Masterworks Fine Art Prints and Multiples

As black remnants of flora float on top of green patches of murky water, a sense of frenzied movement overtakes this small composition. Stark black lines crisscross as if done in cha...

In sharp contrast to the cubist works created in collaboration with Picasso, this work displays the mature aesthetic style that Georges Braque develope...

A leaf rests on the sheet in Georges Braque Le Feuille Morte from Lettera Amorosa, 1963 as a testament to the beauty found in the cycle of nature. As gorgeous pink and brown tones wi...

Famed printer Mourlot describes the years-long development of this collaboration between the poet René Char and the artist; the project grew from an "Understanding between Georges Br...

The bird is Georges Braque's calling card. When the 70-year-old artist was commissioned to create monumental decorations for the Louvre, he chose the bird as his subject. This winged animal appears again and again in his oeuvre, but its representation is noteworthy in this print. To those who would say that Braque is not a draftsman, Dora Vallier writes, "for [him], drawing is not a means of giving outward appearance to forms but of showing what lies within." Along the same lines, Braque himself says, "Forget things, only remember their relationship." These two statements encourage thoughtful viewing. Coming back to its nest and hatched egg, a great black bird is hardly visible against the dark green of its home and the brown leaves behind. Rather than spend time on the details, Braque emphasizes the spatial arrangement of the scene. Everything is compressed down to one level; the curtain of heart-shaped leaves blends together as it falls toward the nest. Braque sees how the tree, nest and bird interrelate, and this entwined relationship is what he chooses to show. Created circa 1950, this original color etching is hand-signed by Georges Braque (Argentueil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin and numbered 281/300 in pencil in the lower left margin. The edition was printed by Atelier Krommelinck, Paris on Rives paper, and published by Maeght, Paris. Catalogue Raisonné: Georges Braque The Green Nest (Le nid...

Braque Le Signe (The Sign), 1954 is an intricate and mysterious piece. This work comes from a period in Braque’s life in which he became considerably more in...

Created in 1971, Sam Francis People's Jade, 1971 is a color lithograph on Strathmore 100 percent rag paper hand signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in pencil ...

Created in 1990, this original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered 270/300, this piece was prin...

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...

Created in 1986, Sam Francis King Corpse, 1986 is a unique color trial proof screenprint on Arches cover paper hand signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in the...

Created in 1984, Grace Kelly is a color screenprint on Lenox Museum Board hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. This work is numbered from the edition of 225 in pencil in lower right apart from the edition of: 30 Artist's Proofs, 8 Printer's Proofs, 2 Hors Commerce, 50 numbered in Roman numerals, 20 Trial Proofs; printed by Rupert Jasen Smith, New York; and published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, with the consent of the Princess Grace Foundation. Andy Warhol Grace Kelly...

Created in 1954, this color lithograph is After Marc Chagall (Vitebsk, 1887- Saint-Paul, 1985). Printed on Arches wove paper by Charles Sorlier under the direction of Chagall. This work is numbered 97 from the edition of 300 and there were artist proofs; published by Editions Galerie Maeght, Paris and printed by Charles Sorlier under the direction of Marc Chagall. The color, composition and execution of Marc Chagall Maternité...

This aquatint is hand-signed by Sam Francis (California, 1923- California, 1994) in pencil in the lower right and is a unique color trial proof aside from the edition of 30. Francis...