Tiffany Studios Crab Inkwell
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Tiffany Studios Crab Inkwell
$27,500List Price
About the Item
- Creator:Tiffany Studios (Maker)
- Dimensions:Height: 4 in (10.16 cm)Width: 7.5 in (19.05 cm)Depth: 8 in (20.32 cm)
- Style:Art Nouveau (Of the Period)
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:circa 1900
- Condition:
- Seller Location:New York, NY
- Reference Number:Seller: T158451stDibs: LU88541514602
Tiffany Studios
The hand-crafted kerosene and early electric lighting fixtures created at Tiffany Studios now rank among the most coveted decorative objects in the world. Tiffany designs of any kind are emblematic of taste and craftsmanship, and Tiffany glass refers to far more than stained-glass windows and decorative glass objects. The iconic multimedia manufactory’s offerings include stained-glass floor lamps, chandeliers and enameled metal vases. The most recognizable and prized of its works are antique Tiffany Studios table lamps.
The name Tiffany generally prompts thoughts of two things: splendid gifts in robin’s-egg blue boxes and exquisite stained glass. In 1837, Charles Lewis Tiffany co-founded the former — Tiffany & Co., one of America’s most prominent purveyors of luxury goods — while his son, Louis Comfort Tiffany, is responsible for exemplars of the latter.
Louis was undoubtedly the most influential and accomplished American decorative artist in the decades that spanned the late 19th and early 20th centuries. Rather than join the family business, he studied painting with several teachers, notably the scenic painter Samuel Colman, while spending long periods touring Europe and North Africa. Though he painted his entire career, visits to continental churches sparked a passionate interest in stained glass. Tiffany began experimenting with the material and in 1875 opened a glass factory-cum-laboratory in Corona, Queens — the core of what eventually became Tiffany Studios.
In his glass designs, Tiffany embraced the emerging Art Nouveau movement and its sinuous, naturalistic forms and motifs. By 1902, along with glass, Tiffany was designing stained-glass lamps and chandeliers as well as enameled metal vases, boxes and bowls, and items such as desk sets and candlesticks. Today such pieces epitomize the rich aesthetics of their era.
The lion’s share of credit for Tiffany Studios table lamps and other fixtures has gone to Louis. However, it was actually Clara Driscoll (1861–1944), an Ohio native and head of the Women’s Glass Cutting Department for 17 years, who was the genius behind the Tiffany lamps that are most avidly sought by today’s collectors. A permanent gallery of Tiffany lamps at the New-York Historical Society celebrates the anonymous women behind the desirable fixtures.
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By Tiffany Studios
Located in New York, NY
Among the most visually alluring and technically excellent of all Tiffany Studios New York's desk accessories, the exciting design for this refined but robustly rounded inkwell features green blown glass in pinched triangular forms that appear to dance in perfectly coordinated movement around the circumference of the piece. The negative space between the blown green glass appears in the form of stylized flowers with Minimalist linear accents in patinated bronze.
Artist: Tiffany Studios New York
Country: United States
circa 1900
Dimensions: 3.75" height, 6.25" diameter
Materials: Leaded glass, bronze
Signed: "Tiffany Studios New York 25055” along with the Tiffany Studios monogram...
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Tiffany Studios New York "Zodiac" Desk Blotter Ends
By Louis Comfort Tiffany, Tiffany Studios
Located in New York, NY
A pair of gilt bronze “Zodiac” desk blotter ends by Tiffany Studios New York. The blotter ends each feature intricate pseudo-Celtic patterning intersperse...
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Tiffany Studios New York "Zodiac" Match Box Holder
By Tiffany Studios, Louis Comfort Tiffany
Located in New York, NY
A gilt bronze “Zodiac” match box holder by Tiffany Studios New York. The match box holder features intricate pseudo-Celtic patterning interspersed wit...
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Tiffany Studios New York "Damascene Harp" Desk Lamp
By Louis Comfort Tiffany, Tiffany Studios
Located in New York, NY
This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...
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Early 20th Century Art Nouveau Table Lamps
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Tiffany Studios New York 7-Piece "Pond Lily" Desk Set
By Louis Comfort Tiffany, Tiffany Studios
Located in New York, NY
Tiffany Studios’ Pond Lily Desk Set is a rare model, with only three extant sets known. The set is decorated with a dazzling array of lily pads, lily buds, dragonflies, and moths. The dragonfly and moth was a leitmotif of the Art Nouveau, but Louis Tiffany encountered the creatures and explored their form and significance throughout his childhood and artistic life, beginning as a youngster who sketched au plein air in the woods and wetlands surrounding his father’s summer house. At his Laurelton Hall estate, an artwork of nature coaxed into form over decades, Tiffany observed these insects in the teeming saltwater marshes and wetlands of Oyster Bay. The crown jewel of his Laurelton Hall garden was a water lily pond filled with varieties of colored water lilies, a novelty that debuted at the 1900 Exposition Universelle. Tiffany proceeded to make a series of designs based on the pond lily which he displayed to much acclaim in the 1902 Turin Prima Esposizione Internazionale d'Arte Decorativa Moderna.
Product Details:
Item #: T-21399
Artist: Tiffany Studios New York
Country: United States
Circa: 1905
Materials: Patinated Bronze
Signed: blotter ends, inkstand, calendar frame, pen tray and rocker blotter each impressed "Tiffany Studios New York"; the inkstand, pen tray, rocker blotter and blotter ends further impressed with firm's respective model numbers
Literature: Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany...
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Early 20th Century American Art Nouveau Desk Sets
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Price Upon Request
Eugène Feuillâtre "Pavot" Inkwell
By Eugène Feuillatre
Located in New York, NY
This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features peacock feather embellishments. The Inkwell lies under the gilded and silvered metal poppy seed pod lid, to which the title pavot (translated to English as poppy) refers. The vessel is vaguely pumpkin-shaped with negative space in a honeydew green, with white peacock feathers featuring purple and turquoise details.
Product Details:
Item #: S-21164
Artist: Eugène Feuillâtre
Country: France
Circa: 1900
Dimensions: 2.25" height, 3.5" diameter
Materials: Enamel, Silvered Metal, Gilt Metal
Signed: impressed Feuillâtre
Exhibition History: Examples of this inkwell can be found in the permanent collections of Musée d’Art et d’Histoire, Geneva (inv. no. E 01500), Musée des Arts Décoratifs, Paris (inv. no. 8746), and Museum für Kunst und Gewerbe, Hamburg (inv. no. 1966.1). Salon des Artistes français, 1898.
Literature: L. Bénédite, et. al., "Exposition Universelle de 1900: Les Beaux-Arts et les Arts Decoratifs," Gazette des Beaux-Arts, Paris, 1900, p. 510 (for a related example). H. Frantz, "E. Feuillatre, Emailleur," L’Art Décoratif, no. 28, Paris, January 1901, p. 166 (for a related example). C. Saunier, "Céramique, Verrerie, Émail," L’Art Décoratif, no. 34, Paris, July 1901, p. 155 (for a related example). R. Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, 1901, p. 95 (for a related example). M. P. Verneuil, "L'Émail et les Émailleures," Art et Décoration, no. 2, Paris, February 1904, pp. 37-39 (for a related example). M. Rheims, L'Objet 1900, Paris, 1964, p. 34, no. 18 (for a related example). P. Garner, ed., The Encyclopedia of Decorative Arts 1890-1940, New York, 1978, p. 95 (for a related example). Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: Objets d'Art & Metalware, Suffolk, 1994, p. 252 (for related examples). G. de Bartha, L'Art 1900: La Collection Neumann, New York, 1994, p. 128 (for a related example). J. T. Busch and C. L. Futter, Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-1939, exh. cat., Carnegie Museum of Art, Pittsburgh, 2012, p. 196, no. 9 (for a related example).
Macklowe Gallery Curator's Notes:
Eugène Feuillâtre’s career began in René Lalique’s enamelling...
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Early 20th Century French Art Nouveau Inkwells
Materials
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