Robert Funk Fine Art

In most of Nora's work, she combines realism and fantasy. Here, the viewer's position is the back of a theater. In front, there are four raised hands, cheering a monumental image of a sleeping wrapped infant resting on a crescent moon and surrounded by two stars. The infant is floating above the seats and centered in the middle theater curtain...

A turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

At a certain size, painting a small painting with precise and meticulous detail becomes an art in itself. So is the case of "Three Children" by English Childen's book illustrator Amy Millicent Sowerby...

At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

East meets West in this charming illustration where a female American Illustrator paints a scene of two jovial Japanese youths in a semi-Japanese style. Clara Miller Burd was a brilliant female illustrator trained in the academic tradition. This work shows her deep mastery of how to render form properly. The way she captures the expression the two children is spot on. Signed lower right. Burd was an American stained glass designer, and children's book, and magazine cover illustrator. She was a resident of Montclair, NJ and there is a gallery sticker on the back for a gallery in Montclair. Framed under glass 17 x 22 1/2". After returning from France, Burd worked as a stained glass designer at the Tiffany Glass and Decorating Company...

Glamorous Redhead is a poster-like iconic image that sums up an era in American visual history - The 1950s. Al Parker is a giant in the history of American Illustration. He possess...

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

Mid-Century fashion watercolors by accomplished Austrian Female Illustrator. Fashion Gret Kalous-Scheffer (1892 Vienna - 1975 Vienna) was a daughter of the renowned Austrian painter...

Pioneering Female Illustrator Barbara Briggs Bradley was an in-demand illustrator in the 1950s. Merrill Publishers of their famous children's books hired Barbara Briggs Bradley to d...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

Cover illustration for mid-century children's book publisher Merril Publishers. Signed lower right. Unframed. Retta Scott or Retta Worcester was (February 23, 1916 – August 26, 1990) was an pioneering Female Illustrator / American artist. She was the first woman to receive screen credit as an animator at the Walt Disney Animation Studios. Scott worked on storyboards to develop scenes of Bambi, his mother, and the film’s hunting dogs, on which she spent weeks to develop them into “vicious, snarling, really mean beasts.” Male artists in the company were stunned who initially assumed that only a man could create drawings with such intensity and technical skill. Her sketches caught the eye of Disney, so when the film went into production, she was assigned to animate scenes of hunting dogs chasing Faline. She worked under the film's supervising director, David D. Hand,and was tutored by Disney animator Eric Larson. This was a significant coup for the young woman, since at the 1930s-era Disney studio, women were considered only for routine tasks: "Ink and paint art was a laborious part of the animation process, and was solely the domain of women..." Her promotion to animator was in part thanks to the success of herself and other women such as Bianca Majolie, Sylvia Holland, and Mary Blair as storyboard artists. Even after receiving a promotion to animator, she and her animations continued being under appreciated in the industry. Though the most recognized Walt Disney female artist is Mary Blair, it is Retta Scott who opened up the doors for women in the animation industry. She became the first woman to receive screen credit as an animator. By the spring of 1941, Scott was also considered a "specialist in animal sketches." Scott helped produce Fantasia and Dumbo, as well as an adaptation of The Wind in the Willows that was later cancelled. She also made an appearance in The Reluctant Dragon...

This is an elegantly rendered and designed work with fine lines and flat colors by an accomplished female illustrator. Signed lower right Framed in an old simple wooden frame with...

Juliette Kida Renault (as JKR) Esquire Magazine Illustration Original Art (Hearst, c. 1950s). "He said his first word to-day". A fixture of Esquire ...

The mid-century glamour portrait of an elegant, long-necked woman in silhouette with a straw sun hat. Signed and dated Grafstrom Palm Beach 1947 - Condition is good with some scatter...

Stunning portrait with a killer smile by Golden Age of Illustration female Illustrator Zoë Mozert. Signed lower right. Framed under glass, silk matted and i...

An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...

French female illustrator Geneviève Thomas renders a highly stylized fashion illustration set against a seamless red background, The model is wearin...

Katie Blackmore, R.B.A., A.S.W.A. (fl.1913-1950) She was a female illustrator and artist who painted fantastic scenes of fairies and Angles and Doves floating in celestial space. Blackmore exhibited at the RBA, and also at RA, RI, RHA, Ridley Art Club, Carfax Gallery, Royal Glasgow Institute...

Sarah Noble Ives, artist (1864-1944). Original drawing of three Dutch children, with an ink inscription reading: “Full Page / 6 Buff / Three children sliding on the ice / upon a summer’s day” above image. Ink, watercolor, and gouache on linen. Illustration for Mother Goose...

William Wegman's highly conceptual Dog - Cat interaction is depicted in this large-format Polaroid Polacolor print that features a double portrait - a Dog and a Cat - together but separate in their own defined space. Signed, titled, and dated to lower right ‘Church & Steeple William Wegman 93’. This work is unique. provenance: Wright Chicago, Fraenkel Gallery, San Francisco Acquired from the previous in 1993 by the original owner Thence by descent Best viewed with a top gallery light...

Legendary female illustrator creates a graphic and tightly designed triple portrait of her signature subjects. Kids! Signed lower right. Unframed on heavy illustration board. Grace Drayton had a recognizable style which is a hallmark of all great artists. Instantly recognizable, a Grace Drayton subject is a stylized child with a cherubic style, often with round faces, plump bodies, rosy cheeks, and a happy disposition. Three Rosy Cheek Children is an excellent example of her best work. Grace Drayton Born: Grace Gebbie October 14, 1878 Philadelphia, Pennsylvania, US Died: January 31, 1936 (aged 58) Cartoonist, Illustrator Grace G. Wiederseim Notable works Campbell Soup Kids Dolly Dimples Dolly Dingle...

The postman's delivery of a limp cactus creates a big emotional response the female recipient. Most likely an interior illustration for a newsstand magazine. Signed lower right Sus...

Babies are falling from the sky and not bombs. British female artist and illustrator Noel Laura Nisbet makes a passionate twist to the reality of En...

1950's elegant fashion models pose depicted for a designer clothing line for a major San Francisco department store - Perhaps Neiman Marcus. Estate ...

Mary Petty gained fame as a cover artist for The New Yorker, illustrating a fictional upper-class Manhattan family called the Peabodys. One of the main char...

Work is matted but not framed. Painter, Designer, Illustrator born on July 18, 1903 in Warren Arkansas. Studied at the Chicago Art Institute; Northwestern University; Vienne, Austria; with Eliot O’Hara and Hubert Ropp. Member of the following organizations: Dallas Art Association; Texas Fine Arts Association; National Association of Watercolor Artists; and the Texas watercolor Society. Smith exhibited at: American Watercolor Society in 1945, 1948 and 1952; with National Assn. of Watercolor Artists in 1945, 1946, and 1948; Artists Alliance in Dallas in 1943 (awarded prize), in 1944 (awarded prize), in 1945-46 and 1948-1950, 1952-53 with prizes awarded in 1948 and 1953; the Texas General Exhibition from 1943 through 1946, 1948-49; with the Texas Watercolor Society from 1950-52 with prizes won in 1950 and 1951, 1957; with the Southern States Arts League in 1944 and 1945; Texas Fine Arts Association in 1945 and awarded prize and with the Texas Artist Group consecutively from 1945.Smith’s work is in the collection of the Dallas Museum of Fine Arts. Her one-man shows were in Austin, Texas in 1948; in San Antonio in 1951 and Dallas in 1951. Smith’s work is in the collection of the Dallas Museum of Fine Arts. Original pastel and gouache on paper by Robin Artine Smith...

Interpretation 1: An utterly exhausted man collapses face-first into a diner's countertop. His face and the countertop become one. Seemingly oblivious to the acute nature of the man's condition, the night server gleefully offers him coffee instead of more appropriate help. Interpretation 2: The night server/psycho killer pours unsuspecting customer poisoned coffee and then taunts his lifeless body in a victorious tone. Like Charles Addams...

Original Vintage 1920's Ink and Watercolor Fashion Illustration by listed New England artist Harriette (Nutting) Cooper (1901 - 2002). The illustration depicts a lovely young flappe...

Golden Age of Illustration preliminary drawing with Art Nouveau influence that was most likely for a major magazine commission. Eastman captures the elegance, style, and self-confidence associated with the upper-class American woman. The work is masterfully crafted and demonstrates a deep knowledge of academic drawing skills. The female figure is depicted in a classic pose with her scarf blowing in the wind, geese at her feet, clutching a red umbrella, and isolated against a neutral background. Signed lower right. Providence: The Illustrated Gallery...

Mid-century female illustrator/artist Gladys Rockmore Davis paints a compelling portrait of a contemplative beauty who looks like Elizabeth Taylor. Frontal and lateral forces work together in this pyramidal composition. The sitter stares down at the viewer creating a frontal tension. Her hypnotic gaze is counterbalanced by the lateral movement of her crossed hands and triggers an emotional response. Gladys Rockmore Davis is both a work-for-hire illustrator and a fine artist- She was an illustrator for clients such as Upjohn, Munsingwear, Elgin Watches, and Johnson & Johnson. Davis had a show at the prestigious Midtown Gallery and Babcock Gallery in New York. She studied at the California School of Fine Arts, Art Institute of Chicago, and Art Students League. William R. French Gold Medal...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...

Miriam Story Hurford was a prolific and major American female illustrator in the 1930s to the 1950s. Her work was for cover art for women's magazines and home magazines and religious magazines. This work depicts t the wise men being guided by the star of Bethleham to the birth of the Christ child for a Christmas magazine...

1942 Calendar illustration featuring the First Lady of Haiti (Madame Elie Lescot]) rendered in a precise stipple effect and celebrating African-American women which was titled "Twelve American Women." It was executed during the hight of World War II. Lois Mailou Jones...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Golden Light defines two dogs as they have a head-to-head in a Manhattan park. Color Photographer Mitchell Funk captures the scene with a spontaneity and freshness from a rooftop van...

Snow scene in Central Park in blue and white. White Doves over New York City Bethesda Fountain in the Snow. This is an image about the interaction between winged creatures.. .some are birds, and some are statues. The birds are in flight and the bronze with outstretched wings is poised to flight. Circling the bronze, the birds seem to be egging on the bronze statue to join them. Funk employs a blur effect of the birds combined with soft snow that envelops the fountain sculpture designed by Emma...

Pioneering Color Photographer Mitchell Funk carefully crafts a composition where the graceful Art Deco shapes of the Chrysler Building spire play off t...

Dogscape New York City. First light skims across an upper East Side playground with fallen autumn foliage. This archival color photograph by fine art photographer Mitchell Funk is s...

Graffiti-clad New York City Street scene with wall shot by veteran street photographer Mitchell Funk in his trademark colorful style. In Funk's oeuvre co...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

Redheaded model wearing Traina Sport by Kay Unger and Jesper Nyeboe. Illustration published on the cover of Women's Wear Daily, February 25, 1971. Gouache o...

African American artist Alvin Hollingsworth created an inventive and intriguing close-up portrait with figures in the distance. Found objects such as swatches of burlap, plastic spoons, press type and wood shapes are adhered to the surface make this work an object as much as an image. The overall image is bathed in a super hot orange-yellow. This is Hollingsworth interpretation of the soul of Africa. Indistinctly signed lower right in red. The work makes a powerful statement in person. Provenance: The Artist to a personal friend. Private collection Framed dimensions 19 1/4 x 25 1/4 in. Alvin Carl...

Hane paints a dreamy fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...

A graffiti street scene in New York City becomes a semi-abstract picture. Signed and dated on lower right, numbered on verso Edition 3 of 15. Unframed. Other size available, Printe...

Signed and dated on the lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed later, Printed on Hahnemühle Fine Art paper. Mitchell Funk is a p...

Color Photography pioneer Mitchell Funk is famous for blending representation with a broad emphasis on abstract qualities. He is a photographic minimalist cropping out extraneous details. His work focuses on color relationships and interactions between shapes. Funk started shooting in 1969, and today he's still as active as ever and continues to innovate. In "Impressionist Street Scene...

Color Photography pioneer Mitchell Funk is famous for blending representation with a broad emphasis on abstract qualities. He is a photographic minimalist cropping out extraneous d...

Art Seiden was born in Brooklyn, NY in 1923. He received a BA at Queens College and studied for eight years (!) at the Art Students League. Mario Cooper was among his instructors. Up...

The setting reminds us of a Rear Window by Alfred Hickcock but Evergood did it 8 years before. It's most likely Greenwich Village since Evergood lived there. This is a very big and heavy to lift painting Signed lower left Framed 56 x 51 in a period very heavy rustic wood frame. Exhibited Center Gallery, Bucknell University, PA, among others venus. gallery label remnants on verso - The Walker Art Center, Minneapolis The Whitney Museum of American Art Annual 1949 - Label Provenance: Naomi and Walter Rosenblum Best Viewed with a top gallery light...

A young man at a crowded upper-class Haitian swimming pool attracts attention. We see him only from the back in a Magritte like pose. Transfixed expressions of some of the nubile bare-breasted bathing beauties and one man with his hands down his pants give us a clue that the mystery man is special. This is a fascinating work packed with drama and overflowing with pent-up emotion.
Bigaud's narrative is as complex as his figural composition of lookers and swimmers. Notice the sight lines of the lookers go back to front while the two swimmers go from left to right. The twenty-two figures are contained in the rectangular shape of the pool, which is pushed to the front of the picture plane. The cars of the pool partygoers are seen in the background with one witness. He is fully clothed and is most likely a chauffeur. The fully clothed female at the pool offering food is a servant. A boxy-looking radio with a pack of cigarettes and the style of the cars give glue to the date. Most Haitian art depicts average working people. The pool party departs from that tradition and shows life of the Haitian upper class. Most likely, this was painted in Petion-Ville. The higher the elevation in Port-au-Prince the more wealthy the homes. Although the artist's painting technique may be described as naive or lacking polish.
It's one of the reasons why the work radiates charm and interest. The painting is oversized with huge dimensions of 55 x 48 and will be a statement in any room. Wilson Bigaud is considered to be a Haitian master. The condition is good. Three repaired one-inch issues on the extreme center and upper right edge. Visible only on close inspection. Otherwise presents very well and is elegantly framed, ______________________________________ Haitian master Wilson Bigaud is renowned for works portraying everyday life and rites of passage—vodou rituals, fortune-tellers, weddings, cockfights, and carnivals—with voluminous figures and lucid colors. Born in Port-au-Prince, in 1946 Bigaud was among the first to attend DeWitt Peters’s Le Centre d’Art d’Haïti, where he studied with Hector Hyppolite...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

Brilliant American Illustrator Bob Peak captures the fury and power of a punch to the face with rapid broad strokes of the brush. Combined with a somber color scheme and gestural bru...

This earlier work depicts an unexpected multicolored cone extending from the subject's eye. It represents a field of vision for a young Haitian female who gazes up. It reminds me of something Man Ray or the Dadaists did. Duval-Carrié's work is more than eye-opening. Signed lower right Work is framed - Framed Size - 18 x 22 Edouard Duval...

George Giusti is in the Art Directors Hall of Fame. George Giusti’s graphic designs and illustrations have graced the covers of Time, Fortune, Holiday. He collaborated with Herbert ...

Famous Photographer Mitchell Funk captures a colorful image of the classic scene of San Francisco's colorful Victorian Architecture. This is no...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

In Byron Brown's "The Night Journey", 1947, Picasso meets Jackson Pollock. Here Brown strikes a balance between fanciful representation and abstraction. ...

This is an intensely personal and iconic image that is instantly recognizable as a George Tooker. Framed under glass. Hinged to backing board along the upper edge. Mild toning to the sheet. Small 1/4 inch abrasion to the extreme left edge of the sheet, not visible in current framing. Framed Dimensions 21.5 X 17.5 Inches -The artwork will look slightly different under different light conditions. In the former collection of Art Paul, who with Hugh Hefner created Playboy. Peter B...