Austrian Clocks

Column clock W255 D255 H1750 mm Standing tall and confident, our column clock elegantly refines the passing of time. With its clean lines and gently swaying pendulum, it reassures even the most anxious observer, that time will go on. Battery-operated Junghans quartz...

An elegant Viennese portal clock resting on a rectangular mahogany base. The ebonized case is richly adorned with fire-gilded bronze appliqués. Flanking the clock are carved decorati...

The clock stands tall within a mahogany cabinet, giving it a stately and refined appearance. The wood has a high-gloss finish, which beautifully reflects light and suggests careful p...

Austrian wooden wall clock with beige and silver hand-painted face and mahogany case with a steepled top.

Biedermeier Mantel Clock, Early 19th Century A sophisticated Biedermeier mantel clock, crafted in Austria circa 1810–1830. This exceptional piece combines timeless elegance with out...

Splendid wall clock set in an elegant opening wooden case, with carved frame and golden tablet. The internal finishes of the clock are also in golden tablet and brass. The decoration...

A traditional Austrian Biedermeier wall clock featuring a rectangular carved and gilded wood frame clock face; surmounted by a gilt bronze winged eagle. The decorations on the frame ...

Modelled as a potted flower, the pot decorated with gilt bronze classical figures. With an 18th century English movement.

This vintage hand carved and hand painted musical clock is unsigned, but presumed to have been made in or near Austria in circa 1950 in a Folk Art style. The carving depicts a male figure leaning against a post mounted Black Forest styled clock. The carving is quite detailed and well executed on all sides and has been hand painted in a realistic style. Both the clock and the music box are currently not working as both have been over-wound and would require servicing. The head of the carving should turn slightly left to right while the music box is playing, but in its current state it is unknown whether the mechanism functions and/or what tune the music box may play. In addition, there is currently no key for the clock, but these normally use a standard small music box...

Mantel clock in a gold-patinated wooden case with enameled clock face and octagonal pedestal with paw feet. The clock case rises above it in the shape of a wooden hut with a pointed ...

An unusual Austrian polished steel and cut Schardinger Granite table clock, neo Gothic. Made around. 1840. The case and base in very good condition and with the original pendulum. Fi...

Large Johann Sachs Austrian clock in large carved wood housing with figures, flanked by decorative flower filled urns, polychromed and gilt. Carved laure...

An attractive Austrian mid-18th century Baroque period quarter-striking bracket clock by the maker Andreas Hohenadl (1714-1793), Vienna. The ebonised fruitwood case with figurative b...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

White marble and ormolu mantel clock Housed in a white marble case with stepped plinth and applied decorative mounts and surmounted by a cherub, resting on decorative feet. Enamel d...

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...

An Austrian Ebonized and Parcel Gilt Bracket Clock Late 18th/Early 19th Century Height 21 x width 11 x depth 5 1/2 inches. Property from the Collec...

A handsome early 18th century Austrian giltwood and mecca blind mans clock. The clock , with two separate chimes, one for quarter hour and the other f...

This jewel-encrusted, silver-gilt antique table clock is an exquisite piece of Viennese craftsmanship. It comprises of a scalloped base, which is raised up on four C-scroll feet, and...

A good quality late 19th century Vienna porcelain mantel clock, having hand-painted classical figures and cherubs.

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...