Austrian Clocks

Large Johann Sachs Austrian clock in large carved wood housing with figures, flanked by decorative flower filled urns, polychromed and gilt. Carved laure...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

Secession mantel clock atr. to Otto Prutscher professionally stained and repolished.

18th century Viennese dark green painted and giltwood pendule of unusual size in the form of a classical urn, the gilt-bronze dial with Roman numerals, surmounted by giltwood flowers...

Antique late-19th Century Austrian exceptional solid silver gilt & lapis lazuli miniature clock, At the top, a cherub feeds grapes to a panther, while a pair of lion masks adorn the ...

Small table clock in gilt brass richly decorated with openwork scrollwork, acanthus leaves, flowers, and masks in multicolored enamel. The main faces...

In Renaissance style.

Stunning Viennese enamel vintage table clock - made of: -- silver -- nacre -- enamel (excellently chiselled) -- onyx -- semiprecious stones Attention: The table clock is par...

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

A good quality late 19th century Vienna porcelain mantel clock, having hand-painted classical figures and cherubs.

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

A very unique Austrian 18th century giltwood and polychrome clock, with the original Grand Sonnerie movement. At the base is a country scene of a lady...

Depicting a man climbing a ladder to pick fruit from atop a tree, while the woman stands with her arm outstretched.

White marble and ormolu mantel clock Housed in a white marble case with stepped plinth and applied decorative mounts and surmounted by a cherub, resting on decorative feet. Enamel d...

A handsome early 18th century Austrian giltwood and mecca blind mans clock. The clock , with two separate chimes, one for quarter hour and the other f...

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...