Chinese Antiquities

Imposing figure of Bodhisattva sitting in a royal pose with a beautiful serene expression, with semi close eyes expressing beatitude, in very well carved robes and pearl strings on t...

A Tang dynasty sancai (three color) glazed pottery model of a Taoist official, TL tested by Ralf Kotalla - worldwide oldest private laboratory specialized for genuine thermoluminesce...

Pair of seated pottery figures, Han dynasty (2nd century BC to 2nd century AD). The taller of the two sits very still and upright, his hands folded into his sleeves, gazing straight ...

Antique 18-19th Century Chinese carved limestone sculpture, depicting a horse drawn carriage going over a bridge, being accompanies by serva...

19th c. Chinese Qing Dynasty children's hat

This wood carving sculpture origins from China, circa 1880.  

Beautiful and impressive early Tang white marble sculpture of headless Buddha, dressed in an elegant pleated toga. China. 618-907 AD. A true collectors piece. This magnificent piece...

Extremely rare Chinese model of a countryside villa for the royal courtiers and ministries of the Ming Dynasty -1368-1644 AD- showing three guest houses and one main entry. The villa is surrounded by a cuadrangular wall painted with bucolic scenes of garden, mountains, and bamboo forests. The roof tiles are glazed in green enamel with yellow finials – as the ones in the forbidden city – typical from the Ming epoch. Truly a museum piece. The doors swivel and are painted in ochre. State of preservation: impeccable mint condition with original paintings, all of the original parts are complete, except for one house which is missing part of the plinth (broken during transport). Each part has been tested for authenticity, consisting of eight separate TL tests...

Han Dynasty, China, circa 200 BC-2 AD.

green glazed multi-lobed double gourd vase

A pair of gilded bronze Chinese lanterns in traditional style with inlaid Jade Plaques. The design of the fret work includes floral motifs as well as meand...

gold decorated border; each painted with a vase of flowers; the box shown in the pictures is not included with these items

This exquisite 19th-century Chinese slim brass water vessel stands as a testament to the artistry and craftsmanship of its era. Its elongated cylindrical form, gracefully arched hand...

Han dynasty, China, circa 200 BC-2 AD.

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

Wonderful celestial deity head with a jovial expression in stone with a finely engraved cap. It is mounted on a custom lucite base. This piece is accompanied by a Certificate of Authenticity, and Certificate of Expertise by Jean-Yves Nathan - Specialist in Asian Arts for the CEDEA (The European Confederation of Art Experts). The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming...

Chinese bronze door pulls.