Shoji Hamada Tenmoku Kaki And Nuka Glaze Vase With Original Signed Branded Box

An exquisite, beautifully crafted Japanese pottery vase by master potter Shoji Hamada featuring Hamada's famous signature tenmoku glaze with kaki trailing. The original Hamada signed and sealed wood storage box is included as well as the written appraised signature of his son Shinsaku Hamada. The vase also comes with a printed artist profile/sales brochure of Hamada (featuring some of his other presumably available work). It appears this piece was offered at the Keio Department store in Shinjuku, Tokyo. At first glance, this may seem odd but in fact, this is quite an honor in Japan. This store is known for selling and exhibiting such high-profile artists and potters as Bernard Leach, Lucie Rie, Gyokudo Kawai, Shiko Munakata, Kawai Kanjiro, and Rosanjin Kitaoji. A major goal of many ceramic artists in Japan is to have a one-man exhibition in a department store. For many Westerners, this is a strange concept. Some of the larger department stores have up to three or four dedicated galleries showing concurrent art exhibitions. A well-known artist's exhibition can bring in hundreds, often thousands, of customers to a store and increase revenue for other sales in the millions-of-yen range. These exhibits are usually longer running and highlight a potter's career, like a Living National...

An exquisite, beautifully crafted, sumptuously glazed vase by master Japanese Mingei potter Shoji Hamada, which features a fine example of his highly coveted rich Kaki/persimmon glaz...

An exquisite, beautifully crafted, sumptuously glazed vase by Japanese Mingei Mashiko pottery master Shoji Hamada, which features a fine example of his highly coveted rich Kaki/persi...

An exquisite, beautifully crafted, and designed gourd vase by master Japanese potter Shoji Hamada, which features a fine example of his famed rich Kaki or persimmon glaze. The original Hamada stamped/sealed and signed box is included. Rare to find such a beautiful piece in such impeccable condition with its original signed box. Hamada named this vase Kaki-Yu-Kabin (flower vase with Kakiyu glaze). A very rare form. One Japanese ceramic dealer whom we know said he had only seen one or two other examples like this by Hamada before. This work is sure to shine in any Japanese pottery/art collection or setting. Shoji Hamada was designated a Living National Treasure in Japan in 1955. In 1968 he received Japan's highest artistic award the Order of Culture. His work can be found in collections and museums worldwide including Tokyo’s Japan Folk Art Museum and The Tate Museum...

Shoji Hamada Japanese clay charger with black glaze and terracotta toned glazed decoration, circa 1960s. On contemporary stand. The piece is unsigned and as such cannot definitively ...

A heavily potted stoneware vase in cylindrical form, decorated with abstract strokes in iron rust glaze (known as Persimmon Glaze in Japanese) on a black glazed background. The pattern suggests autumn grasses, and it was applied with free hands. The vase is attributed to Japanese potter Hamada Shoji...

Mid Century studio pottery stoneware bottle vase with cut sides - rich red glaze over a cream base - maker's mark stamp to the base rim (unknown/unidentified potter) - country of origin unknown - circa 1970's. Excellent vintage condition - minor flea bite/glaze chip to the rim - rough/unglazed patches - no loss - no damage - no restoration. Size/Dimensions - Large - 5" (13 cm.) diameter x 8 3/8" (21.3 cm.) high. Note - In the style of 20th century British studio potters William Marshall...

An exceptional example of the work of master Japanese potter, Shunichi Inoue. This vessel dates from his Australian residency and is signed and dated 1978. There is potency in this very simple form - it has a powerful Cynthian presence, stillness, composure, that is, it is reminiscent of the calm abiding presence of the moon. Shunichi Inoue studied ceramics at Kyoto City University of Arts 1969-75. He travelled to Australia to lecturer in ceramics at the Bendigo College of Advanced Education in Victoria, Australia where he stayed for three years. He returned to Australia in late 1984 as a visiting professor and again in 1993, when he made an extended stay. He was an active exhibitor and had an important influence on Australian pottery...