Gandharan Stucco Head of a Bodhisattva, 3rd-5th Century

19th century bronze bust of Buddha on the original hand carved custom base. The pleasing proportions, subtle smile, and tranquil eyes of this bust of Buddha make it a beautiful examp...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

A Thai bronze head of Buddha, Ayutthaya period, late 16th-early 17th century. The serene face flanked by long ear lobes slightly flared at the tips, the eyes downcast beneath smooth...

Marble carving of the elephant headed four armed Hindu God Ganesha. With traces of old paint, it now has a rich honey patina from years of devotees touching the surface. Shown seated on a throne in the yoga pose, sukhasana, cross legged meditation pose. Two of his hands grasp a battle axe and a lasso, symbols of his role as a rescuer and protector. His other two hands hold an elephant goad and one of his own tusks, which he broke off in a fit of anger. His rat vehicle is below him. A great gift for the yogi or yogini in your life. Every home should have one. 17.25 inches high 9 wide 3 deep Ganesha, the son of Shiva and Parvati...

A striking Gandharan molded stucco head of a male Bodhisattva, tentatively identified as Manjushri, ancient region of Gandhara, probably Hadda or surrounding area, 3rd-5th century. The Bodhisattva is sculpted of stucco in an idealized manner as a youthful male, with soft and kind features, a benign expression on his face. He wears an elaborate pleated turban wrapped around his head, with two sweeping lobes at the front. His turban secured on one side by a small image of a roaring lion. The lion may be read as a reference to Manjushri, the Bodhisattva of Wisdom, who is often depicted as riding or subduing a roaring lion, a metaphor for taming the wild thoughts of the mind. Manjushri gazes outwards in a beatific manner from almond shaped eyes, a gentle smile on his lips. The eyes at different levels when looking at the sculpture head on, indicating the original placement of the head was meant to be viewed at an angle. Remnants of pigments to the eyes, nose, mouth and ears. Mounted on a custom black metal stand. Hadda was an important center of Buddhist learning in the early history of Greco Buddhist Gandhara, and at one time may have housed a bone relic of the historical Buddha, Shakyamuni. The sculpture and architecture of Hadda followed Hellenistic artistic conventions faithfully, leading some scholars to believe the distinct Greco Buddhist style of Gandhara was first developed in Hadda before spreading to the rest of the region. The kingdom of Gandhara was situated at a crossroads of trade and cultures. Being one of the last remnants of Alexander the Great's Empire, the inhabitants of the Greco-Bactrian Buddhist kingdom preserved Greek culture and heritage for centuries after the decline of the Greek Empire...

A sublime molded stucco head of a young male donor from the ancient region of Gandhara, 4th-5th century. The youthful nobleman sculpted in an idealized...

A sublime Greco-Buddhist stucco head of the Buddha, ancient region of Gandhara, circa 3rd-5th century. A fragment of a larger statue, the Buddha's face...

A Fine Gandharan Head of a Buddha Stucco with ‘earth pigment’ Some old ‘restoration’ to the nose Afghanistan 3rd Century AD Size: 26cm high, 14.5cm...