANY 2007 “QUIRKY”, WESTPORT ART CENTER, WESTPORT, CONNECTICUT “ROOM 3: ACCROCHAGE”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND “POP ART 1960’S TO 2000’S”, HIROSHIMA CITY MUSEUM OF CONTEMPORARY ART, HIROSHIMA, JAPAN An important exhibition from Misumi Art Collection of post-war American art, including Roy Lichtenstein and Andy Warhol, Keith Haring, David Hockney, Christopher Wool, Vic Muniz...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...

Shabbat Evening Large Israeli masterpiece painting. Hand signed lower right Provenance: Sara Kishon Gallery Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent under German Nazi oppression, in constant fear for the safety of his parents, who perished in the Holocaust in the Polish Auschwitz concentration camp. Naftali emigrated to Mandate Palestine in 1939, at the age of fourteen with a Youth Aliyah group. From 1943 to 1946, he studied art at the Bezalel Academy of Art and Design in Jerusalem with Israeli painter Mordecai Ardon. He then spent three years studying in Paris. His most famous public works include a mural wall relief sculpture at Yad Vashem, the Israeli Holocaust museum and commemoration in Jerusalem and the ceiling painting mural in the main reception room at the President's Residence, Jerusalem, Israel. He is also known for his stained glass windows and Aubusson style flat weave tapestry in many public and private places around the world. In 1957, Bezem was a co-recipient of the Dizengoff Prize for Painting. Exhibitions: General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss Yad Labanim Museum, Petach Tikva with David Azuz, Nachum Gutman, Moshe Gat, Shraga Weil, Lea Nikel, Ruth Schloss, Yosl Bergner, Anna Ticho, and Menashe Kadishman. Old and New in the Museum Collection, Yad Labanim Museum, Petach-Tikva Jacob El Hanani, Naftali Bezem, Yosl Bergner, Yossef Zaritsky, Yohanan Simon, Reuven Rubin, David Rakia...

Ron Hoover surrealist painting titled "The Collector" done in a pointillism style in 1987. This work was exhibited at the Palm Spring Desert Museum in 1990. Signed and dated by artis...

In this exquisite painting, artist Ren Hui celebrates the beauty of nature using a style that he calls “uncomplicated and honest.” Entitled "Winter," this patterned composition was c...

In this exquisite painting, Ren Hui celebrates the beauty of nature using a style that he calls “uncomplicated and honest.” Entitled "Wild Wood," this beautifully patterned composition was created using a method of modern pointillism, creating three-dimensional space within a two-dimensional canvas. Embracing the disorderly balance of the forest, the artist attempts to convey the complexities of the natural world by rendering the bough of an evergreen tree...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...

By placing figures into fantastical landscapes, I allow the viewer a glimpse into what might be reality, or not. This practice allows me to push the boundaries of what a past/present...