Antique Japanese Terracotta Haniwa Figure Head

A Chinese molded stoneware figure on a custom display stand likely from Han Dynasty (202BC-220AD). These pottery figures were used as part of tomb accouterment for the burial practic...

This spirited Tang Dynasty (618–907 AD) prancing horse is handsomely model with one foreleg raised, it’s mane swept to one side, expressive pricked ears, flared nostrils and open mouth bearing its teeth. The tail is docked tail and is neatly tied. This terracotta horse has traces of painted pigmentation that once adorned it. After their Han ancestors, the emperors of the Tang Dynasty continued to import purebred horses. Most of them served in wars but the most handsome were kept and trained for parades. We know that the Emperor Xuanzong (712-756) had a stud farm with 400 horses trained to dance to music. This prancing horse is a representation of the dancing horses of the Tang dynasty. The Oxford TL test...

A lovely Kutani porcelain model of a beautiful woman, bijin, or perhaps a geisha, Showa era, circa 1930's, Japan. A charming and delightful Japanese Kutani enameled porcelain figure of a bijin or geisha, early Showa Era, circa 1930's, Japan. The elegant figure of a beautiful woman, called a bijin, or perhaps a geisha, is portrayed dressed in full kimono and holding a closed folding fan in one hand. Her kimono of a rich and deep blue hue, with images of plump pomegranates in gilt. Her wide obi of a striking red color, and patterned with branches of pink blossoms. One foot, clad in a white tabi...

Japanese Satsuma, a fine and monumental 18" Meiji period charger Ozara with rare motif: Captain fisherman and his fish. Depicting a tale of Urashima Tarō* (see below), Signed Jyukan pottery by Chinjyu Makoto, in a lovely gold gilt and red detailed hand-painted composition Age: 1880-1900. Dimensions: 18 inches diameter and includes owner's signed wooden presentation box, tomobako. Hand made and hand painted. Finest quality. Provenance: Old Southern Japanese collection. Urashima Tarō (浦島 太郎?) is a Japanese legend about a fisherman who holds a fishing pole and rescues a turtle and is rewarded for this with a visit to Ryūgū-jō, the palace of Ryūjin, the Dragon God, under the sea. He stays there for three days and upon his return to his village, finds himself 300 years in the future. Finest quality. Largest size. Original collector box tomobako included. Lifetime guarantee of authenticity: All of our Asian works of art come with our Lifetime Authenticity Guarantee. We are members of the North American Japanese Garden Association (NAJGA) specializing for ten years now in old and authentic Japanese stone...