Meiji Period Copper Lotus Leaf Tray

Japanese Meiji bronze Takaoka vase with waterfowl and moon design Meiji period (1868-1912) bronze vase from Takaoka, in Toyama prefecture, is a city historically known for its metal work. Vase has silver inlay moon and waterfowl, signature on the bottom: Yoshihiko, full name of artist...

Heart shaped rattan and bamboo tray. Meiji period (1868-1912) woven tray in a highly unusual shape for a tray. Beautiful patina.

Meiji period (1868-1912) bronze flower arranging basket with a small frog climbing up the side. Excellently rendered details in the basket weaving. Signature on the bottom reads: Eiho.

Early Meiji period (1868-1912) bronze vases, incised, detailed designs on each vase. One vase is decorated with a family of cranes at a rocky water's edge, with flowers and an old pine tree. The other vase depicts turtles at a rocky water's edge with bamboo, along with turtles swimming...

Japanese hammered copper and mixed metal inlay Meiji period vase. The vase has a motive of a silver and shaudo dragon in the clouds. Precise execution. Bears signatures on the bottom.

A lovely large Chinese Canton enamel quatrefoil tray, Republic Period, circa 1920, China. The copper tray of lobed quatrefoil form, and decor...

An exquisite pair of Japanese mixed metal bronze hibachi with idyllic landscape scenes, Meiji period (1868-1912), late 19th or early 20th century, Japan. The hibachi of generous proportions, with a high, slightly splayed foot, a short, narrow waist, and a large and wide cylindrical body. The body decorated in the mixed metal technique. The bronze carved and set with inlays of copper and silver to create wonderful landscape scenes. A pair of animal mask handles to the sides. Each hibachi with a cast signature reading ?? (Toyomi?) to the underside. One side of each hibachi depicting an evening scene, with scholars walking about a mountain retreat, replete with a waterfall, pavilions, pagodas, and pine trees, all shimmering under a full moon. The other side of the hibachi depicting a daytime scene, with a view of similar pavilions, pagoda, and pine, though with boats also visible in the distance. Copper inlay has been used for the roofs and the trunks of the pine trees. Silver inlay has been used for the pine needles, scholars, building supports, water, boats, moon, as well as the distant mountains. Originally used as a simple and elegant space heater...

This stunning Meiji period silver censer is a work of exquisite detail. Crafted by renowned silversmith Masatoshi of Tokyo, the censer, or incense burner...