Antique Asian Meiji Period Japanese Bronze Cloisonne Enamel Urn Vase Red Gilt

An Exceptionally Fine Quality Pair of Miniature Japanese Meiji Period Cloisonne Enamel Vases of unusually small proportions, early Meiji period (1868-1912) and of Museum quality, com...

An Elegant Fine Pair Japanese Noritake Hand Painted Porcelain Vases of outstanding quality. First quarter of the Twentieth Century, late Meiji pe...

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...