Georges Braque

Le Signe (The Sign), 1954

1954

A leaf rests on the sheet in Georges Braque Le Feuille Morte from Lettera Amorosa, 1963 as a testament to the beauty found in the cycle of nature. As gorgeous pink and brown tones wi...

In sharp contrast to the cubist works created in collaboration with Picasso, this work displays the mature aesthetic style that Georges Braque develope...

As black remnants of flora float on top of green patches of murky water, a sense of frenzied movement overtakes this small composition. Stark black lines crisscross as if done in cha...

Famed printer Mourlot describes the years-long development of this collaboration between the poet René Char and the artist; the project grew from an "Understanding between Georges Br...

Utilizing straight lines and sharp angles, Braque creates geometric shapes reminiscent of folded origami. The true identities of these geometric forms elude us, though they vaguely r...

Georges Braque Les Étoiles (Stars), 1959 opens a cloud-like window into a dreamy black and navy sky peppered with playful stars above which a bird, its bod...

Richard Lindner (German/American 1901-1978) original hand signed in pencil lithograph "Masked Woman". Unframed #16 of 100 dated and stamped lower right 1971.

Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey

"Compositione" by Marino Marini is part of the catalogue "Marino Marini Druckgraphik" Catalogue edited in 1976, Haus der Kunst Munich Book with 1 color ...

Marino Marini- From Color to Form VII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Paris,...

Kees van Dongen – Le Carrousel (De Champs- Elysées). Color lithograph, 1963. Edition 68/100 hand signed and numbered in ballpoint. Perfect condition with vibrant colors. Image size...

Kees van Dongen – Jeune femme au chien Pochoir, Henri Floury Editeur, Paris, 1925. From the album ‘Van Dongen’ by Edmond des Courieres. Paper size: 26.5 x...