Lynx Hollow Antiques Asian Art and Furniture

A superb Meiji Era (1867-1912) intricately hand carved Japanese hardwood writing table with beautifully aged patina, warm wood coloring, richly figured grain patterns, and interestin...

A rare and most impressive size rustic Provincial Chinese recessed-leg painting table (dining table) Early 19th century, crafted of northern elm (yumu) ...

A rare and most interesting pair of two antique Southeast Asian Temple pillar struts / architectural elements. The hand carved and painted wood figura...

PATINATED GILT-BRONZE AND CLOISONNÉ ENAMEL ‘BIXI AND GU’ CENSER / VASE, QING DYNASTY, CHINA, CIRCA 1850 OR EARLIER A magnificent, very high-quality, incredibly colored 19th century...

A charming early patinated metal oil lamp, India, 19th century or earlier. Most likely originating in the South Indian state of Tamil Nadu, richly cast using the renowned ancient b...

A pair of finely cast and incised burnished bronze candlestick elephants, Chinese school, 18th-19th Century, Qing Dynasty (1636-1912). Each elephant is standing foursquare with head...

A remarkable very fine quality late Edo Period (1603-1868) Japanese hand carved and painted gemstone mounted lacquered gilt wood Buddha figure. Japan, circa 1860, exceptionally car...

Add authentic antique character and charm, sophisticated cultural interest, elegant warmth and rich historical depth with this graceful South Indian patinated cast brass ritual oil l...

A stunning pair of excellent quality bronze Pixiu wealth dragon mythical creatures with visually striking scattered verdigris bluish green patina! Well known in Chinese culture and...

A large and most impressive pair of antique / vintage Chinese glazed earthenware covered Martaban storage jars, having sand and ochre brown glaze palette, incised with auspicious myt...

A beautiful framed antique Japanese School ink and color painting on silk, 19th century, finely detailed and richly colored, depicting Amida Triad, with two Bodhisattva attendants worshipping Buddha, on a gilt arabesque mat, in a black frame. Provenance / Acquisition: A Private Dallas Collector Acquired from the highly reputable auction house Dallas Auction Gallery, Dallas, Texas. Summer Fine Arts and Antiques catalog. Owned and curated by Reyne Hirsch, a notable media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A near pair of antique Southeast Asian Burmese jeweled parcel gilt wooden temple guardian figure carvings. circa 1900 Hand carved in Burma (present day Myanmar) in the late 19th / early 20th century, most likely the Mandalay region, each richly detailed and gilded, adorned with inset green colored mirrored cut glass mosaic inlays, depicting mythical qilin / stylized lion temple guardian, rising on integral red lacquered platform base, Dimensions: (approx) Each: 7" Tall, 2.5" Wide, 4" Deep; A charming pair of small highly decorative table sculptures / shelf statues...

A scarce small antique Southeast Asian Ayutthaya Period bronze Bhaisajyaguru (the Buddha of healing and medicine) religious icon statue. 18th Century or earlier, Siam / Thailand, exceptionally executed metalwork, especially considering its age and diminutive scale, rare pose combination, depicted standing on lotus flower pedestal, holding a gallipot (apothecary jar) in his left hand, right hand in Varada Mudra gesture with palm facing outward and fingers pointing down to the ground. The Varada Mudra is a gesture of compassion and wish-granting that represents open-handed generosity and granting of wishes. The medicine Buddha is described as a doctor who cures suffering using the medicine of his teachings and brings healing. Makes for a wonderful decorative object or thoughtful gift, sure to add a touch of whimsical elegance, serene warmth, balance, and tranquility to any space! Provenance / Acquisition: A private Gentleman's Dallas, Texas fine art and antiques collection Acquired from the highly reputable auction house Dallas Auction Gallery; Dallas, Texas. Owned and curated by Reyne Hirsch, a media personality and expert in 20th century decorative arts. She's was a top appraiser for Antiques Roadshow...

A most impressive fine quality large antique patinated bronze South Asian Buddha head. Add a touch of relaxed warmth, elegant tranquility and harmony with this rare striking authentic life-size Buddha head. Almost certainly originating as a full-body Buddhist monastery temple statue, dating to the 19th century or earlier, likely Tibetan or Nepalese, finely detailed throughout with special attention to realistic proportions, facial features and serene expression, depicted with slightly angular closed eyes, thin arched eyebrows flanking wisdom eye, elongated pierced ears, and traditional curly snail hair with cranial protuber-ance (ushnisha) rising from the top of the head, indicating his vast wisdom. PROVENANCE / ACQUISITION: Acquired from the highly reputable auction house, J. Garrett Auctioneers, Dallas, Texas. Turtle Creek & Dallas Estates catalog. Garrett was pleased to present the contents of a fine Turtle Creek estate. Property seized from JMJ Development, the Dallas development firm controlled by Tim Barton and set to become the first Mandarin Oriental hotel in Dallas. DIMENSIONS: (approx) 14" Tall, 10" Wide, 8" Deep CONDITION REPORT: Beautifully aged warm rich dark patina. Strong, sturdy, stable, structurally sound. Wear consistent with age, use, handling and exposure, including scattered oxidation and buildup, small minor holes around the neck from where the neck would have attached to the body. --- We here at Lynx Hollow Antiques have a special fascination with religious antiques, and have an extensive collection, crossing all religions, regions and periods. From Thai Ayutthaya, Burmese, or other Southeast Asian Buddha and Buddhavista figures, ancient Chinese and Japanese carving, relics, important temple or church architectural salvage building elements, early Santos, icons, altar tables, tabernacle, to primitive folk art paintings...

A beautiful antique Khmer hand carved wooden Buddhist figure. Originating in Cambodia, Laos, Vietnam or Thailand, 19th century or earlier, the exceptional Southeast Asian antique...

A rare and remarkable original Song (Sung) Dynasty (960 to 1279) dark turquoise blue glazed earthenware pottery joss stick incense holder. Likely Jun ware, Northern Song Dynasty (960...

A scarce 600 year old (approx) Chinese pottery Ming Dynasty (1368-1644) large glazed earthenware míngqì tomb figure, modeled as horse sculpture with saddle, stirrups, and integral ba...

A remarkable pair of large Ming Dynasty (1368-1644) earthenware Imperial roof decorations - ornamental architectural terracotta roof tile beasts. 15th/16th century or earlier, Northern China, most likely Forbidden City, Dongcheng District, Beijing, figural pottery modeled as mythical qilin (foo dog / guardian lion), the crouching beast with legs back and flaming body depicted ready to pounce. Retaining partial remnants of the red wax export seal, indicating they are authentic and were legally exported out of the country. Dimensions: (approx) Largest: 18" Tall, 19" Wide, 8" Deep History: Chinese roof tiles have been a part of Chinese architecture for over 2,000 years. These unique and beautifully crafted tiles have become an integral part of traditional Chinese culture, and have gained international recognition for their beauty and cultural significance. In this article, we will explore the different types of Chinese roof tiles, their construction, cultural significance, preservation and restoration techniques, and modern uses. Chinese imperial roof decorations or roof charms or roof-figures (Chinese: 檐獸/檐兽; pinyin: yán shòu) or "walking beasts" (Chinese: 走獸/走兽; pinyin: zǒu shòu) or "crouching beasts" (Chinese: 蹲獸/蹲兽; pinyin: Dūn shòu) were statutes placed along the ridge line of official buildings of the Chinese empire. Only official buildings (palaces, government buildings, and some temples) were permitted to use such roof decorations. Occasionally arranged in an outward marching procession with various different examples, the number and type indicating the importance of the duties performed within the building or within the courtyard protected by a gate. With a maximum number of nine, the mythical beast was one of the highest in rank, thus modeled set to pounce upon the man and lower ranking creatures, ready to devour them should they stray from performing their duties with faithfulness and rectitude The Design and Construction of Chinese Roofs: The roof design is an important aspect of Chinese architecture, with each component of the roof playing a specific role. Chinese roof tiles fit into the overall design of the roof and are placed on top of wooden supports called purlins. The interlocking system of Chinese roof tiles ensures that they stay in place and prevent leaks. Ridge tiles...

A remarkable pair of Thai Ayutthaya period bronze crowned Buddha mounted on wood display stands. Thailand. 17th/18th Century Dimensions: (approx) Head: 15" High, 7.75" Wide, 6" Deep (tallest) Overall: tbd Provenance / Acquisition: Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 March Fine & Decorative Asian Art Signature Catalog Auction #8155 Lot #78357 Condition Report: Attractive pair with beautifully aged patina, condition commensurate of age, use, and exposure. Scattered areas of desirable verdigris green patina and oxidation throughout to each. Minor loss to front shell point of one example. Small holes scattered throughout and scews/nails through each fixing both examples to wooden bases. Both well preserved and present superbly History: The first Crowned Buddha images or Jambupati Buddha statues are known to have been originated from the Pyu, where the Indian influence of Buddhist arts and non-Theravada Buddhism was extremely felt in those days. There may have been various background stories behind the crowned Buddha statues in the course of history but one of the most popular stories goes by the legend of Jambupati. This particular legend is not known in the home of Buddhism India, however the crowned Buddha statues have been attached to the name Jambupati as the Buddha is believed to have humbled a boastful and arrogant king Jambupati. The story goes on about how the Buddha transformed himself into a mighty king with a crown and jewelry and set himself a majestic yet incomparable palace. Seeing this, the king accepted the great ability of the Buddha and submitted himself to the Dharma and became a Buddhist monk. This particular story has gained a lot of popularity and stood the test of time in Burma as the number of Crowned Buddha statues in Burma is considerably great in amount. There are also other versions of the background story of crowned statues...

An exceptional antique Asian Vellum campaign trunk on a fitted hand carved hardwood footed low stand (ideal proportions for use as a coffee table, cocktail drinks table, end table, b...

A stunning antique Chinese school ink wash painting, 19th century, ink and color on silk, finely detailed, richly decorated, elegantly colored, depicting landscape courtier processio...

Antique Chinese Qingbai ware late Southern Song dynasty (960 to 1279) / Yuan dynasty (1271 to 1368) style funerary urn. High-quality glazed ceramic garlic head vasiform vessel, dec...

A high quality Qing Dynasty (1636-1912) Chinese bronze brazier censer (today use as an incense burner - cachepot planter - decorative table box) encircled with traditional characters, rising on three ball feet, nicely patinated. Functional and decorative, it's a superb example of antique Asian...

A rare and a bit unusual Qing Dynasty (1636-1912) cloisonne enameled opium lamp. Originating in China in the 19th century, the silver-tone oil lamp features a six sided base with uni...

Bring a touch of peaceful tranquil serenity and help ward off sickness and negative energy with this large Joseon dynasty (1392–1910) antique Asian hand carved and painted wood Buddh...

A large and impressive Japanese Meiji period (1852-1912) patinated bronze guardian lion censer. Late 19th century, Japan, exceptionally executed, the group consisting of four shishi...

A remarkable Edo Period (1603-1868) Japanese patinated bronze Buddhistic lion censer, exceptionally executed sculptural shishi foo dog form, finely detailed, retaining the original r...

A magnificent pair of Qing Dynasty (1644-1912) antique Chinese architectural elements with beautifully aged patina. circa 1900 Most impressive large scale, likely sculptural corbels from a Buddhist temple or imperial palace, late 19th / early 20th century, each intricately hand carved with very fine detailing, similarly styled pair, modeled as guardian foo lion, depicted with outstretched arched body, mouth ajar, clutching floral ball, having elaborate openwork carvings, with scattered remnants of original polychrome paint remaining. The highly decorative architectural salvaged ornamental building elements presented on custom made hand carved wooden sculpture stands...

A pair of antique Cizhou-type cream glazed cat (mao) incense stick holders. Dating to the early Qing - possibly late Ming Dynasty, scarce near...

An exceptionally hand-carved antique Chinese soapstone spill vase - spill holder (see below), profusely decorated and intricately detailed naturalistic sc...

A large and most impressive antique Asian iron sculptural outdoor planter / jardiniere / garden ornament. Styled after an ancient Chinese...

A Qing dynasty (1644–1912) Chinese ox blood red lacquered parcel gilt carved Hongmu wood wedding chair. Unusual form featuring a concealed storage drawe...

A scarce, high-quality antique Burmese jewel inlaid solid bronze chinthe sculpture. Dating to the late 19th century, likely originating in the Mandalay region of central Burma, the fearsome looking beast depicted in traditional Burmese iconography and important architecture, especially as a pair, the protective temple guardians placed flanking the entrances of Buddhist religious pagodas and monasteries. Burma; circa 1880 PROVENANCE: The estate of Mr. Wesley and Mrs. Suzanne LaFever, Beverly Hills, California. ACQUISITION: We acquired this outstanding example from the reputable auction house, Austin Auction Gallery, Austin, Texas. Fine Estates and Antiques catalog, December 2021 DESCRIPTION: Exquisitely sculpted and cast of heavy, patinated solid bronze, finely detailed and decorated throughout, intricately engraved with scrolling ornamentation and fine detailing work, old nicely aged polished finish developing a warm, mellow patina with highly desirable scattered verdigris, minor inlay losses add to the charming antique character. Stoic in stance, posed at attention proudly squatting back on its haunches, front legs straight, possibly roaring with head up and straight ahead, mouth ajar with teeth and long tongue exposed, ornate armor plating and horned mane, fanciful stylized tail, inset with Myanmar style brilliant colored mirrored glass jewels. BRIEF HISTORY / BACKGROUND: Predating the use of coins for money, brass weights cast in the shape of iconic animals like the Chinthe were commonly used to measure standard quantities of staple items. Chinthe, the Burmese word for lion, while leograph of Chinthe is an artistic highly stylized lion; the rare Southeast Asian Burmese equivalent to Foo Dogs, Japanese Komainu, Tibetan Snow Lion...

A magnificent Chinese carved spinach green jade chilong dragon sculpture, resting on fitted hardwood stand. Rich deep bright green color with molten shades of lighter pale green, exceptionally carved, with intricate detail throughout. The mythical beast lying ready on all four, head raised, mouth ajar with teeth exposed, wings by its side, spiral scroll incised on hind legs. Provenance: Estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate...

A scarce pair of Qing Dynasty temple architectural ornaments, the decorative antique building element fragments each elaborately hand carved, polychrome painted and lacquered, richly detailed featuring two figural pairs accented...

An original matched pair of exceptionally carved Chinese temple architectural ornaments, the ornate decorative brackets salvaged from an early Qing Dynasty temple, the richy detailed...

A large antique Chinese glazed Sancai pottery temple guardian figure, designed to ward off evil spirits and protect the owners tumb. Hand crafted, excep...

A wonderful pair of antique Chinese red lacquer and gilt gold painted hand carved wooden figural architectural elements turned incense burner pillars. Highly detailed carvings featuring Asian pine tree motif representing longevity, horseback rider believed warrior Guan Yu...

A phenomenal hand carved and painted wooden antique wedding dowry stacked drawer carriage chest from China. Commissioned in the 19th century to commemora...

A majestic pair of antique architectural salvaged Chinese temple corbels, now mounted as one-of-a-kind wooden sculptures on custom floor standing display pedestal stands. Originally commissioned for an important religious temple in China, the impressive large scale wall bracket corbels were notoriously difficult as they had to serve as both highly decorative temple ornaments and structural building elements used to support the weight of a wall. Hand-crafted in the early 19th century, smilarly styled design, each exceptionally hand carved, sculpted, and painted by highly trained artisans. Profusely carved and decorated, featuring very fine quality high relief work throughout, extensive bas relief, pierced openwork, rich carvings and intricate incised detailing, depicting various Chinese folk religion figures and imagery. Rising on bespoke handmade stands, consistenting of sturdy rectangular shaped thick plank plinth base embellished with foliate carvings, held upright by turned column single support. Rich in culture and history, interesting, unusual, highly decorative, whimsical and artistic, sure to add sophisticated elegance, rustic character, color, space, texture and lots of visual interest. Dimensions, largest (approx): Each: 32.5" H, 19" W, 7.25" D. Please note, the objects were sourced and transported both legally and ethically, retaining partial original red wax export seal to top. Display the three Sanxing, in their iconic representation as three, old, bearded, wise men, which dates back to the Ming dynasty, when the Gods of the three stars were represented in human form for the first time. One panel having two monumental smiling figures with hand painted eyes and tongue, the other fragment depicting four figures, seated and standing, likely Immortals, Gods, Shen deity, and other characters from ancient Chinese mythology and folklore. Both pieces with elaborate lotus and pine tree motif, a powerful symbol of wisdom and longevity. Sanxing figures are an important part of Asian culture. Statues of these three Gods...

A monumental Hindu Nandi temple gate-guardian architectural ornament, born in India, dating to the 19th century, hand carved and painted, richly detailed, polychrome decorated, the wooden sculpture depicting Nandi, a sacred bull, gatekeeper, and vahana religious deity figure. Provenance: Acquired from The Neiman Marcus Corporate Art Collection. Details below. Dimensions: (approx) 49.5" x 43" x 12" An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love. More than a means of conveyance, Nandi is considered Shiva's constant companion on all his travels, so much so that in any temple dedicated to Shiva, there is a sculpture of Nandi. This symbol is a deity in its own right, and in India there are temples dedicated exclusively to Nandi. In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom. A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth. Detailed Condition Report: Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves. White glove in-home shipping/delivery available. Pickup available near Dallas, Texas Additional Provenance: Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas. From The Dallas Morning Newspaper; April 12th, 2021 Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection. The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas. Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s. Some of the pieces are from corporate spaces, stores and the company’s archives, among the items are important antique textiles, tribal robes...