19th century Edo period's Hanging scroll Samurai players and child dancer

ISHIZARA PLATE – Old Japanese mingei Seto stoneware plate called ‘Ishizara’ (lit. ‘Stone plate’), Edo-Meiji period, 19th century, approx. D 33.5 x H 6cm (13.18 x 2.36in), once used a...

ISHIZARA PLATE – Old Japanese mingei Seto stoneware large plate called ‘Ishizara’ (lit. ‘Stone plate’), Edo-Meiji period, 19th century, approx. D 38 x H 6.8cm (14.96 x 2.67in), once ...

DOUBLE-MOUTHED VASE – Japanese vintage modern pottery vase with two spouts, Showa period, 20th century, approx. H 23 x W 18 x D 11cm (9.05 x 7.08 x 4.33in). Unidentified potter’s car...

MOUNTAIN-CHAWAN – Supernatural unconscious object as the integrated 8-layered Japanese proto-pottery bowls (so-called ‘Yamajawan’ (Yama-Chawan / lit. ‘Mountain tea bowl’)) stuck to e...

Japanese tin-made Buddhist pagoda with hoju (precious orb) standing for the universe (everything). Early 20th century. approx. H 21.5 x 15 x 15cm (8.46 x 5.90 x 5.90in). Some expecte...

Extra-large high-fired unglazed Shigaraki stoneware dobin tea-pot with such a wild vine handle, Showa period, 20th century, Japan, approx. H 44 x 35 x 19cm (17.32 x 13.77 x 7.48in)

An ink painting on paper (Sumi-e) mounted with brocade borders as a hanging scroll. Entitled "Plum Blossom Under a Misty Moon", the artist was Japanese painter Nakabayashi Chikuto (1...

Maruyama–Shijo style painting C0ndition; Good but some stains. Overall dimensions: width of about 28.2 cm and Length of about 173.8 cm Painting width of about 25.5 cm × leng...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

This is a picture of a cat drawn by a person named "Toshizumi Nitta" from the end of the Edo period to the beginning of the Meiji period. She is a very simple and cute cat. He is a vassal of the Tokugawa Shogunate, born in Ota City, Gunma Prefecture (southern part of Gunma Prefecture). He was related to the Tokugawa family and lived in a large mansion in the Ota clan in Gunma prefecture. However, the Nitta family's territory was very small, and they were by no means a wealthy vassal. He seems to have lived quite poorly. So he painted cats and sold them to people. The Nitta family continued to draw pictures of this cat for four generations. "Nitta toshizumi" is equivalent to the fourth generation. During the Edo period, sericulture was thriving in the Kanto region. Cats were said to be the gods of silkworms, as they drive away mice, the natural enemies of silkworms. It was the Nitta family who drew such a cat on paper, pasted it in the silkworm chamber, and sold it as a mouse repellent. There were also other monks who painted pictures of cats, but the Nitta family in particular was related to the Tokugawa family, so people believed that paintings of cats had special powers. , a lot of paintings...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...