Bronze Decorative Objects

Baccarat (French, founded 1764), circa 1885. Stunning appearance to this white opaline vase which stands an impressive 15.5" tall and flared wing span of 11.375" wide. The vase has ...

Gilt Bronze Photo Picture frame French Empire style having twin Picture aperture 58mm wide, original water mark type silk fabric, each corner of the frame has Gilded mounts featuring French Sphinx...

Art Deco Silvered Bronze Tiger Bookends - France 1930´s Tigers are mounted over Belgium Black Marble. We have specialized in the sale of Art Deco and A...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

"Enjoue" after Auguste Moreau Bronze Boy and Girl Statue Sculpture. Circa Late 20th Century. Measurements: 21" H x 10" W x 11" D.

Collection of three large elephants in bronze with dark brown patina, measuring 12-16 inches tall, 10-12 in wide and 14-20 in deep. Apparently unsigned.

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

Introducing "Patience," a captivating Early Art Deco figural clock garniture set, made by the a renowned sculptor of the Art Deco era, Suzanne Bizard. Exquisite clock features a be...

Each of those original and elegant bronze t-light holders is handmade individually. Cast using very traditional techniques, the noble material is aged creating a beautiful patina. S...

A Bronze Figure of a Faun Dancing with Clappers, 19th Century Provenance: Private Victoria Collection. Description: The Grand Tour bronze modelled after the ‘Dancing Faun’, a Roman...

This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...

This antique clock set is a luxurious masterpiece, perfect for adding elegance to hotel lobbies, grand living rooms, spacious hallways, and museums. ...

A pair of Japanese Meiji Period (1852-1912) bronze altar candlesticks / incense holders with attractive warm brownish red bronze color and patina. Japan, 19th century, diminutive /...

Rare and exceptional cast sculpture "Giacometti's Soul" in bronze with hand-painted enamels on a patinated bronze base by Kelvin LaVerne, American late 1980's (Engraved signature on ...

Austrian Cold Painted Bronze Bedouin Maiden & Attendant at Well, Fully Signed Franz Xavier Bergman (Austrian, 1861 ~ 1936) This exquisite Austrian cold-painted bronze sculpture by F...

Art deco statuette, sculpture of a pheasant made of bronze gilded with gold leaf, completely in the typical art deco style, mounted on a rounded red marble base, at the bottom a name...

An Art Deco cold painted bronze sculpture by Pierre Le Faguays (1892 - 1962). Set over original limestone base and signed 'Fayral' to base. Dimensions: H 49cm W 44cm D 10cm Origi...

Angel Botello sculpture "Denise". Made with bronze. Very decorative. Signed and numbered 6/6. Certificate. Circa 1970, Spain Angle Botello was born in 1913 in the small town of...

Art Déco fench polished silvered bronze balancing dice paperweight by Edgar Brandt By: Edgar Brandt Material: copper, bronze, silver, metal Technique: cast, molded, silvered, polish...

Pair of Bronze Bird Sculptures, Japan, c.1970. Nice natural patina. #1 Measures: 3.13" wide x 7.63" deep x 3.75" tall #2 Measures: 4.5" wide x 7.5" deep x 5" tall

A silvered bronze poudrier box "Ammonite" by French Parisian art jeweler Line Vautrin (1913-1997). In the 1940s, Line Vautrin designed a series that was inspired by the shape of na...

Henry Fugere (1872-1944) Egyptian dancing bronze sculpture with antique green patina. Signed on the base. Proof of old edition. Original Portor...

Clock. Palo santo, rosewood, golden bronze. France, 19th century, modeled after Charles Cressent (France, 1685-1768). Wooden box grandfather clock in which palo santo, rosewood an...

Mid-19th Century Grand Tour Bronze Figurative Sculpture 'The Dying Gaul', Italy By: unknown Material: bronze, copper, metal Technique: cast, molded, polished, metalwork, patinated D...

A wonderful pair of gilt bronze Egyptian Revival candlestick holders featuring Sphinxes. Late 19th Century Measures: 4.88"W × 4.88"D × 8.63"H Excellent original vintage cond...

Charming vintage turtle sculpture or object of art crafted in bronze with a mother of pearl shell. Signed Maitland-Smith on the bottom.

Bronze sculpture of man sitting

LARGE Chaim Gross Large Acrobat Bronze Sculpture Signed and Dated 1964. This sculpture is number 5 of a very low edition size of six.

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

A beautiful pair of bronze greyhound sculptures on marble created by sculptor Pierre Jules Mene (1810-1879). Impressed signed "P.J. MEN...

This highly rare bronze of a nude male athlete preparing to left a heavy kettlebell weight was sculpted by an Austrian artist, Franz Seifert, in 1922. Although Seifert is known for his nude figures straining to accomplish physical tasks -- such as carrying a large bucket or splitting a stone -- this sculpture is the only example known to exist. A decade after this sculpture was cast, Seifert carved a marble portrait of Siegfried Marcus, inventor of the gasoline-powered car, for a monument in Vienna, which includes a nude male figure in bas relief racing forward on the upper edge of an automobile wheel. He also created a large sculpture grouping honoring Empress Elizabeth...

Polished bronze hand cast miniature penguin sculpture by artist Javier de la Rosa. Javier De la Rosa has created a series of bronze cast miniature sculptures that celebrate animals ...

19th century French bronze sculpture, Faison (Pheasant) signed "F. Pautrot". Bronze figure of a pheasant standing on a naturalistic base. Ferdinand Pautrot (1832 - 1874) was born in ...

Whimsical patinated and painted bronze by Mexican artist Bruno Luna (b.1963) Man with Cigar, "Don Circo". Depicting a full size man dressed in a tuxedo with a pocket boutonniere, wal...

This large branch of Mediterranean coral, 'Corallium Rubrum' is mounted on a gilt bronze base. The creation of the vase-shaped base involves various techniques: lost wax casting, mol...

A gorgeous pair of antique Arts & Crafts or Art Deco period sterling silver on bronze bookends By Heintz Art Metal Shop USA, Early 20th Century Each measures: 5.63"W x 4.63"D x 5....

A "marriage" combining a Baroque bronze wall clock with a Biedermeier case in the form of a temple. The case, crafted from birch, merges the ornate design of the Baroque period with ...

Cigar box crocodile with cedar wood structure, covered with alligator skin, details in bronze and crystal. With two Wartog teeth. With thermometer to keep your best cigars. Exce...

Multicolor marble mantel clock Clock movement from Le Roux Lion sculpture made of bronze, chromed, original patina Original Art Deco, France 1930s Dime...

Viennese cold painted bronze orientalist lamp attributed to Bergman of a middle eastern man riding a camel. Signed Austria.

Beautiful bronze sculpture featuring two dolphins This is a, likely once the was centerpiece of a fountain. The dolphins are depicted in a dynamic pose, their forms gracefully intert...

This late 19th Century bust was executed by French painter and sculptor Louis-Robert Carrier-Belleuse (1848–1913), son and pupil of renowned sculptor Albert-Ernest Carrier-Belleuse. ...

This bronze figure of Spinario also known as Boy with Thorn and Fedele is a classical figure. It is beautifully cast with very fine detailing and dates to the 19th century, circa 187...

Pair of French Greek Revival bronze vases cast with figures & with handles cast with bearded masks on a stepped black marble base (late 19th Cent) (PRICED AS Pair)

A fine pair of Italian Neoclassical style marble urns, with bronze mounts including bronze heads of Satyr or Faun the sides of each urn, bronze bud finials, and a bronze acanthus de...

Rare pair of funerary sculptures of a male and female likely husband and wife, carved in marble and housed in substantial cherry wood frames with ebonised slips. Each portrait has a...

A French Egyptian Revival mantel clock, dating to the mid-19th century, is made of polished black marble and patinated bronze. The clock showcases exceptional quality and craftsmanship, using the finest materials, exuding elegance and quality. Surmounted by the priestess Isis cast from bronze, adorned with a gilt headband and intricately tooled clothing, the clock demonstrates remarkable attention to detail. The clock case has a complex architectural design, flanked on each side by bronze Egyptian figures holding tablets, symbolizing the wisdom and power of ancient Egypt. Standing at a height of approximately 65cm, the clock case is embellished with applied figures and mask heads, adding depth and complexity to the overall design. The outer ring of the clock dial features a delicate presentation inscription and the date 1869, adding historical significance to the piece. This inscription connects the clock to the Right Honourable John Bright, a British Radical and Liberal statesman known for his oratory skills and advocacy for free trade...

Clock sculpture in bronze and cast aluminum for the base by artist David Marshall. Marshall moved to Spain in the mid-1960s, opening a workshop in Malaga in 1969 where he produced s...

A Wonderful French Bronze & Diamond Cut Crystal Baccarat Style Cylindrical Form Box / Casket

Light-Bronze Vase designed by Just Andersen in the 1930s. An elegant piece in great vintage condition. * A round vase in light-bronze alloy * Designer: Just Andersen * Model: LB15...

Set of three Austrian bronze hand painted miniature fox sculptures, circa 2000s. These pieces have amazing detail and weight and are in excellent condition. Each piece is individuall...

Detailed bronze sculpture in the style of Paul Philippe, featuring a Turkish dancer with falcon. Standing atop a heavy marble base. Please confirm location NY or NJ

A substantial bronze gold-gilt lion vase or decorative object sculpture in the Egyptian Revival style, circa 20th century or earlier. Beautiful as a small vase with a lot of style, and also great as a standalone decorative object. Dimensions: 4.5" depth x 2.5" width x 4.38" height. Other items shown also available, search 1stDibs ref. #s: White end table...

PIERRE-JULES MÊNEFrench, 1810-1879"Chien braque à la feuille"Medium-brown patinated sand-cast bronze raised edge signature cast into base "P.J. MÊNE" pr...

Bronze Figure of an Art Nouveau young woman. circa 1900. Beautiful European Art Nouveau Bronze Sculpture of a young woman. This beautifully made German style bronze sculpture of a yo...

Pair of Christofle vase marked 55 S in bronze with brown patina Vase not signed because base too small Good condition, some micro-scratches of use. In the last photo, similar model s...

English, 19th century. An exceptional and rare pair of Grand Tour period Neoclassical columns. Each column has a stepped bronze and white marble plinth and base that is separated b...

A large circa 1940's Turkish bronze ewer. Measurements: Height: 39.5″ Width: 23″

OPPOSING PAIR OF BRONZE FIGURES Form our Bronze Sculpture collection, we are delighted to offer this French opposing pair of Bronze Figures Allégorie du Printemps by Ferdinand Barb...

Immerse yourself in the charm of this exquisite bronze sculpture by renowned French artist Charles Valton (1851-1918). Crafted with precision using the lost wax casting technique, it...