Austrian Clocks

A Rare Austro Hungarian Gilt Silver & Jeweled Table Clock, Circa 1900, having semi precious stones throughout including agate, malachite, amethyst, pearl, coral and enamel DIMENSIONS...

Biedermeier portal clock in an architecturally structured walnut case with alabaster columns, bronze fittings and mirrored rear wall. The clockwork with date and sound spiral. Pendul...

Presenting an amazingly rare piece of Art Deco furniture by an exceptionally rare maker, namely, an Art Deco Portois and Fix Viennese Tall Case Clock. ...

An impressive and most stunning Austrian 19th century Empire st. Ormolu, Bronze and Rouge Griotte marble clock, stamped for Franz Sedlak, Vienna. This exceptional clock is raised on ...

An attractive Austrian mid-18th century Baroque period quarter-striking bracket clock by the maker Andreas Hohenadl (1714-1793), Vienna. The ebonised fruitwood case with figurative b...

Continental Austrian (18th Century) gilt wood and blue glass panel mantel clock with a pediment (signed: Wieneslaus Wilfarthm, Koniglicher Hoff, UHR Macher) (Not working)

Artfully decorated silver clock by a Viennese master: Silver figure of a Roman foot soldier or squire in a short tunic with a leather apron, standing on a small, stepped round plinth...

Architectural case in the Historicist style, in bone, with decorative fire-gilded bronze fittings and a base plate featuring four volute feet, crowned by a seated female figure with ...

Large Johann Sachs Austrian clock in large carved wood housing with figures, flanked by decorative flower filled urns, polychromed and gilt. Carved laure...

Artfully decorated silver gilded table clock by a Viennese master: Flat, honeycomb-shaped base plate with palmette relief on the sides, standing on six dolphin feet attached to the c...

Modelled as a potted flower, the pot decorated with gilt bronze classical figures. With an 18th century English movement.

Portal clock Vienna around 1825 with integrated musical mechanism Signed: “A.Olbrich in Wien” and number 215719157. Alabaster columns, blackened wood, gilded carving in the form of...

Small table clock in gilt brass richly decorated with openwork scrollwork, acanthus leaves, flowers, and masks in multicolored enamel. The main faces...

18th century Viennese dark green painted and giltwood pendule of unusual size in the form of a classical urn, the gilt-bronze dial with Roman numerals, surmounted by giltwood flowers...

A sensational and extremely high quality Austrian 18th century Louis XVI period giltwood cartel blind man's clock, circa 1740. The clock displays a most exquisitely carved case with intricately detailed scrolled designs, wheat sprigs and stunning blossoming flowers. At the top is the impressive urn with a large bouquet of abundant charming flowers. The white enamel clock face displays finely hand painted numbers with a second hand feature. The blind man function of this clock uses two separate sounding bells...

White marble and ormolu mantel clock Housed in a white marble case with stepped plinth and applied decorative mounts and surmounted by a cherub, resting on decorative feet. Enamel d...

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

A very unique Austrian 18th century giltwood and polychrome clock, with the original Grand Sonnerie movement. At the base is a country scene of a lady...

A handsome early 18th century Austrian giltwood and mecca blind mans clock. The clock , with two separate chimes, one for quarter hour and the other f...

A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...

A beautiful and exclusive clock stand made of steel and granite. Holding a picture of the Stephans-dome. The most famous church in Wienna, Austria. High quality craftsmanship on all...

A good quality late 19th century Vienna porcelain mantel clock, having hand-painted classical figures and cherubs.

A beautiful leather and stainless steel modernist clock from the 1950s, designed and executed by Carl Auböck in very rare and hard to find red leather, Vienna/Austria. An amazing str...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...