Bronze Decorative Objects

Late 19th century silver plated pair of handcrafted decorative vases / urns with exterior design details and removable water holder receptacle. Each vase ...

A gorgeous Art Nouveau period gilt bronze large picture frame By Tiffany & Co. (signed to the back) USA, Early 20th Century Measures: 9"W x 11"D x 0.75"H. Very good original vint...

Amazing clock depicting the tale of Amor and Psyche which Is about the god of love in Greek mythology. Large bronze Dore figures adorn the pediment standing on a rectangular Marble b...

This vintage mid 19th century French Louis XV style cartel (wall) clock is beautifully designed. The dramatic sculpted bronze large clock is decorated with sweeping scrolled leaves &...

This is a superb antique Grand Tour patinated bronze figure of Narcissus, dating from the last quarter of the 19th Century. Narcissus was a hunter in Greek mythology and he was di...

This handsome sculpture was realized in Russia in the 20th century. Created in blackened bronze, it features a male nude figure in the process of forging a sword. He is portrayed mid swing as he strikes the sword with a Hammer. His body torqued all of his muscles appear flexed. The male figure- with his chiseled physique- appears as the paradigm of male beauty- a true adonis. This sculpture offers a timeless motif- employed from Greek antiquity...

1960s Patinated bronze vase by Carl Sorensen.

One of the most renowned sculptures ever created by Robert Tait McKenzie, this medal depicting three nude male hurdlers represents, in miniature form, a relief created in 1912 for the facade of the Olympic stadium in Stockholm. McKenzie was, for many years, the world's leading sculptor of young athletes, and he often used student athletes at the University of Pennsylvania, where he served as Professor of Physical Education, as his models. He also created reliefs to celebrate the University's Relay Carnival, now known as Penn Relays, and created a medal for the Society of Medalists...

A Wonderful French Ormolu Mounted Cut / Faceted Crystal & Bronze Jewelry Casket In The Style And Manner Of Baccarat Unfortunately The Back Lid Does Have A Chip In The Middle

Exceptional planter by Maison Marnyhac in chiseled and gilded bronze and Algerian onyx representing a young African woman kneeling, carrying an oval bowl decorated with foliage. She is dressed with a loincloth, wearing an egret and adorned with many jewels. It rests on a square base decorated with gilded bronze. A model of a similar African Venus...

We are offering a wonderful solid bronze modernist footed bowl by artist Alma Allen. This bowl dates from 2011 and is number 21 of 250 made. Signed with the artists initials, numbere...

A Japanese solid bronze Mimikuchi handled vase with crisply detailed spiral design on a beautifully rounded body. This rare piece dates from the early to mid 1800's. A very fine example of Japanese Edo period...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Massive architectural bronze wind chime bell sculpture by Paolo Soleri Arcosanti Cosanti USA circa 1970s Rib-like apex above a faceted bronze bell with raised modernist decoration ...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the black patina. Each bronze is hand crafted in France and is signed. Can be used as vas...

A beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only some light scratches. Stamped 'BRONS' and makers mark.

Fantastic heavy 1960s 70s candleholder for 7 candles. Made of cast bronze. A perfect addition to any mid century interior. Dimensions in cm: Height 20 cm, width 30 cm, depth 8.7 cm...

Lovely WMF German Art Deco (Württembergische Metallwarenfabrik) patinated bronze Ikora vase decorated with a stylized trailing flower vines and and butterfl...

The iconic bronze Evase vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in France...

Sculpture bull bronze all in patinated solid bronze, lost wax bronze technic.

Impressive bronze sculpture created in the 20th century by Spanish artist Fernando Sánchez Castillo, inspired by the work of Pietro Tacca. The piece represents the leg of the horse o...

A large and heavy solid Bronze Ashtray in the shape of a Crab. This piece is a compliment as a decorative piece and also has a hinged top to be used as an ashtray for your perfect sm...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

A large and beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, some light scratches and wear to the patination. Stamped ...

A very tall and elegant pair of bronze and blown green glass by the most respected maker of lamps and accessories of his time, Tiffany Studios. Properly signed on the underside of t...

Ornate and elegant French Empire urn having glossy black onyx colored porcelain adorned with very detailed bronze mounts having roses, garlands and m...

A beautiful lidded bronze box with amazing patina. The inside clad in teak wood. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only a few light scratche...

This exquisite 19th-century bronze sculpture by Philippe Poitevin (1831–1907) masterfully depicts Hippolytus, the tragic Greek mythological son of Theseus. The composition captures t...

A pair of bronze and crystal candelabra. Imagine these on your mantle or sideboard.

Faceted Amethyst Glass Inkwell with Brass Lid Origin: France Material: glass, brass Date: circa 1900 Dimensions: H × D: approx. 6 × 12 c...

This whimsical little bronze shows 2 young children on a sled riding down a hill of snow and with one youngster waving to us. The bronze is finished in gilt and the sled is mounted on carved marble. That is marble, not alabaster, and if you ever tried to dig your thumb nail into marble vs. alabaster you will see how much harder that stone is comparatively. The bronze is signed by the noted German artist Paul Ludwig Kowalczewski...

Early 1900s Vienna Bronze French Bulldog – Unpainted, Patinated Finish A finely crafted unpainted Vienna bronze figurine, likely dating from the early 20th century. Discovered at an ...

Walter Bosse (1904-1979), Austria. Three miniature bronze figurines. Ladybug, apple, and bumblebee. 1930s/40s. In excellent condition with a beautiful patina. Dimensions of the bumbl...

Bronze Reduction Bust of Molière by F. Barbedienne, after Caffieri, circa 1870s Measurements: 5.25" high x 3.25" wide x 2.25" deep Base: 2" square white marble Description A finely...

Here we are offering a rare Chinese rosewood bracket clock with enamel column on each side. Front case is inlaid with mother of pearl and nearly in perfect condition. 5 brass finials located on the top of the case. This clock has an 8 day fusee chain driven movement with quarterly striking. On the hour strike, the pair of figures above the dial raises their hammers and strikes the bell. The brass movement is engraved and signed. A large window...

A large rectangular box formed from green opaline crystal, its shape defined by flat planes and chamfered corners that produce an octagonal profile when viewed from above. The hinged...

Art Deco bronze sculpture of a panther signed Rulas. Bronze gold patina, on a Belgian Black base. Signed and marked Bronze. Ca. 1930

a delightful bronze sculpture of a well-delineated sparrow perched upon a bamboo branch surrounded by cattails and reeds all emanating from a foliate ring; the whole resting on a wel...

Japan, a fine large old seated Buddha, heavily hand cast bronze, with a fine medium to dark brown patina performing the mudra of compassion. High quality, deep casting with fine ser...

Finely Cast Bronze Abraham Lincoln Profile Bust Bookend or Doorstop, in the Style of Victor David Brenner, ca. 1930s Bronze Lincoln Bookend or Doorst...

French Empire or Napoléon III Patinated and Gilt Bronze Sarcophagus Mount, Egyptian Revival, circa 1800–1860 A finely cast and parcel-gilt French bronze furniture mount in the form ...

Antique Chinese Champlevé Enamel Decorated Bronze Vase dating to the late 19th century, having twin scroll handles above a beautifully decorated body with leaves and focusing on a ce...

Art Deco sculpture in silvered bronze bird on branch of vines. The whole thing is on a black marble base (surfin from Belgium). Signed Bacquerel and stamped "bronze". Note two shine...

Pair of Louis XVI Style Gilt Bronze Five Branch Appliques, late 19th century, with urn and ribbon finial and grapevine motif to the arms. 22" H x 13.5" W x 6.5" D. Provenance: From a...

Late 20th Century bronze sculpture featuring two retrievers hunting dogs, one resting and the other kneeling. The bronze is done in French manner After Pierre Jules Mene Statue...

Decorative bronze vase made by GAB in the 1930's. Engraved on one side.

A Wonderful Franz Bergman Standing Dachshund Vienna Austria Bronze Dog Sculpture With Wonderful Patina This Has Been Cold Painted With A Red Colla...

This magnificent Chinese Horse stepping on swallow was made from Bronze with hand crafted accent Chinese pattern. Very unique and beautiful. It originally from eastern Han dynasty an...

A reclining bronze of Venus. There is great detail in the casting.

A bronze statue of a ballerina A beautiful abstract statue of a ballerina made in bronze on a rectangular base. The bronze ballerina in a beautiful pose of a dancing jump, mounted...

Solid bronze figure of a lion fighting a snake, a famous motif by A. BARYE. Engraved on the plinth “A. BARYE” (Antoine-Louis Barye, 1795–1875), one of the most important French sculp...

A decorative, solid bronze candelabra with by Jacob Ängman for GAB / Guldaktiebolaget. With antique patina finish. Sweden, 1920/30s - Art Deco / Swedish Grace. In beautiful conditio...

This is a gilt bronze repousse rectangular jewelry/decorative box. It features in the top of the lid a scene of Don Quixote riding his horse at the sam...

This charming antique French jewelry casket is a true little treasure in itself. Dating back to the late 19th century, this delicate box was designed with an eye for elegance and rom...

Signed Heavy Bronze ''Trojan Executive" Sculpture/ Paper Weight

Magnificent Pair of Gilt Bronze Candlesticks in French Rococo (Louis XV), c. 1760–70 An exceptional pair of antique gilt bronze candlesticks, crafted in France during the second hal...

An exceptional French bronze ormolu mounted turquoise jeweled Sèvres Porcelain clock set by Raingo Fres, Paris, circa 1880. Comprising of a clock in vase form and a pair of five-l...

This is a mid-century vintage sculpture of a hunting dog. This bronze sculpture has an age-appropriate green patina. This is an American made peace circa 1970.

Although America's sculptors interested in African American life and Black subjects, including Elizabeth Catlett, Richmond Barthé, Sargent Johnson and ...

Beautiful handmade art deco style vase from Japan having blackened cast bronze with polished brass overlay of stylized deer.