Han Sculptures and Carvings

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

A massive pottery pair of horses standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath in a braying attitude. Low relief bridle on face and well defined eyes. Raised mane down back of the neck A fantastic example of the Wei dynasty horses. Large, exquisite walking Ferghana horses with great attention paid to anatomical detail were the choice of the wealthy. The horse was second only in importance to the dragon. It was supposed to possess magical powers which the early Chinese were eager to explore. It would be the horse that would carry the deceased to the next life and it would be the amount of horses that an individual owned that would guarantee his ongoing status in the hereafter. Thermoluminescence certificate from Madrid Labs included. In southern China, people turned to Daoism, and mingqi, as well as above-ground sculptures, became ever more infused with animal iconography and energized with dynamic lines. The north of China was eventually united by nomadic Tuoba invaders who founded the Northern Wei dynasty...

A pair of hand carved, large solid stone horse statues. The recumbent horses are crafted with two legs tucked under the body and tail flicked to o...

A massive Chinese Han dynasty Sichuan terracotta pottery figure of a horse Han dynasty (206 BC-220 AD) Powerfully modelled in a pose of alert attention, its strong neck and head po...

Antique terracotta figures Han style from my private collection: collected about 35 years ago and never exibited to the public. One is very ancient, the other one is more recent. The prices are different, but an expert can understand the value. A certificate Oxford test would be needed: I don't have it, so I'm accepting offers: I want to close my activities and I have a beautiful Chinese collection, see the other ones published under my name enrica pasino.

A pair of 20th century solid stone court lady statues. The full face is with long slender eyes under arched brows flanking a strong straight nose. Hair held...

China, a large votive model of a stone ram, Han dynasty (206BC-220AD) Dimensions: 45cm, 18 inches high and 65cm, 26 inches length and 25cm, 10 inches wi...

A massive pottery horse with separately made head and tail, standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath i...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...

An early 20th century Chinese Republic period carved hardstone drinking vessel, called a rhyton, in the form of a mythical pixiu. The archaistic vessel carved in the Han Dynasty style from a single block of lavender gray nephrite and featuring a large horn-shaped cup being supported by a mythical pixiu. The pixiu carved with a nice sense of motion, head reared back, mouth open, and claws bared. The cup bearing a design of large horned taotie ogre masks on either side. The stone with areas of artificial "calcified" patination.  The pixiu is an ancient beast from...

Han Equestrian This equestrian represents the standard of Western Han equestrian found in Yang Jiawan of Xian. The technique of making includes molding, engraving and cold painting....

A pair of vintage solid stone court attendants. Of tall slender form, wearing long flowing robes flaring at the bottom with hands within wide, decorative cuffs. The realistically mod...

China an ancient limestone figure of an Entertainer replete with hands holding tambourines and a top a drum, -for the afterlife- , Han dynasty 206 BC...

An elegant statue of standing guardian, benevolent facial expression, fine details, Han dynasty 206BC-220AD. Come with Oxford TL test certificate.

China, a rare hand carved stone male figure from the Han dynasty (206 BCE-220 CE). Dimensions: 16 inches tall on its custom stand and and 6 inches wide Condition: old patina wi...

This Han pottery figure of a foot soldier is molded and engraved with facial details. It has been fired at high temperatures. The color pigments are painte...

A fantastic Han style terracotta figure. Such a figure is seen in the Han dynasty dating 206 BC-220 AD. The figure is of an alluring girl who is in a showing his suit. She has a full...

On offer is a pottery figurine of lady in waiting, found in the tombs as funeral objects in Han dynasty of China. Generally known as Han tomb ladies, t...

This Han pottery figure of a foot soldier is molded and engraved with facial details. It has been fired at high temperatures. The color pigments are painte...

Grand, crème glazed terracotta, Han-style, braying stallion sculpture.

Pair of elegant, hand-carved, white hardstone, Chinese horses with gilded details. Each outfitted with saddles, bridles and featuring braided rolled tails.

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...