Showa Period Rich Cream Ground Musen Cloisonne Enamel Vase by Ando

A Showa period tall cream ground cloisonne vase, with two orchids and four spikey leaves, Japanese, mid 20th century.

An unusual Showa period cloisonné vase, of squat ovoid form with continuous guilloche in turquoise and green enamels enclosing abstract designs in blue, y...

A Japanese cloisonne vase in bottle-form made by Ando Jubei (1876-1963) circa 1910-20s (late Meiji to Taisho period). The vase features a completely smooth surface without showing any wire. The technique is known as Musen (hidden wire) in Japanese and was notoriously difficult to perfect, especially with piece like this with a relatively large continuous surface. The beguiling effect is to use enamel to mimic porcelain or even jade. This vase, with its ultra smooth surface and soft yellow color (Yellow was often associated with Japanese imperial household...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...