Chinese Coconut Cup

This intriguing sterling silver cup features the shell of a coconut mounted into exquisite silver. A sublime example of elegant Georgian design, the cup features delicate scalloped edging as its singular motif. It is extraordinary to find such a beautiful example of this lost art, exhibiting a rare combination of classical beauty and exotic charm. The use of rare and exotic materials such as the coconut became popular across Europe during the Middle Ages, when it was believed that these unique materials from distant lands possessed mystical powers. It was held that they could detect, and even deter, the effects of poison and as such were employed as drinking vessels, often mounted with ornate embellishments of silver. As more trade routes opened up during the 16th century, materials such as the coconut became more widely available, though still only afforded to the wealthy minority in Europe and England. And, while they eventually lost their appeal for their magical powers, coconuts proved an ideal material for cups and pots and retained their popularity as such. Very similar silver-mounted coconut cups...

Remarkable in scale and artistry, this George III-style cup and cover was created by the famed London silversmith Hannah Northcote. Set on a circular foot and taking the form of a vase, the cup features two leaf-capped handles and a detachable domed cover crowned with a bud finial. Astounding in craftsmanship given the scarcity of gold at the time of its creation, the sentimental message engraved within the frontal cartouche indicates the prestigious provenance that further distinguishes this cup. Originally commissioned by Robert Peel, the father of 19th century British Prime Minister Robert Peel, the gold cup...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A Chinese hand carved and hand painted wooden effigy of a fantastic Bixie dating to before Song dynasty 1279 AD. Please enjoy the beautiful remnants of its aged original swirling painted surfaces. It has been traditionally carved and assembled in three sections. The tail may be a later replacement. Period: Song dynasty Dimensions: 6 inches high and 15 inches wide About Bixie The “bixie” is a mythological creature commonly thought to be able to ward off evil forces with its magical powers. In fact, its name means “to ward off evil” in Chinese. In the Han dynasty, “bixie” were commonly represented as winged, four-legged beasts, a form that was probably transmitted from Western Asia. Provenance: This is from a private collection and were acquired by us along with a larger wooden horse...