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Coutances
By John Taylor Arms
Located in Middletown, NY
Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...
Category
Early 20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
The Tiber, near Rome / Italian School 18th Century
Located in Middletown, NY
Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition with scattered areas of light brown discoloration, and un...
Category
Mid-18th Century Old Masters Landscape Drawings and Watercolors
Materials
Ink, Laid Paper, Pencil
Porta del Paradiso, Venezia
By John Taylor Arms
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category
Early 20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
The Dethroning / Italian School, 18th Century
Located in Middletown, NY
Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...
Category
Late 18th Century Italian School Figurative Drawings and Watercolors
Materials
Ink, Handmade Paper, Graphite
Durham Cathedral - English School
Located in Middletown, NY
Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.
Category
Early 20th Century Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Waiting room at the Admiralty (*no Misnomer)
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1820. Second Edition. Etching with handcoloring in watercolor on cream wove paper (published 1835), 8 3/8 x 11 1/2 inches (210 x 29 0mm), full margins. Second...
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Portrait of Raffaello / Italian School
Located in Middletown, NY
Graphite and ink on handmade, watermarked C & I Honig laid paper, 8 15/16 x 6 3/4 inches (226 x 170 mm). Signed illegibly in ink, lower margin. Scattered light creasing and surface...
Category
18th Century Italian School Portrait Drawings and Watercolors
Materials
Ink, Handmade Paper, Graphite
Moulins de Hollande
By Johan Barthold Jongkind
Located in Middletown, NY
Etching on cream laid paper. 5 7/16x7 7/16 inches (137 x 188 mm). Scattered toning, age stain, and scattered minor defects consistent with age. Second state (of 3).
[Delteil 14]
Jo...
Category
19th Century Dutch School Landscape Prints
Materials
Laid Paper, Etching
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
By Antonio Tempesta
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613.
Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category
Early 17th Century Old Masters Figurative Prints
Materials
Laid Paper, Engraving
Holy Family with Two Saints, after Parmigianino
By Antonio Da Trento
Located in Middletown, NY
Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...
Category
16th Century Old Masters Figurative Prints
Materials
Ink, Laid Paper, Woodcut
Mr. B. Promoted to Lieutenant and first putting on his uniform.
By George Cruikshank
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 7)
Etching with handcoloring in watercolor on cream wove paper, 8 3/8 x 11 1/2 inches (2...
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Portrait Prints
Materials
Laid Paper, Etching
The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category
17th Century Old Masters Landscape Prints
Materials
Etching, Laid Paper
The Church of St. Francis and the Natizone – Cividale
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
Lake landscape – Swiss School early 19th century
Located in Middletown, NY
Brush and brown ink and wash with graphite on cream wove paper, 6 1/2 x 9 1/4 inches (165 x 232mm). Inscribed "Fahlerant, No. 9754, Paisaje--Orillas de un lago" in ink on the verso. ...
Category
Early 19th Century Realist Landscape Drawings and Watercolors
Materials
Ink, Handmade Paper, Graphite
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Figurative Prints
Materials
Engraving, Etching
Le Ruisseau Dans La Clairière (The Brook in the Clearing)
By Charles François Daubigny
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category
Mid-19th Century Realist Landscape Prints
Materials
Photographic Paper
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern Landscape Prints
Materials
Drypoint, Etching
Dandies-of-1817, from Monstrosities
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper, (published August 1st, 1835), 9 1/2 x 13 3/4 in...
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Mr. B. Masthead- or, enjoying the fresh air for the 304th time
By George Cruikshank
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4)
London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
To Calais
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
An Election Ball
By George Cruikshank
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
By George Cruikshank
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Twickenham Church
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Landscape Prints
Materials
Drypoint, Etching
Master B. Finding things are not exactly what he expected-
By George Cruikshank
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
By George Cruikshank
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Monstrosities of 1824; Plate 7
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Monstrosities of 1822; Plate 5
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Sunset in Ireland
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Landscape Prints
Materials
Drypoint, Etching
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
By George Cruikshank
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
The Assumption of Mary Magdalene, Italian School, 16th Century
Located in Middletown, NY
Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...
Category
16th Century Old Masters Figurative Drawings and Watercolors
Materials
Ink, Handmade Paper, Laid Paper
Anglo Parisian Salutations, or Practice par Excellence!
By George Cruikshank
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Figurative Prints
Materials
Watercolor, Etching
Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category
Early 17th Century Old Masters Figurative Prints
Materials
Engraving
The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category
16th Century Old Masters Figurative Prints
Materials
Laid Paper, Engraving
Victoria Station (London)
By Kenneth Holmes, A.R.C.A.
Located in Middletown, NY
A lovely dark and inky impression, signed by the artist.
Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...
Category
Early 20th Century Modern Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Twenty-Fifth Anniversary; Invitation to a party .....
By John Sloan
Located in Middletown, NY
Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary.
Sante Fe: Printed by Peter J. Platt, 1926. 100. Etching on cr...
Category
1920s American Modern Portrait Prints
Materials
Etching
Nude at Dressing Table
By John Sloan
Located in Middletown, NY
Sloan was so fond of this composition that he made a painting after the etching ten years after its completion, in 1943. Completed in Santa Fe, the painting is now housed in the perm...
Category
1930s American Modern Nude Prints
Materials
Etching
Old Houses, Byres Road, Partick (Scotland)
By Sir David Young Cameron, R.A.
Located in Middletown, NY
Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto.
[Rinder 191].
The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...
Category
Early 1900s Modern Landscape Prints
Materials
Laid Paper, Etching
Almshouses, St. Cross
By Sir David Young Cameron, R.A.
Located in Middletown, NY
Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...
Category
Early 1900s Modern Landscape Prints
Materials
Etching
The Smithy
By Sir David Young Cameron, R.A.
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Interior Prints
Materials
Laid Paper, Drypoint, Etching
Forum of Minerva, Assisi, Italy
By William Walcot R. E. Hon. R. I. B. A.
Located in Middletown, NY
Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...
Category
Early 20th Century Modern Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park.
New York: 1884. Etching with aquatint on cream laid p...
Category
Late 19th Century Realist Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Passaic Meadows (In the Newark Meadows)
By Thomas Moran
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Category
Late 19th Century Realist Landscape Prints
Materials
Laid Paper, Etching
The Lych Gate; Little Church Around the Corner - New York
Located in Middletown, NY
Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching, Laid Paper
Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
View from Charing Cross Road towards Cambridge Circus, London
By Wolfgang Suschitzky
Located in Middletown, NY
Gelatin silver print on baryta paper. Later print. Image dimensions 11 1/2 x 14 3/4 in (292 × 375 mm); sheet dimensions 12 x 15 1/4 in (304 × 388 mm); archivally matted and framed.
The verso signed "W. Suschitzky", hand annotated and dated "London, Cambridge Circus, Charing Cross...
Category
Mid-20th Century Modern Landscape Photography
Materials
Silver Gelatin
Big Ben and Bodicea, London
By Wolfgang Suschitzky
Located in Middletown, NY
A superb VINTAGE print by consummate visual artist Wolfgang Suschitzky, whose photographs capture London's sites, people, moods, and lights in a masterful and perceptive manner. Arch...
Category
Mid-20th Century Modern Landscape Photography
Materials
Silver Gelatin
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Interior Prints
Materials
Archival Paper, Engraving, Etching
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Interior Prints
Materials
Archival Paper, Engraving, Etching
Mornings with Judd (Second state)
By Peter Milton
Located in Middletown, NY
Lift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61].
Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...
Category
1970s American Modern Landscape Prints
Materials
Engraving, Etching, Archival Paper
New York Skyline, NY; East River
By Leon Dolice
Located in Middletown, NY
Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...
Category
1930s American Modern Landscape Prints
Materials
Archival Paper, Etching
Study of a Priestess holding a Caduceus
Located in Middletown, NY
Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...
Category
Early 19th Century Old Masters Figurative Prints
Materials
Ink, Watercolor, Laid Paper
Venetian School: Neoclassical banquet scene with angels and putti.
Located in Middletown, NY
Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...
Category
18th Century Old Masters Figurative Prints
Materials
Ink, Handmade Paper, Laid Paper
Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]
Located in Middletown, NY
A beautiful Arcadian landscape after Johannes Glauber.
Amsterdam: 1721.
Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...
Category
18th Century Old Masters Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
![Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]](https://a.1stdibscdn.com/adolf-van-der-laan-prints-works-on-paper-arcadian-riverscape-with-different-figures-by-a-tree-arcadisch-rivierlandschap-for-sale/a_19792/1654896344262/280_master.jpg?width=240 "1721 arcadian st")
On the Hard
Located in Middletown, NY
An elegant and delicate seascape of Brightlingsea Hard, Essex
circa 1925
18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...
Category
1920s Realist Landscape Prints
Materials
Laid Paper, Drypoint
Campagne boisée (Wooded countryside)
By Jean-Baptiste-Camille Corot
Located in Middletown, NY
1866
Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category
Mid-19th Century Barbizon School Landscape Prints
Materials
Etching
Seaman in petticoat breeches and slops, smoking a pipe, carrying a carpetbag.
Located in Middletown, NY
English School, 18th century
Pen and black ink with gray wash on cream laid paper, 9 1/4 x 5 inches (238 x132 mm). 1/4 inch repaired loss, top center, to the left of the figure’s h...
Category
18th Century Realist Portrait Drawings and Watercolors
Materials
Ink, Watercolor, Laid Paper, Pen
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
By Eugène Delacroix
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Animal Prints
Materials
Laid Paper, Drypoint, Etching
Cat and Busybody
By Benton Murdoch Spruance
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
