Rob Zanger Rare Books LLC

1962 Gelatin silver print. Vintage. 11 5/8 x 9 3/4 in (296 × 246 mm); archivally matted and framed. The dark areas with some oxidation mirroring (only discernible in counterlight), t...

Silver gelatin print, printed 1980s; image dimension 15 x 11 5/8 in. (380 x 293 mm), sheet dimension, 15 3/8 x 12 1/8 in. (390 x 309 mm). The verso signed "W. Suschitzky" in black crayon, titled and dated Dundee. 1946". [Michael Omasta, et al. Wolf Suschitzky: Seven Decades of Photography (Vienna: Synema, 2014), ill. p. 188]. A photograph that attests to Suschitzky's keen interest in the social environments of the working class. His worked as a cinematographer brought him to Britain’s coal mining communities, to the steel mills and the workers' housing. "In Dundee I came across the worst slums I had ever seen. When I took this picture I was next to a ten story high tenement building. There was only one toilet on each floor and one cold water tap...

Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...

An early Devonshire landscape, ex-collection West Collection of British Watercolors & the Fine Art Society, London. Circa 1800 Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (...

Renée Mauperin; Ten Etchings, Complete Set for the Illustrations to the Novel by Edmond and Jules de Goncourt 1882 Paris: G. Charpentier et Cie, 1882-1884. The complete set of ten ...

A Scene in the New Farce —as performed at the Royalty Theater London: George Humphrey, 1821. Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...

London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...

from The Sailor’s Progress, Plate 5 London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...

London: John Murray, 1904. First, Limited Edition. 4to, 9 5/8 x 7 3/4 inches (244 x197 mm); xxv, map, 328 pp. Wide margins, printed on hand-made unbleached Arnold paper. 48 full-pa...

New York: Random House, 1929. FIRST LIMITED EDITION / SIGNED Small 8vo, 7 1/4 x5 inches (180 x128 mm), 80 pp. Printed on special Japan paper, each sheet French-folded. Blue cloth bi...

Garden City, New York: Doubleday, Doran & Co. (The Crime Club), 1934. First American Edition. 8vo, 7 1/2 x 5 1/4 inches (190 x 130 mm); (8), 347 pp. Publisher's red cloth title in b...

Villon, François, John Payne [translator/editor]. The Poems of Master François Villon of Paris; now first done into English verse, in the original forms, with a biographical and cri...

Raphael / Raffaello Sanzio Le Pitture delle Stanze Vaticane di Raffaello Sanzio da Urbino; incise a contorno in 56 tavole Rome: P.P. Montagnani, 1853. Folio, 16 5/8 x 11 inches (42...

Raphael / Raffaello Sanzio Disegni Originali di Raffaello per la prima volta pubblicati, esistenti nella Imperial Regia Accademia di Belle Arti di Venezia Venice: Tipografia di Gius...

What did Broadway look like at the turn of the 20th Century ? Here is a scarce and important block-by-block view. New York: The Mail and Express, 1899. FIRST EDITION Oblong folio, 6...

Timbs, John, F.S.A. Curiosities of London; Exhibiting the most rare and remarkable objects of interest in the metropolis; with nearly sixty years' personal recollections London: Vir...

Howells, William Dean Venetian Life; With Illustrations from Original Watercolors Boston: Houghton Mifflin, The Riverside Press, 1892. 2 volumes, 8vo 7 x 4 3/4 inches (172 x 120 mm); viii, 279 pp; 287 pp. 18 illustrations from watercolors by Childe Hassam, Ross Turner, F. Hopkinson Smith, and Rhoda Holmes...

London: Thomas M'Lean, Repository of Wit and Humour, 1823. FIRST EDITION Oblong folio, 10 x 13 3/4 inches (250 x 345 mm); 12 hand-colored engraved plates on watermarked 1824 paper, t...

Nuova Raccolta delle più interessanti Vedute della Città di Firenze con alcune altre della Toscana Florence: Lorenzo Bardi, c 1840. Oblong quarto, 7 3/4 11 inches (195 x 280 mm). 1...

Paris: Edouard Pelletan, 1910. LIMITED EDITION 4to; 10 1/8 x7 3/4 inches (258 x 197 mm); half-title, limitation, title with publisher's device, 366 pp, including a glossary of slang...

London: John Murray, 1819. First Edition. 4to, 8 3/4 x 7 inches (220 x 180 mm); 100 pp with "1819" watermark clearly visible on many pages. Contemporary straight-grained crimson mor...

"Sans Pudeur" tells of the erotic encounters of a young couple in the countryside with many double-entendres and saucy details. The author is Renée Dunan but the book was published u...

London: R. Ackermann, 1823. Thomas Rowlandson. Second Edition. Tall 8vo. 9 1/8 x 6 7/8 inches (228 x 174 mm); 8 + 254 pp.; with 24 hand-colored plates by Thomas Rowlandson, includin...

Evelyn, John translator; Fréart, Roland de Chambray A Parallel of Antient Architecture with Modern,; In a Collection of Ten Principal Authors who have Written upon the Five Orders, P...

Charles Baudelaire: Souvenirs, Correspondances, Bibliographie, suivie de pièces inédites Paris: René Pincebourde, 1872. First, Limited Edition, EXTRA ILLUSTRATED. Small 8vo 8 12 x...

Charles Baudelaire: Souvenirs, Correspondances, Bibliographie, suivie de pièces inédites Paris: René Pincebourde, 1872. FIRST LIMITED EDITION - EXTRA ILLUSTRATED Small 8vo 8 12 x 5...

New York: Charles Scribner's Sons, 1922. First Edition, First Printing. 8vo, 7 1/2 x 5 1/4 inches (190 x 132 mm); pp. x + 449 + 2, one unopened at the front of the book; 2-page adve...

London: William Miller, 1804. FIRST EDITION, 2 volumes Small 8vo.; 9 x 5 3/8 (226 x 140 mm); vol. 1: xii, [2], 171 [1 blank]; vol. 2: iv, 164, [1 blank] pp.; large paper copy. Ten h...

GOLDEN COCKEREL PRESS / A.F. (1838) The Ladies' Pocket Book of Etiquette; With Engravings by Hester Sainsbury Waltham Saint Lawrence: Golden Cockerel Pres...

The most complete compendium on the technical sciences of the era. Leupold, Jacob Theatrum Machinarum Generale. Schau-Platz des Grundes Mechanischer Wissenschaften, das ist: Deutlich...

THE MOST COMPLETE COMPENDIUM ON THE TECHNICAL SCIENCES OF THE ERA Leupold, Jacob Theatri statici universalis, sive Theatrum staticum, Das ist: Schau-Platz der Gewicht-Kunst und Waag...

Eliot, T. S. The Rock; A Pageant Play Written for Performance on Behalf of the Forty-Five Churches Fund of the Diocese of London London: Faber and Faber, 1934. FIRST EDITION, Thir...

Rayner, J.L. and G.T. Crook, editors The Complete Newgate Calendar; Being Captain Charles Johnson's General History of the Lives and Adventures of the Most Famous Highwaymen, Murdere...

Aphrodite; (Ancient Manners) Translated into ENGLISH - LIMITED EDITION - ILLUSTRATED by CLARA TICE Privately Printed, 1925 8vo; 7 5/8 x 5 3/8 inches (193 x 132 mm); xiii, 252, (1) p...

London: Hurst, Robinson & Co., 1820. Richard Westall illustrations 4 volumes, small 8vo; 6 3/8 x 4 inches (160 x 100 mm); xx, 371; 388; 367; 436 pp. Each volume contains an illustra...

Carracci's frescoes at Palazzo Farnese in Rome Rome: Venantius Monaldinus, 1753. First Edition. Oversized folio, 17 1/4 x 12 inches (438 x 304 mm); half title, engraved portrait o...

A Dictionary of the English Language; In Which the Words are Deduced From Their Originals and Illustrated In Their Different Significant By Examples From the Best Writers. To Which are Prefixed a History of the Language and an English Grammar London: printed by John Jarvis and sold by John Fielding...

Colección General de los Trajes que en la actualidad se usan en España: principiada en el año 1801 Madrid: Librarias de Castillo, 1801. First Edition 8vo (12mo?); 6 1/2 4 1/8 inche...

Among the most beautifully printed books on Chinese ceramics. Catalogue of the Morgan Collection of Chinese Porcelains by: Bushell, Dr. Stephen W. and William M. Laffan New York: Pr...

Life in Paris; comprising the Rambles, Sprees, and Amours, of Dick Wildfire of Corinthian Celebrity, and his Bang-up Companions, Squire Jenkins and Captain O Shuttleton.... London: ...

Andoversford: Whittington Press, 1985. First Edition. Imperial Octavo, 10 3/8 x 7 3/8 inches (265 x 190 mm); xvi + 44 + 4; Number 91 of 335 copies signed by the artist. Bound by Smith Settle in natural canvas, engraving within a rectangular blind panel on the front; white spine label; headbands, top edge brown, rest uncut; Colorplan Bagdad Brown endpapers. Printed in black, the title-page in black and red, and the captions in grey, hand-set in 12-point Bell; Zerkall smooth white wove and Zerkall Silurian papers; 52 wood-engravings and a line-block reproduction of an engraving by Gwenda Morgan...

Andoversford: Whittington Press, 1985. First Edition. Imperial Octavo, 10 3/8 x 7 3/8 inches (265 x 190 mm); xvi + 44 + 4; Limited edition of 335, of which 35 bound in leather; this copy is Number XXVIII and SIGNED BY THE ARTIST below the colophon. Quarter-bound by Smith Settle in tan goatskin, gilt spine titling, dark and light brown and orange on mid-brown Whittington marbled paper-covered boards by Colleen Gryspeerdt. Headbands, top edge brown, rest uncut; Colorplan Bagdad Brown endpapers. Printed in black, the title-page in black and red, and the captions in grey, hand-set in 12-point Bell; Zerkall smooth white wove and Zerkall Silurian papers; 52 wood-engravings and a line-block reproduction of an engraving by Gwenda Morgan...

London: T. N. Longman and O. Rees, 1803. Third Edition. 12mo, 6 1/4 x 4 inches (160 x 114 mm); pp. xii + 202. Half-bound in tan calf with raised bands and gilt decorations, black l...

The illustrations show Can-Can dancers rehearsing classic high kick positions. Legrand, Louis, illustrations & Erastène Ramiro, text Paris: E. Dentu, 1892 Large 8vo; 11 1/8 x 7 7/8 ...

A striking and important Surrealist collaboration. A rare SINGED COPY. Ernst, Max / René Crevel Mr. Knife Miss Fork; Translated by Kay Boyle Paris: The Black Sun Press, 1931. FIRS...

The Golden Cockerel Press, 1937. Illustrations by Dorothea Braby. FIRST, LIMITED EDITION 8vo.; 8 1/2 x 6 1/4 in. (226 x 160 mm); 63 pp.; 14 pt. Perpetual type; four wood-engravings ...

Waltham Saint Lawrence: The Golden Cockerel Press, 1930. Illustrations by Denis Tegetmeister (1895 – 1987). 8vo, 9 x 6 in (229 x 153 mm); 175 pp., 6 copper engravings by Denis Tege...

This attractive and beautifully-bound volume fits in the period's vogue for exploration of African exoticism, with decorative borders on each page inspired by native African designs....

London: Eragny Press / Hacon and Ricketts, 1903. Lucien Pissarro. Limited Edition. 8vo, 8 1/2 x 5 5/8 in. (215 x143 mm); 44 pp. Edition limited to 226 unnumbered copies on Arches han...

Cruikshank, George (illus.), Apel (auth.) Der Freischütz Travestie. By Septimus Globus.; With twelve etchings by George Cruikshank, from drawings by an amateur; and the original tale...

A rare and stunning binding sculpted in the Art-Nouveau style by Louis Déze, and illustrating the themes of the work. From the library of the eminent French bibliophile Guy Bigorie. ...

Designs by Inigo Jones for Masques & Plays at Court; A Descriptive Catalogue of Drawings for Scenery and Costumes mainly in the Collection of His Grace the Duke of Devonshire, K. G. ...

DISTINGUISHED PEDIGREE: from the libraries of Robert Hoe and John Barrymore. Elegantly illustrated and bound copy with a famed pedigree that spans from Robert Hoe—the businessman, collector, and founding member of the Grolier Club in 1884— to "The Lamberts" (probably purchased in the epic Hoe library auction of 1911-1912), who gifted it to the colorful and famous actor John Barrymore. Their bookplates adorn the inside covers, will your bookplate be next? Giarda, Cristoforo Bibliothecæ Alexandrinæ icones symbolicæ … elogiis illustratæ Milan: Giovanni Battista Bidelli, 1628. 4to, 9 5/8 x 7 inches (244 x 178 mm); (xii) + 140 pp, not including plates and inscriptions. Engraved architectural title with Saints Peter and Alexander by Cesare Bassano, 16 copperplates of female figures; woodcut dropcaps and tailpieces throughout. Later (circa 1890) red levant morocco binding by R. Petit (signed in gilt on front turn-in) with triple gilt frames on boards, raised bands, gilt title and decorative motifs in compartments; inner dentelles, marbled endpapers, professionally rebacked preserving original richly gilt backstrip in compartments; title and preliminaries stained, occasional spotting or light soiling and a few small light ink stains to covers. [Praz p.349] Provenance: Robert Hoe (blue morocco book label...

Skelton, John The Tunning of Elinor Rumming, a Poem London: Printed for Isaac Dalton, and sold by W. Boreham at the Angel in Pater-Noster-Row, 1718. Second Edition. Octavo, 7 5/8 x 4 5/8 in. (194 x 117 mm). pp. [8], 31, [1]. From the title page: by Skelton Laureat. Original unbound, rebound in modern pink paper over boards, leather spine label with gilt title. Some toning to last few leaves.boards All text is legible, some spot tanning throughout. In near fine condition. Rare. [ESTC N46064 ] ESTC shows two U.S. copies only: Henry E. Huntington Library and Yale University Beinecke Rare Book and Manuscript Library; and two British Isles copies only: Oxford University Bodleian Library (both copies). This poem was printed multiple times in the 16th century, including by William Caxton's successor, Wynken de Worde. Rare as a separate volume. John Skelton (c.1463 - 1529) was a remarkable, unusual poet and priest, who had been the tutor of the Tudors, Prince Arthur...

Quesnot de La Chênée, Jean-Jacques La femme démasquée ou l'amour peint selon l'usage nouveau la Haye (The Hague): Jacob van Ellinckhuysen, 1698. First Edition. 12mo, 5 x 2 3/4 inc...

Lower Marston: Whittington Press, 1992 Limited Edition. 4to, (10 3/8 x 7 1/2 inches (265 x 190 mm); pp. 38 frenchfold, 15 wood engravings by Phipps printed in black, four with colori...

Bloemaert, Abraham and Rosweyde, Héribert 't Bosch der Eremyten ende Eremytinnen van Aegypten ende Palestinen (...) [The Forest of Hermits of Egypt and Palestine... Hantvverpen (Antwerp): Hieronymus Verdussen, 1619. Illustrated by Abraham Bloemart. First Edition in book form. 4to, 8 7/8 x 6 3/4 inches (251 x 171 mm). ix pp, 51 sheets on cream laid paper, text in Dutch (gothic letters). 50 numbered full page copperplate engravings of Christian hermit saints (25 male, 25 female), printed recto with text pages on verso. Full-page frontispiece for the work and with an additional full-page frontispiece for each of the two sections. Full contemporary vellum, untitled, with some handling discoloration but the vellum remains supple and the binding is tight. Pages clean and bright with a couple of foxing spots and a small brown stain on the 2nd frontis titled "Sacra Eremus ascetarum"; toned page edges. Previous owner's name and date in ink on front flyleaf and small pencil and ink notations inside back cover; bookplate of Buijnsters Smets pasted inside front cover. [De Backer...

London: Hutchinson & Co., 1908. First Edition. Small 4to 10 3/8 x 7 1/2 inches (265 x 190 mm); xx, 210 pp., rubricated decorated title page; 30 full-page color plates by Pogany, inc...