Antique Burmese Offering Vessel from Burma

Material: lacquerware. Measures: 111 cm high. 50 cm diameter. Made of lacquered bamboo. Originating from Burma. 19th Century. Goldplated with 24 krt. gold. 5 Parts.  

Material: wood 76 cm high 31 cm diameter Weight: 4 kgs Shan (Tai Yai) style Originating from Burma Late 19th / early 20th century.

Material: wood 55,5 cm high 29,7 cm diameter Weight: 2.9 kgs Gilded with 24 krt. gold Originating from Burma Late 19th century.  

Material: lacquerware 56,4 cm high 31,3 cm diameter Weight: 1.75 kgs Shan (Tai Yai) style Originating from Burma 19th century

Material: lacquerware 41,2 cm high 37 cm diameter Weight: 3.25 kgs Gilded with 24 krt. gold Mandalay style Originating from Burma 19th century.  

Material: wood Measures: 47 cm high. 18 cm diameter. Weight: 1.426 kgs. Mandalay style. Originating from Burma. 19th Century.  

A very large Asian Burmese gilt and lacquered wood bamboo offering vessel, container adorned with mirror and jewels colored gems with a conical removable top. Burmese temple offering covered box, with a red lacquer interior, richly decorated with gold leaf and glass "gems" on the exterior and red in the interior and bottom. Very fine handcrafted and hand painted piece of folk religious Asian Thai Art...

Exceptional Large Incised Lacquer Hsun-ok Offering Box With Interior Tray, Bagan, 20th Century.   The large round bowl form is for holding cooked rice and the interior tray is for ho...

Rare stupa sculpture, 400-600 years old, carved in sandstone. In original untouched, well-preserved condition. From Arakan in Burma. Typical stupa construction with square base, hemispherical dome and conical spire. At the base a portal door...

A 19th century Burmese offering basket made of carved wood painted red. This round basket displays a three-legged base with detailed carvings on the edge. The lid adopts a Burmese te...

Burmese (Myanmar) lacquer ware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typically, bamboo and wood are used as a frame or base in making lacquer work. This covered offering vessel is called a “Hsun Ok...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...