Austrian Clocks

This rare antique Austrian enamel and silver cabinet clock dates from the mid-19th century. The clock is designed with a beautifully rendered s...

Hand painted terracotta and bronze clock design by Stanislaw Czapek for Friedrich Goldscheider. Austria, 1903. Vienna Secession. Goldscheider mark, signed Capeque. The Latin inscription on the front is from the famous poem "The Song of the Bell" by Friedrich Schiller...

An attractive Austrian mid-18th century Baroque period quarter-striking bracket clock by the maker Andreas Hohenadl (1714-1793), Vienna. The ebonised fruitwood case with figurative b...

Stunning Viennese enamel vintage table clock - made of: -- silver -- nacre -- enamel (excellently chiselled) -- onyx -- semiprecious stones Attention: The table clock is par...

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

Large Johann Sachs Austrian clock in large carved wood housing with figures, flanked by decorative flower filled urns, polychromed and gilt. Carved laure...

This magnificent silver-gilt and enamel lamp-form clock was produced in Vienna in circa 1870. The clock sits on a lozenge-shaped base, which is enamelled with panels depicting reclin...

The octagonal shaped case surmounted by a classical vase on dolphin supports, white enamel dial, eight-day going clock movement striking the half- and full hours.

Steel painted with glass front made in Germany in the 1950s. Formerly a slave clock, it is now fitted with a modern quartz movement with a AAA battery. Delivery time 2-3 weeks.

Small table clock in gilt brass richly decorated with openwork scrollwork, acanthus leaves, flowers, and masks in multicolored enamel. The main faces...

Fine 18th century rococo carved and giltwood shelf clock, the crest with stork holding a bone in his beak pearched on a romantic castle ruin with carved...

Polychrome alloy bronze garniture. Orientalist style, 1860. Machine clock signed 1570.

This jewel-encrusted, silver-gilt antique table clock is an exquisite piece of Viennese craftsmanship. It comprises of a scalloped base, which is raised up on four C-scroll feet, and...

This 19th century, Austrian table clock is crafted in silver and the complex champleve enamel technique. The base of the clock is a semi-spherical dome inlaid with enamel panels of c...

A good quality late 19th century Vienna porcelain mantel clock, having hand-painted classical figures and cherubs.

A good quality 19th century Vienna porcelain mantel clock. Each of the porcelain panels depicting classical scenes, set in gilded ormolu. The clock being an eight-day movement and ch...

Modelled as a potted flower, the pot decorated with gilt bronze classical figures. With an 18th century English movement.

18th century Viennese dark green painted and giltwood pendule of unusual size in the form of a classical urn, the gilt-bronze dial with Roman numerals, surmounted by giltwood flowers...

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

Floor clock in style of Vienna secession. Professionally stained and repolished.

62"H Antique 1890 Austrian 3 Weight Highly Carved Vienna Regulator Wall Clock Franz Boeck, Vienna, Austria, a large, Alt Deutsch style grand sonnerie stri...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...