Richard Taylor Fine Art

This stunning British Impressionist landscape oil painting is by noted British artist Joseph Vickers de Ville. It is entitled Clair de Lune verso and dated 1916-1919. Clair de Lune, ...

This charming floral oil painting is by Cornish born artist Marion Grace Hocken. Painted circa 1950 it is a floral arrangement of pink and purple fuchsia with sprays of blue flowers ...

This lovely Victorian landscape oil painting on canvas is by noted exhibited British artist John Horace Hooper. Hooper was particularly known for his landscapes and was fond of the s...

Henry Room, noted Birmingham artist, painted this lovely Victorian portrait oil painting. It was painted in 1842 and exhibited at the Society of British Artists the same year, entitled Forsaken Innocence. It is a charming half length portrait of a young lady in a hat, dark ringlets gleaming and ruby red lips slightly smiling. She is holding a sheaf of wheat with trees beyond. The detail and brushwork are lovely. A super pastoral oil painting and an accomplished example of Henry Room's work with excellent provenance. . Signed lower left. Indistinctly inscribed to label verso. Provenance. Exhibited at the Society of British Artists 1842 no. 63 entitled Forsaken Innocence. Mentioned in “German Compliments to British Art,” The Art-Union (Dec. 1842), 279-281. Comments by Dr. Henry Merz on the exhibition of the Society of British Artists (Suffolk Street, Pall-Mall East); p.280: “In this exhibition we find also the peculiar sentimentalism of the English school, in No. 129, ‘Sterne’s Poor Maria,’ by F. Stacpoole; No. 63, ‘Forsaken Innocence’ (a coquettish young lady with a sheaf of gleanings in her apron), by H. Room” Berwick House, Shropshire. James Watson was born in Edgbaston, Birmingham in 1818, He bought Berwick House In August 1875. With the renovations on the mansion house nearing completion, by 1879 Watson turned his sights to forming a collection of suitably impressive paintings and furnishings for the recreated rooms. Condition. Oil and panel, 30 inches by 25 inches and in good condition. Frame. Housed in an ornate gilt frame, 38 inches by 33 inches and in good condition. Henry Room (1802–1850) was an English portrait-painter, from an evangelical background in Birmingham. Henry Room was born in Newhall Street, the son of John Room, a japanner, and studied at Joseph Barber's drawing school on Great Charles Street. An original member of the Royal Birmingham Society of Artists, he was also one of the group of artists that broke away from the Society in 1828 to exhibit at a rival institution in Temple Row. Room was in London in the late 1820s, sharing a studio with Peter Hollins in Old Bond Street. He was a deacon in the church of John Morison. He was a frequent exhibitor at the Royal Academy from 1826 onwards and completed many portraits of missionaries, academics and reformers which were engraved by John Cochran. Room maintained close links with Birmingham and was appointed as auditor for the newly formed Birmingham Society of Artists in 1842. He had a reputation as a painter of portraits, and received commissions, some of his portraits being engraved. He first exhibited at the Royal Academy in 1826. He practised for some time at Birmingham. He painted a portrait of Thomas Clarkson...

This beautiful British Impressionist oil painting is by noted animal artist Arthur Spooner. Painted circa 1935 it is a superb painting of two working horses standing in the shade of ...

This interesting British Victorian military portrait is by artist C Marten. Painted in 1897 it is a three quarter length portrait of a soldier by a brick wall and window with bars. T...

This superb trompe l'oeil painting is in the typical manner and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central ca...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

This superb British Impressionist portrait oil painting is by noted female artist Florence Kate Upton. Born in America to English parents, Upton visited Britain with her family aged 20 and remained here to further her art career. Although a children's book illustrator, Upton was first a painter and exhibited at the Paris Salon and the Royal Academy. This lovely portrait, painted circa 1900, is a half length profile view of a lady in a black dress with gold front panel. A vibrant peacock blue shawl is across her arm and the background is a rich plum coloured drape. She has a black and silver choker...

This superb British Abstract oil painting is by noted artist Christopher Sturgess-Lief. Painted in 1961 it is an evocative and captivating abstract using the highly individualised sy...

An original ink on canvas by Theodore Mendez who played an important role in the Post War British art movement and the Post Modern art movement. This simple yet stunning work, circa ...

This charming Old Master circa 1800 water colour painting is of morning glory flowers and tendrils entwined with a poppy. The foliage has a metallic green tone and the white morning ...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

An original, circa 1970, oil on canvas painting by listed Northern artist Harry Rutherford. A fine example of a Modern British portrait. In fine untouched condition and framed in a p...

This captivating British portrait oil painting is by noted exhibited and listed female artist Alice Mary Burton. Painted circa 1955, the painting is a portrait of a woman gazing out ...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

Glyn Morgan was a Welsh artist who studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the B...

A Welsh artist, Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End ar...

A Welsh artist, Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End a...

A superb, detailed and meticulous egg tempera oil on panel from around 1960 by Stuart Maxwell Armfield. The painting depicts a flock of seagulls in a bold, strong and surreal colouri...

This beautiful British Art Deco floral oil painting is by noted Cornish artist Philip Rashleigh, who used the name Frank for exhibition purposes. The Rashleighs were an old and disti...

A Welsh artist, Morgan studied at Cardiff College of Art under Ceri Richards. He was a renowned imaginative artist and friend of Cedric Morris. He was influenced by the Benton End ar...

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

An original silkscreen print by Scottish COBRA listed artist William Gear. An internationally famous abstract artist, Gear was a member of the COBRA group which was famous in the fif...

This superb large exhibited British Victorian oil painting is by noted artist Thomas Falcon Marshall. Painted in 1849 it was exhibited at the Royal Academy London that year. This lar...

This atmospheric British Edwardian oil painting is by noted Welsh artist Alan Stepney Gulston. Painted circa 1910 it is a sunny Pembrokeshire coastal view from the high vantage point...

This beautiful 19th century Italian watercolour portrait painting is by noted artist Frederico Bartolini. It was painted circa 1890 in Rome and is signed and in good condition behind...

This lovely 17th century Old Master floral oil painting is attributed to the circle of noted Franco Flemish artist Jean-Baptiste Monnoyer. Painted circa 1670 it is a still life of a ...

This beautiful Edwardian Scottish floral oil painting is by noted Scottish female artist Louise Ellen Perman. Perman exhibited 28 floral oil paintings at the Royal Scottish Academy f...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

This lovely 18th century Old Master portrait oil painting is attributed to the circle of noted portrait artist Enoch Seeman. Seeman came from Poland to England as a youngster with hi...

An original 1946 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at The Roya...

This gorgeous Scottish 1930's soft focus and sensual pastel oil painting is by noted artist John Bulloch Souter. It was painted in 1931 and the sitter is the artist's beautiful wife...

A superb pastoral oil painting by British listed artist Frederick George Swaish and painted in 1923. He was a noted British artist of the inter war period and a regular exhibitor at ...

An original large Scottish portrait oil by noted Scottish artist William Oliphant Hutchinson. The work is a portrait of a gentleman, in a suit, with a rose in his lapel. This painting is a fine realist portrait. It dates to 1960 when he was at the height of his portrait career. This is a fine example of a mid 20th century Scottish portrait. Signed and dated upper left. Provenance. Scottish collection. Condition. Oil on canvas, image size 36 inches by 28 inches and in good gallery condition. Housed in a gallery frame, 43 inches by 35 inches framed and in good condition. William Oliphant Hutchinson (1889-1970), was born at Kirkcaldy, Fife, Scotland, fifth child in the family of four sons and two daughters, of Henry William Hutchison of Kinloch, a Kirkcaldy businessman, and his wife, Sarah Hannah née Key. Educated at Kirkcaldy High School, Cargilfield School, Edinburgh, and later at Rugby School. As a boy he showed considerable promise as an artist and wanted to become a painter but his family were set on him entering business. In 1911, he spent a period in Paris, primarily to perfect his French where he also took this opportunity to study at the Atelier Delecluse, striking up a lifelong friendship with Scottish artist, [Sir] James Gunn (1893-1964). On his return to Scotland he entered the family timber business but, with his father's permission, entered Edinburgh College of Art, having a portrait of his younger sister Nancy exhibited at the Royal Scottish Academy in 1911. Whilst studying in Edinburgh he came under the influence of watercolourist Edward Arthur Walton...

This stunning Flemish Old Master portrait oil painting is attributed to circle of Anthony Van Dyck. Painted circa 1630, the sitter is Frances Stewart née Howard (1578 -1639) Duchess ...

This Beautiful Victorian oil painting is attributed to Scottish master Sir George Reid. Painted circa 1870, the detail in the young girl's facial features and hair are just stunning,...

An original oil on canvas which is attributed verso to Isaac Mucheron with figure by Vandveldt. The scene depicts a nude in an Arcadia classical landscape with ruins. Fresh colour an...

This stunning large Abstract oil on board painting is by noted British artist Frank Avray Wilson. It was painted in 1985 and given to Wilson's good friend and holiday companion, the...

This superb exhibited British 18th century Old Master Italian landscape oil painting is by noted artist Thomas Barker of Bath. Painted in 1794 and exhibited at the Royal Academy in 1...

This charming Victorian landscape oil painting is by noted prolific exhibited British artist George William Mote. Mote was very fond of painting landscapes in Surrey and this is a pa...

This vibrant still life oil painting is by Scottish artist Doris Zinkeisen. Painted circa 1950 the composition is a glass, lemon and two fondant fancies. They stand on a pink and whi...

This lovely British Victorian Impressionist pastoral landscape oil painting is by prolific exhibitor William Mark Fisher. Known as a B...

This interesting figurative landscape oil painting is by British artist Norman Toll. He liked to paint well populated scenes with an event or activity as the focus. Painted circa 195...

A super circa 1955 British portrait oil painting in tones of blue and brown. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parke...

This lovely British Victorian portrait oil painting is by noted and well exhibited artist Alfred Fitzwalter Grace. Painted circa 1875 it is a seated profile portrait of Charles Franc...

A super circa 1955 British portrait oil painting in tones of red. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parker. A highly...

Painted circa 1930 this Modern British oil portrait of Philip Joubert has superb colouring and detail. Painted by Charles Cundall RA RWS, it came from the artist’s daughter and is framed in an earlier solid Empire frame. This is a fine example of a 20th century Modern British portrait. Philip Jourbet de la Ferte, Air Chief Marshall, was senior commander in the 1930's and World War II. Signed left. Provenance Family descent. James Bourlet and Sons labels verso. Artist’s daughter. Condition. Oil on canvas, image size 24 inches by 20 inches and in fine gallery condition. Housed in a fine Empire 19th century frame 30 by 26 inches, in good condition. Charles Cundall (1890-1971) - painter, potter and stained-glass artist, born in Stratford, Lancashire. After working as a designer for Pilkington's Pottery Company under Gordon Forsyth...

This wonderful 19th century interior portrait oil painting is attributed to the circle of Martin Archer Shee. It is a half-length portrait of a seated lady in a black silk dress, ermine stole and superb floral bonnet. It is a super realistic depiction of different textures - fur, silk and her beautiful face and hair. She is also holding her glasses, suggesting she is an educated woman who likes to read. A really magnificent portrait. The fur of the white winter ermine or stoat, with its trademark black tail-tip can often be seen in portraits of royalty...

This lovely Dutch Old Master oil painting is attributed to noted Dutch artist Nicholaes Berchem. Painted circa 1665 it is a charming pastoral scene of a shepherd and his animals including sheep, goats, donkey and cows and of course his trusty dog. They are all resting beneath trees while he looks on attentively. The light in the sky and the light and shadows on the animals is beautiful. A really superb example of Dutch Old Master art with great detail. Provenance. Surrey estate. Christies stamp verso. Condition. Oil on canvas, 38 inches by 32 inches and in good condition. Frame. Housed in a complementary gilt frame, 46 inches by 30 inches and in good condition. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642–5. Works by him are signed both as "CBerghem" and "Berchem". In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum...

A superb landscape oil painting on canvas by Sir James Lawton Wingate, President of The Royal Scottish Academy. This painting shows a windswept Scottish landscape and a "glimpse of t...

This stunning exhibited Pre-Raphaelite 19th century watercolour painting is by British Victorian female artist Marcella M Walker. The painting was painted in 1880 and exhibited at th...

A fantastic British oil painting which is unsigned and is circle of Thomas Lawrence. It depicts a portrait of a lady and dates to circa 1820. This is a super portrait painting which ...

This superb British nude portrait oil painting is attributed to the circle of Harold Knight. Painted circa 1930, it is a seated study of a nude woman in soft focus, arms raised to on...

A fine Scottish Victorian interior scene by George Hay RSA. A very vibrant stunning Scottish historical interior painting which dates to about 1870. It depicts two women curtsying...

This superb Scandinavian abstract art oil painting is by Danish artist Borg Herman Hansen. It was painted in 1961 and is entitled verso Klippe Fragment meaning rock fragment. It is p...

This charming British early 19th century portrait oil painting is attributed to circle of Sir William Etty and is masterfully portrayed with beautiful pre Impressionist impasto. Pain...

A large impressive original Victorian oil painting which was painted circa 1890 by Scottish listed artist Joseph Farquharson RA. This Romantic Scottish landscape view is in fine condition and is framed in a Victorian gilt gallery frame. He was a noted landscape painter of snow scenes around Finzean in Aberdeenshire and often painted at dusk or dawn. This painting however depicts a sublime Scottish river landscape with a river and the mountains in the background. It is a very expansive panoramic view. A large painting in good condition and a lovely example of a 19th century Scottish landscape. Similar examples of his paintings are on display in Kelvingrove Art Gallery Glasgow and the National Gallery Scotland. Signed Joseph Farquharson. Provenance. Scottish collection. Condition. Oil on canvas. Image size is 37 inches by 27 inches, fine condition. Framed size is 44 by 34 inches, housed in a gilt gallery frame. Excellent condition. Born in Edinburgh, Scotland in 1846, Joseph Farquharson combined a long and prolific career as a painter with his inherited role as a Scottish laird. He painted in both oils and water colors. His mother, a celebrated beauty, was an Ainslie. His early days were spent in his father's house in Northumberland Street below Queen Street Gardens and later at Eaton Terrace beyond the Dean Bridge, Edinburgh and at Finzean. His father Francis was a doctor and laird of Finzean in Aberdeenshire. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father’s paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints he could call his own and only a year later he exhibited his first painting at the Royal Scottish Academy. His first major portrait was of ' Miss Alice...

This vibrant British abstract is by noted artist Peter L Field. Painted circa 1960, the composition in reds has relief sculptural impasto. The red works ...