Japanese Shito Religion of Four Deities, Scroll Painting

Japanese scroll painting of landscape painting depicted village along the riverside in the mountains with fisherman Ink and color on silk Overall size...

Japanese scroll painting depicted village in the mountain Ink and paper. Artist signed Overall size: 43" height. 21" width Image size: 10.8" height. 16" width

Japanese Buddhist Painting Sitting on Lotus Crown Seat Ink and color on silk Overall size : 25.6" width 81" height Image size: 19.7" widt...

Japanese Scroll Painting of countryside person with traditional dress carry basket of flowers Ink on paper mounted on a scroll Overall size:...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

A stunning set of four Japanese silk mounted vertical hanging scrolls. Dating from C.1920 Taisho Period. The watercolour and ink on silk depicts a larg...

A Japanese silk Suijaku hanging scroll beautifully presented in a custom wood shadow box frame from Edo period (circa 18-19th century). The scroll, surmounted on golden brocade was painted in fine details with gouache, ink and gold powder highlight, served as a Suijaku mandala for the worshippers. Honji Suijaku is a complicated religious concept uniquely developed in Japan. It mixed and hybrid the Buddism deities with native shinto spirits (known as Kami), which were seen as local manifestations (the suijaku, literally means a "trace") of Buddhist deities (the honji literally the original ground). The original idea may lie with the synergetic strategy to spread Buddism by making it more relatable to the local population who had already worshiped Shinto gods. The paradigm, adopted in the 10th century from an orignal Chinese concept, remained a defining feature of Japanese religious life up to the end of the Edo period (1868). Instead of being confined to deities, its application was often extended to historical figures as shown on this scroll. This long hanging scroll depicts an arrangement of 21 figures including Buddhism and Shinto deities as well as two historical figures on the bottom. Each figure was name-tagged in Kanji for easy identification by the worshippers. It was used in the temple or shrine so that when the worshipper prayed in front the mandala, they prayed simultaneously to all the deities. On the very top, sits Nyorai-Kojin, a hybrid deity of Nyorai Buddha and Kojin, the kaki for fire, stove and kitchen. From the top to bottom and left to right, here is the list of the deities: Kanon with Thousand Hands, Kanon with Willow Branch, Monju Bosatsu...

This is a wonderful example of a Meiji Period screen painting of Japanese Tanuki or racoon dogs in a landscape. The Tanuki is considered to be a mythical creature Japanese culture. T...