Antique Japanese Ink Hanging Scroll Hidaka Tetsuo with Wood Storage Box

An antique ink and color on paper hanging scroll (kakejiku) with brocade border. It appears to be a fragment of a larger hand scroll depicting a procession of a lord with his entoura...

A Japanese hanging silk scroll by late Edo period painter Haruki Nanmei (1795-1878). The gouache painting was in the tradition of Kano school and depicts an old scholar dressed in lo...

A fine matching pair of hanging scrolls ink on paper mounted in green brocade borders circa Edo period (17-18th century). The Kano school painting depicts wild geese in the reeds by the margin of water, a popular subject borrowed from the Chinese tradition. Both painting were signed as Tanyu with a red seal of Morinobu, his birth name. The storage box is also present and was inscribed with the title Painting of Geese and Reeds and Kano Tanyu...

Watanabe Seitei, also known as Watanabe Shotei (1851–1918), was born in late Edo period. He was one of the earliest Japanese artists who visited and be...

This is a ``Rising Sun and Pine Tree'' drawn by Kano Baisho. It is an item with a solemn taste and presence, and I think it would be a good idea to display it at New Year's, the fir...

[Authentic work] ◆ Seiki Yokoyama ◆ Landscape ◆ Rural landscape ◆ Japanese painting ◆ Shijo school ◆ Hand-painted ◆ Paperback ◆ Hanging scroll ◆ Seiki Yokoyama [Art yearbook appra...

[Authentic Artwork] ◆ Bisen Fukuda ◆ Chinese Landscape ◆ Lake Dongting ◆ Illustration of the Great Dongting ◆ Box ◆ Handpainted ◆ Paper ◆ Hanging Scroll ◆ Explore the artistic world...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...