Lynx Hollow Antiques

A most charming and artistic naturalistic embellished wall mount with imitation deer antlers and accents. Featuring faux eleven point antlers mounted to a square lacquered wood boa...

A elegant antique German Dresden porcelain amphora-shaped vasiform urn, Carl Thieme, Potschappel, richly decorated with stunning hand painted floral roses and laurel garlands against...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

Own a piece of Hollywood history, this Batman Returns (Warner Bros., 1992), circus strongman barbell movie prop is sure to start a conversation while ma...

A scarce Gustavian Period (1772-1809) country Swedish farmhouse hand carved pine rocking cradle / bassinet for decorative use only (today, it could be repurposed as a wonderful firew...

A rare complete set of three antique Italian Grand Tour ecclesiastical hand carved parcel gilt cream painted pine "Carta Gloria" altar card frames. Italy...

A rare and exceptional large French speckled plum pudding mahogany rosewood marble ormolu flip-top mirrored gentleman's bureau dressing table / writing desk (poudreuse coiffeuse de t...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

A charming mid-century Italian modern bamboo and rattan bar cart / rolling server / petite cocktail drinks service trolley. Made in Italy, circa 1960s/1970, oval cart with two tie...

A large and most impressive pair of antique / vintage Chinese glazed earthenware covered Martaban storage jars, having sand and ochre brown glaze palette, incised with auspicious myt...

A rustic antique Italian trestle-end library table or desk. Hand-crafted in Italy, likely the Alpine region of Northern Italy, second half of the 19th century, in Renaissance Reviv...

Stunning vintage French mid-century cocktail table. circa 1960s/1970s A transitional masterpiece, mixing design elements of luxurious 18th century Louis XV style with Hollywood Rege...

A fabulous pair of high-quality patinated bronze American Art Deco period bookends by Ronson Art Metal Works, circa mid-1920s, #7072, tilted "Cherub And Butterfly". Created in the early 20th century, the beautifully detailed works depict sculptural high relief figures of classical winged cherub putti seated among leaves, each enchanting putti holding a closed book, while their raised hands grasp butterflies. The naturalistic base with floral vines and a frog on each, backing to large book form, detailed book bindings with elegantly aged dull gilt finish, and green felt covered bases. Provenance / Acquisition: A fine and magnificent private estate in Greenwich, Connecticut Acquired from the reputable auction house Blackrock Galleries, Greenwich, Connecticut Maker: Ronson's Art Metal Works, founded by Louis V. Aronson (1869-1940) in the 1800s, was a leader and pioneer in the manufacture of fine decorative metalwares into the 1930s, producing a diverse selection of beautifully designed bookends, figural lighters, hood ornaments, figurines, lamps, and more. Dimensions: (approx) 6.5" High, 4.5" Wide, 4.5" Deep (each) History: Louis Aronson while still a student in the mid 1880s, registered his first patent for the electroplating of metal. In 1886, he sold his patent, raising $5,000, to start the Art Metal Company in New York City. The following year, he moved the company to Newark, NJ and changed the name to Art Metal Works. Ronson is best known for cigarette lighters, he invented the “safety match” in 1897, and the first mechanical cigarette lighter in 1910. But it was throughout the 1920s and 1930s, Ronson Art Metal Works became one of the most prolific and creative of all artistic bookend producers. In 1915, he copyrighted his first pair of bookends, and by 1936 had over 150 copyrighted bookends in his company catalog. By 1928 the company was traded on the American stock exchange...

Add a touch of classic elegance, sophistication and historical charm to your fireplace with this pair of rare American antique Rococo Revival gilt brass (gilt metal) & iron andiron c...

A stunning 19th century gilt bronze ormolu mounted mirrored three light sculptural wall sconce girandole. Created before electricity was available, this sconce was originally used as a candle holder, with the light of the candle flame intensified by the reflecting mirrored backplate; now electrified, having a lion mask bracket ejecting three scroll arms terminating in faux candle covers, with a beveled glass mirror plate framed by an ornate gilt bronze border, over a rectangular wooden panel in faux tortoise-shell black and dark red paint stain finish, surmounted by a fancy protruding Rococo pierced fiolated scroll flourish figural spread wing eagle finial. Provenance / Acquisition: Acquired from the highly reputable auction house Dallas Auction Gallery, Dallas, Texas. The Fine Art & Antiques catalog. Owned and curated by Reyne Hirsch, a notable media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A fabulous pair of American mid-century sculptural paint decorated wooden console tables by the iconic luxury designer Phyllis Morris (United States; 1925-1988) Executed in timeless mid-20th century glitz and glam Hollywood Regency Moderne taste, the rare, possibly custom one-of-a-kind design, having a demi-lune red lacquered top, over conforming fluted apron, rising on elegant carved figural swan form legs, terminating in claw and ball feet, finished in parcel gilt antiqued cream paint finish. Bold, large scale, statement pieces, these extraordinary tables are sure to add a touch of sophisticated whimsical elegance, warmth, opulence, and comfort to any space! circa 1970 Signed, "Phyllis Morris" to the rear support in typical stylized font (under later metal wall mount brackets) Provenance / Acquisition: From an important Guadalajara, Mexico Estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Dimensions: (approx) 31" High, 49" Wide, 24.75" Deep (each) Phyllis Morris was one of the design industry’s first multitaskers. She wore many hats: furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. Phyllis Morris is known for them all, but mostly that last one. The legendary interior designer of the 1950s and ’60s wrote her own rules and lived a life as large and colorful as the designs she favored. Morris began her design career in 1953 in Los Angeles, California by creating the "Poodle Lamp," a sculpture of her own poodle topped with a little flared shade. Dubbed “The Marilyn Monroe of the furniture industry” — she took charge of her destiny with her famous poodle lamp. After sculpting the original, based on her own pink-dyed pup, Morris left it on consignment in a Beverly Hills shop. She had friends place orders for it; the shop asked for a dozen models, and Morris was in business. “I knew I was not a homemaker,” she said. What transformed Morris from lamp designer to “designer to the stars” may have been her instinct for publicity. She reportedly delivered two of the lamps to Liberace, her first big-name customer, in a pink Cadillac convertible, while wearing a mink cape. Morris was a pro at offering provocative quips or outrageous photo-ops, which often made headlines around the globe. “My mom was a marketing genius,” says Morris’ daughter Jamie Adler, who now runs the brand and reintroduced the poodle lamp for Currey & Company last year. “She understood branding and how to get press. She was so brave and fearless as a woman in a male-dominated industry.” At a time when most women stayed home, Morris was a furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. “She was multitasking long before the word was invented,” Adler says. With her colorful and eclectic interiors and over-the-top furnishings, Morris turned the interior design world upside-down, and celebrities came calling. She designed hotel suites frequented by Frank Sinatra, Jackie Kennedy Onassis and Elvis. Her opulent canopied beds became a status symbol for the likes of Cher and Sonny Bono, the Who’s Keith Moon, Gladys Knight and Jerry Vale, according to a 1978 People magazine story. A typical Morris room setting during the mid-1960s would find Pop art accessories...

A remarkable 300 year old Baroque period carved polychromed gilded wood guéridon with beautifully aged patina! circa 1725 Hand-crafted in Italy in the early 18th century, having a r...

A rare, one of a kind late 19th century French carved oak coffer now fashioned as a functional bench as well, featuring modern purple trompe-l'œil faux cushioned seat upholstery with distinctive printed three dimensional button tufting. Blending traditional old world European furniture with bold contemporary style, the original antique coffer / trunk / blanket chest, circa 1875, having a hinged top that lifts open to reveal a spacious interior storage compartment and lid with contrasting red upholstery. The outside having a decorative front panel with cartouche framed by ornate floral and ribbon garland carvings, mounted with iron carrying handles at the sides, over a molded base, with heavy-duty three board planked bottom, rising on front bun feet. Dimensions: (approx) 23" High, 28.25" Wide, 19.25" Deep As warm and attractive as it is useful, having the ideal size and proportions for a variety of different uses, including as a end table, coffee table, ottoman, chair / bench, coal hod bucket / fireplace seat...

An amazing rustic country French farm house harvest work extension table with nicely aged patina. circa 1840 Provincial France, 19th century, Louis Philippe Period (1830-1848), han...

A charming antique Indonesian floral hand-carved wooden wedding chest. Hand-crafted in Indonesia in the early 20th century, likely the island of Madura or Java, this distinctive ch...

A beautiful framed antique Japanese School ink and color painting on silk, 19th century, finely detailed and richly colored, depicting Amida Triad, with two Bodhisattva attendants worshipping Buddha, on a gilt arabesque mat, in a black frame. Provenance / Acquisition: A Private Dallas Collector Acquired from the highly reputable auction house Dallas Auction Gallery, Dallas, Texas. Summer Fine Arts and Antiques catalog. Owned and curated by Reyne Hirsch, a notable media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A stunning French Provincial crème painted chest of drawers commode with beautifully aged original patina and interesting provenance! Exquisitely hand-crafted in France in the late 18th / early 19th century, exceptionally executed in elegant, sophisticated and luxurious King Louis 15th taste, topped with the original rouge red Pyrenees marble top with striking white veining, serpentine-shaped front and molded edge, over a conforming solid wood case fitted with a secret hidden storage compartment and four dovetailed drawers, each with ornate gilt-bronze handles and escutcheons. When you remove the top left drawer, the center panel with faux escutcheon can slide over and reveal a concealed wooden drawer for valuables. Elegantly decorated, the drawer fronts and rounded corner posts adorned with subtle carvings, paneled sides, scalloped apron with hand carved Rocaille shell and scroll motif, rising on short cabriole legs. In the original cream paint finish with distressed chippy paint patina perfection! PROVENANCE / ACQUISITION: Private collection of Floyd and Beverly Sherman (1939-2024) who purchased it for $35,519 in 2001 (paperwork included) Beverly was an iconic owner, exhibitor and breeder of the Tennessee Walking Horse...

A near pair of antique Southeast Asian Burmese jeweled parcel gilt wooden temple guardian figure carvings. circa 1900 Hand carved in Burma (present day Myanmar) in the late 19th / early 20th century, most likely the Mandalay region, each richly detailed and gilded, adorned with inset green colored mirrored cut glass mosaic inlays, depicting mythical qilin / stylized lion temple guardian, rising on integral red lacquered platform base, Dimensions: (approx) Each: 7" Tall, 2.5" Wide, 4" Deep; A charming pair of small highly decorative table sculptures / shelf statues...

A rare authentic antique Late Medieval period (circa 1300-1500) European polearm two-handed battle axe (dane axe / sparth axe) probably English, Scottish or Italian. Impressive large...

A elegant vintage Italian Louis XV style kingwood tulipwood inlaid cocktail table by Fratelli Cattaneo (Northern Italy; 1947-present) circa 1960s Originating in the historic Provinc...

A most impressive large single piece of sculptural carved free-form organic teak rootwood becomes a writhing, wispy, whimsical wonder of craftsmanship and artistry. This naturalistic...

A charming antique Burmese / Anglo-Indian sculptural carved padauk hardwood accent table with figural animal carving feet. circa 1900 Finely hand carved in Burma (present day Myanma...

A beautiful large antique French export hand-painted Limoges porcelain pitcher (would also make a wonderful vase) with gilt handle and accent...

A rare and important Oceanic Papuan Asmat tribal carved ancestral sago bowl (also known as a platter, serving shield and tray) crafted in the likes of the...

A fine vintage American sterling silver coffee service set by Tiffany & Company Makers, New York, circa late 1930s / eary 1940s, directorship of John C. Moore II (1907-1947), Art Dec...

A striking French Mid-Century Chinoiserie low table in the manner of legendary Parisian design house Maison Jansen. Featuring an exceptional hand lacquered panel top depicting Asian ...

A scarce antique European Biedermeier style single door pyramid bedside cabinet. Hand-crafted, featuring strong, high quality craftsmanship and solid wooden construction, exceptional...

A remarkable pair of rare antique Qing Dynasty (1636-1912) Chinese terracota architectural roof tile beasts. circa 1900 Hand-crafted in Imperial China around the turn of the late 19...

A charming Belle Époque period French marquetry drop-leaf sewing stand work table (today, it would make for a wonderful side table, sofa table or hall console, bedside nightstand or ...

A monumental, rare and important Oceanic Papuan Asmat People tribal carved war shield from the first half of the 20th century, collected from the coast of the headhunting tribe in Papua New Guinea, a Provincial Indonesian island in the mid 20th century. Among the Asmat, war shields are the most powerful symbolic element of a warrior's equipment, and have many layers of meaning. Traditionally, they were functional items used to protect warriors in battle by deflecting an enemy's spears and arrows. The carved and painted images on the surface of the shields were also intended to frighten the enemy and symbolize the power of the ancestors. Ancestral imagery appears on multiple forms of Asmat art...

A rare and very fine quality 19th century French bureau plat by renowned Parisian ébéniste Maison Forest. Maison Forest is one of the most famous french cabinetmakers of the 19th a...

A fine quality French Art Deco period mottled glass and gilt metal pendant light / hanging lamp by Muller Frères. circa 1920 Signed; marks to shade: "MULLER FRES LUNÉVILLE" Provena...

A charming antique Fin de Siècle French Art Nouveau Period marquetry inlaid side table / stand. circa 1900 Crafted in France at the turn of the late 19th / early 20th century, in th...

A charming antique, circa 1920, American track machine carousel horse amusement ride attributed to legendary carver Charles W. Dare Company (United States), now mounted on a custom r...

A rare and hard to find antique German winery industrial wine filter. circa 1890-1920 This filter would have been used in the commercial production of win...

A truly unique pair of Napoleon III Second Empire Period (1852-1870) Neo-Etruscan style gilt bronze table candelabras by the prestigious 19th century fondeur and doreur Henri Picard ...

A large and remarkable 4' long early PA American scrollwork bannerette weathervane / wind directional. Pennsylvania, first half of the 19th century, cut sheet metal, copper tubing,...

Own a piece from a unique time in history! Crafted in the Lombardy region of present day Northern Italy, during the French Republic / Empire period (1793-1815) when Napoleonic conque...

A rare and striking antique French Napoleon III Second Empire Period (1852-1870) convertible rafraichissoir wine cooler drinks table by the ébéniste to the Emperor Jean-Pierre-Alexandre Tahan (1813-1892) Crafted by Jean-Pierre-Alexandre Tahan, the esteemed cabinetmaker to Napoléon III, this wine table is a remarkable example of 19th-century European artistry, ingenuity, and fine craftsmanship. Executed in timeless Louis XV style, ebonized fruitwood featuring sophisticated Boule style Queen marquetry with inlays of mother of pearl and brass, adorned with ornate patinated bronze mounts, having a pierced brass galleried top fitted with a cartouche shaped handled serving tray, lifting to reveal a spacious open well with removable ice bin metal liner. Over an elegant scalloped apron, rising on long shapely cabriole legs affixed with eye-screws to accommodate the serving tray converting it to a stretcher style lower shelf, terminating on casters. circa 1860 Signed, retaining the original metal label that reads "TAHAN FOURNISSEUR DE L’ EMPEREUR Paris" (Tahan Supplier of the Emperor) to the interior compartment. Could also be used a bar cart, tea service table...

A scarce small antique Southeast Asian Ayutthaya Period bronze Bhaisajyaguru (the Buddha of healing and medicine) religious icon statue. 18th Century or earlier, Siam / Thailand, exceptionally executed metalwork, especially considering its age and diminutive scale, rare pose combination, depicted standing on lotus flower pedestal, holding a gallipot (apothecary jar) in his left hand, right hand in Varada Mudra gesture with palm facing outward and fingers pointing down to the ground. The Varada Mudra is a gesture of compassion and wish-granting that represents open-handed generosity and granting of wishes. The medicine Buddha is described as a doctor who cures suffering using the medicine of his teachings and brings healing. Makes for a wonderful decorative object or thoughtful gift, sure to add a touch of whimsical elegance, serene warmth, balance, and tranquility to any space! Provenance / Acquisition: A private Gentleman's Dallas, Texas fine art and antiques collection Acquired from the highly reputable auction house Dallas Auction Gallery; Dallas, Texas. Owned and curated by Reyne Hirsch, a media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A most impressive fine quality large antique patinated bronze South Asian Buddha head. Add a touch of relaxed warmth, elegant tranquility and harmony with this rare striking authentic life-size Buddha head. Almost certainly originating as a full-body Buddhist monastery temple statue, dating to the 19th century or earlier, likely Tibetan or Nepalese, finely detailed throughout with special attention to realistic proportions, facial features and serene expression, depicted with slightly angular closed eyes, thin arched eyebrows flanking wisdom eye, elongated pierced ears, and traditional curly snail hair with cranial protuber-ance (ushnisha) rising from the top of the head, indicating his vast wisdom. PROVENANCE / ACQUISITION: Acquired from the highly reputable auction house, J. Garrett Auctioneers, Dallas, Texas. Turtle Creek & Dallas Estates catalog. Garrett was pleased to present the contents of a fine Turtle Creek estate. Property seized from JMJ Development, the Dallas development firm controlled by Tim Barton and set to become the first Mandarin Oriental hotel in Dallas. DIMENSIONS: (approx) 14" Tall, 10" Wide, 8" Deep CONDITION REPORT: Beautifully aged warm rich dark patina. Strong, sturdy, stable, structurally sound. Wear consistent with age, use, handling and exposure, including scattered oxidation and buildup, small minor holes around the neck from where the neck would have attached to the body. --- We here at Lynx Hollow Antiques have a special fascination with religious antiques, and have an extensive collection, crossing all religions, regions and periods. From Thai Ayutthaya, Burmese, or other Southeast Asian Buddha and Buddhavista figures, ancient Chinese and Japanese carving, relics, important temple or church architectural salvage building elements, early Santos, icons, altar tables, tabernacle, to primitive folk art paintings...

A handsome large antique hippopotamus sculpture. Hand-crafted in Continental Europe in the early 20th century, most likely English, the richly detailed hand carved patinated leather...

An outstanding pair of European Renaissance Gothic grotesque lion stylobate architectural elements. Early 19th Century or earlier, Continental Europe, most likely Italian, boldly d...

A superbly carved camel statue, early 20th century, Morocco, exceptionally executed, the North African Art Deco Orientalist figural carving features fine...

A magnificent Neo-Gothic tabouret stool / ottoman, 19th century, most likely Italian (Southern Italy; Kingdom of Two Sicilies), parcel gilt and polychrome painted frame, padded seat ...

A beautiful antique Khmer hand carved wooden Buddhist figure. Originating in Cambodia, Laos, Vietnam or Thailand, 19th century or earlier, the exceptional Southeast Asian antique...

A rare and remarkable original Song (Sung) Dynasty (960 to 1279) dark turquoise blue glazed earthenware pottery joss stick incense holder. Likely Jun ware, Northern Song Dynasty (960...

A scarce 600 year old (approx) Chinese pottery Ming Dynasty (1368-1644) large glazed earthenware míngqì tomb figure, modeled as horse sculpture with saddle, stirrups, and integral ba...

A fabulous large Italian folk art fish sculpture. Hand-crafted in the 21st century using found 18th and 19th century architectural fragments and decorative antique / vintage elements...

A stunning Late Victorian Neo-Gothic gilt bronze altar stick pricket candlestick. Late 19th to early 20th century, the Continental European antique features an exceptionally executed...

A remarkable pair of large Ming Dynasty (1368-1644) earthenware Imperial roof decorations - ornamental architectural terracotta roof tile beasts. 15th/16th century or earlier, Northern China, most likely Forbidden City, Dongcheng District, Beijing, figural pottery modeled as mythical qilin (foo dog / guardian lion), the crouching beast with legs back and flaming body depicted ready to pounce. Retaining partial remnants of the red wax export seal, indicating they are authentic and were legally exported out of the country. Dimensions: (approx) Largest: 18" Tall, 19" Wide, 8" Deep History: Chinese roof tiles have been a part of Chinese architecture for over 2,000 years. These unique and beautifully crafted tiles have become an integral part of traditional Chinese culture, and have gained international recognition for their beauty and cultural significance. In this article, we will explore the different types of Chinese roof tiles, their construction, cultural significance, preservation and restoration techniques, and modern uses. Chinese imperial roof decorations or roof charms or roof-figures (Chinese: 檐獸/檐兽; pinyin: yán shòu) or "walking beasts" (Chinese: 走獸/走兽; pinyin: zǒu shòu) or "crouching beasts" (Chinese: 蹲獸/蹲兽; pinyin: Dūn shòu) were statutes placed along the ridge line of official buildings of the Chinese empire. Only official buildings (palaces, government buildings, and some temples) were permitted to use such roof decorations. Occasionally arranged in an outward marching procession with various different examples, the number and type indicating the importance of the duties performed within the building or within the courtyard protected by a gate. With a maximum number of nine, the mythical beast was one of the highest in rank, thus modeled set to pounce upon the man and lower ranking creatures, ready to devour them should they stray from performing their duties with faithfulness and rectitude The Design and Construction of Chinese Roofs: The roof design is an important aspect of Chinese architecture, with each component of the roof playing a specific role. Chinese roof tiles fit into the overall design of the roof and are placed on top of wooden supports called purlins. The interlocking system of Chinese roof tiles ensures that they stay in place and prevent leaks. Ridge tiles...

A striking antique European Grand Tour style bisque porcelain rhyton form vase, circa 1875 Continental, most likely German, late 19th century, exceptionally executed sculptural form...

A fabulous sculptural American Art Deco period Frankart / Nuart style metal, glass, and marble table lamp. circa 1920 Early 20th century, featuring two figural patinated metal female nymph nudes...

A stunning vintage Moorish arabesque inlaid table box, 20th century, high quality rectangular box with hinged lid, featuring contrasting mother of pearl, exotic hardwood, and bone marquetry inlay arranged in geometric patterns, opening to red fabric lined interior. Dimensions: (approx) 3" High, 16.75" Wide, 6 1/8" Deep; 3.2lbs As warm and attractive as it is functional, having the ideal large size and proportions for a variety of different uses, including concealing a remote control on your coffee table or sofa table, or as a jewelry casket, trinket case...

A fine Biedermeier Period (1815-1848) walnut maple burlwood marquetry table cabinet - wunderkammer (cabinet of curiosities) with fifteen drawers and concealed secret compartments, circa 1820. This architectural curiosity cabinet is a testament to the ingenuity and artistry of European craftsmen from the early 19th century. The highly figured quilted wood grain, warm rich burled walnut panels, and hand sculpted and molded ebonized wood exterior boasts a dark, lustrous sheen, while delicate hand carved details adorn its surface, showcasing the finesse and precision of its creator. Probably Southern Germany, most likely Augsburg, having a rectangular raised top with visible hand cut dovetail joint case housing a single drawer, over exquisite stepped moulded ebony transition into large double door cabinet with the original hand forged iron hardware, opening to reveal an interior fitted with eleven drawers surrounding a single locking cupboard door, unlocking to reveal a stunning eight-pointed star marquetry inlaid spring loaded niche panel with hidden release, when triggered the niche slides out to reveal a trio of hidden storage compartments, including a deep bin and two small hidden drawers for the owners most precious valuables. Rising on shaped ebonized wood molding, over a distinctive masculine scalloped skirt, resting on ball feet. Every inch of this remarkable antique cabinet reflects the warmth and depth of European craftsmanship during the early 19th century — a period celebrated for its quality, superior craftsmanship, comfort, and viewpoint furniture was meant to be publicly displayed. The intricate detailing, exotic and expensive materials, ingenuity and artistry transport you to a time of sophisticated elegance and refinement. Place this exceptional cabinet in a distinguished office or collectors study, an opulent living room, as a monumental jewelry...