Rare Antique Japanese Satsuma Vase with Scenes of Figures, Turtle Basin, Reading

Rare peacocks and peonies antique Japanese Meiji period patinated bronze gold and silver inlaid signed Usubata vase for Ikebana, the Japanese art of flowe...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

Impressive signed Baccarat Empire style bronze and crystal vase. Beautifully complements the Classic 1841 Harcourt and Empire patterns, similar to the ...

Unusual rhombus shaped Japanese Meiji period bronze sea-life motif bonsai, bamboo planter, ikebana. The body in the form of a densely woven basket of fine detail, with a large lobster, clam shell, cockle, conch, crab, pearl oyster and whelk sculptural motifs on the sides, set upon bamboo form bronze feet. The base signed in Japanese within an ornate seal. Perfectly sized for an artistic bonzai tree...

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...