16th Century Decorative Objects

A Korean ceramic bottle-form vase circa 16th century Joseon Dynasty. It was likely intended as a wine bottle, the pear-shaped vessel with flaring neck feature a celadon glaze exterio...

Acetre. Bronze. Century XVI. Bronze piece that has a circular foot, and a circular body, with an outwardly hollowed mouth at the top, and a decoration in relief in this last area o...

Chest. Carved wood, metal. Spanish school, 16th century. Rectangular casket with a flat lid decorated on the outside with a series of figurative reliefs in a symmetrical arrangemen...

Hostiary. Bronze. 16th century. A circular, tubular bronze box with a finial lid, to which a piece of tubing is attached, forming a press for the interior of the case. It features a...

400-600 year old sandstone figure of a "Demon" carved in deep relief. In good original condition with a natural age-related patina that emphasizes the figure's age and authenticity. ...

SAINT CATHERINE OF ALEXANDRIA ORIGIN : SWABIA, ULM REGION PERIOD : ca. 1510-1520 Height : 118 cm Length : 39 cm Depth : 17 cm Limewood...

A Korean ceramic bottle form jar of Buncheong ware circa 15-16th century Joseon Dynasty. The surface of the jar features a celadon glaze and an elaborate incised design of large flor...

500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in original condition with great patina. Mounted on light sandstone plinth...

A small Thai cast seated bronze figure of the historical Buddha Shakyamuni, Northern Thailand, Ayutthaya period, 16th century. This sculpture captures the m...

Carved wood depicting the resurrection of Christ ORIGIN : SOUTHERN NETHERLANDS, ANTWERP PERIOD : EARLY 16th CENTURY Height : 67.5 cm Len...

16th century Vietnamese Animist ceramic vase. Beautiful and abundant fossil growth from being submerged under water. Natural original patina. Part of a very large collection of shipw...

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

An absolutely stunning Bizen ware stoneware vase/jar/vessel - produced sometime during the late Momoyama period (1568-1600) / Early Edo Period (1603-1867). Bizen yaki...

Set of 2 large early 16th century Tuscany vases, Italy. Rare and very large ceramic water vases with a green glaze. These vases were made in Tuscany Italy. Of course hand made and th...

A very large and unique white marble mortar from the 16th century with sculpted side mascarons. This imposing piece has great patina and character. It looks impressive set in a coffe...

Religious sculpture representing the nativity, carved wood from the 16th century. Carved wood sculpture, walnut wood and oak wood base, sculpture representing the nativity, circa 16...

Carved wooden sculpture of Mary Magdalene, circa 1500. Large limewood sculpture with traces of polychromy representing Mary Magdalene, German work, circa 1500. H: 80cm. W: 35cm, D: ...

Formerly known as the "Master of Magione", Nero Alberti da Sansepolcro established a workshop around Perugia in the mid 16th century specializing in the production of devotional imag...

An exceptionally rare antique German Renaissance carving by Stephan Rottaler (1581-1533), Bavaria circa 1500. The carving is by Stephan Rottaler, Landshut, Germany, an architect who ...

400 - 600 Year old charming and artistic sandstone relief. Dragon "mythical beast" which is a symbol of wisdom. From Buddha temple in Arakan, Burma....

Asian Chinese (Ming Dynasty-Circa 1500) blue & green porcelain Shou Lau seated figure with oversize head (symbolism of longevity & luck) on a base suppo...

Large European Mediaeval Oak Carving of Christ in the Tomb The sculpture is partially polychrome and depicts “The Pamoison de la Vierge” also known as the “Swooning Virgin” this sc...

Amazing Lidded Jar from the Ming period, kraak porcelain. Nicely potted and with beautiful Kintsugi restoration. ⁠ ⁠ Ongoing scene of a typical Kraak landscape. The lid with a nice f...

Spanish Renaissance casket, 16th century In carved, polychrome and gilded wood decorated with a vase with horns of plenty, heads of cherubs and fruits. In the lock a shield with two ...

This early to mid 16th century ceramic vessel from Thailand is an excellent specimen of a salvaged ceramic jar from a shipwreck during in the Min...

A very nicely decorated plate with a scene of spring. A very subtle design that we have never encountered before! Cool piece! Additional information: Material: Porcelain & Pottery R...

A small and charming fragmentary cast bronze Buddha head with traces of gilding and lacquer, Lan Na Kingdom, Chiang Saen style, 16th century, Thailand. ...

The bronze statue depicts a Turkish warrior with shield and sword. the warrior is shown bare without veils, with a base also made of oval-shaped bronze, acting in a war scene. Detai...

A pair of 16th Century Italian wood carved figures of Saint Ambrose Archbishop of Milan and Saint Augustine Bishop of Hippo, two of the four original Doc...

Bowl from the late Ming dynasty cargo. An identical piece is included on page 136 of the Bin Thuan catalog titled 'The Age of Discovery: Asian Ceramics Found...

A wonderful example of a 16th Century Sawankhalok jar from a Shipwreck off the Coast of the Indonesian Island of Batam. Batam was one of the most substantial and influential ports in...

500-600 year old sculpture of 'Hanuman', the Hindu monkey god, carved in sandstone. From temple in Burma, 15-16th century or even older. In very good condit...

A very nicely decorated Ming period Swatow or Zhangzhou porcelain dish with Chilong These small dishes would have been used for the Japanese tea ceremony meal, the Kaiseki. Kaiseki...

This very large and unique stone mortar from the 16th century has a beautiful and rare color palette. Earth tones accentuate the color layers of the marble. This piece has a great pa...

Fra Mattia Della Robbia (Firenze 1468-1534) Saint Joseph Terracotta Tuscany, around 1505-1510 55 x 40 x 30 cm Marco della Robbia the Younger (April 6, 1468 in Florence - 15...

16th century Thailand Sawankhalok ceramic vase from the old city of Sawankhalok known for its pottery. Beautiful and abundant fossil growth from being submerged under water. Natural original patina. Six Available Part of a very large collection of shipwrecked pottery...

Rare 16th-Century Spanish Polychrome Alabaster Sculpture of the Virgin Mary Description: This exquisite and rare 16th-century Spanish sculpture of the Virgin Mary is a masterful example of Renaissance religious art. Finely carved in alabaster, the figure retains traces of its original polychrome finish, reflecting the craftsmanship and devotional spirit of the era. The Virgin Mary is depicted with grace and serenity, her delicate features and flowing robes showcasing the artistry of the period. The sculpture’s natural patina and signs of age enhance its authenticity, making it a significant piece for collectors of sacred or historical art. Dimensions: Height: 44 cm Width: 17 cm Depth: 15 cm Key Features: 16th-Century Craftsmanship: A finely detailed alabaster carving with remnants of polychrome, representing the Virgin Mary. Spanish Renaissance Origin: A testament to the religious and artistic traditions of 16th-century Spain. Authentic Patina: Centuries of natural wear add historical depth and character to the piece. Devotional and Artistic Appeal: Perfect for private collections, sacred spaces, or as a centerpiece in any setting. Good Condition: Well-preserved for its age, maintaining its structural integrity and artistic impact. This rare alabaster sculpture offers a glimpse into the religious devotion and artistic achievements of the Spanish Renaissance. Its historical significance and timeless beauty make it an exceptional addition to any collection. Why Choose This Sculpture? A genuine 16th-century artifact of exceptional craftsmanship. A piece that embodies the spiritual and artistic legacy of Renaissance Spain. Adds profound historical and devotional value to any collection or space. Bring home this extraordinary polychrome alabaster Virgin Mary...

An unusually large Chinese Ming Dynasty glazed pottery architectural model of a shrine or cabinet, Ming Dynasty (1368 - 1644), circa 16th century, China. The shrine model crafted o...

Carved wooden frame, polychromed and gilded made with different elements of marked Renaissance influence, resulting in an architectural composition with staggered base, two ribbed pi...

Beautiful funerary terracotta urn called from the Bura region (Niger) in West Africa. This cylindrical anthropomorphic sculpture is adorned with geometric designs. It depicts a human...

16th century Thailand Sawankhalok ceramic vase from the old city of Sawankhalok known for its pottery. Beautiful and abundant fossil growth from being submerged under water. Natural ...

Beautiful dish in blue and white. This is a Jingdezhen made dish made for the Japanese market. Kosometsuke. Central scene of Liu Hai and the toad. No mark Ad...

A fascinating bit of history, this pair of carved wooden terms dates to the High Renaissance during the 1500s. A term is a beam support in the form of a human head where the bust con...

Rare 16th century Nuremberg box In iron, measurements: 13 x 18 x 12 cm Good condition.

A large Japanese Namban lacquer arqueta coffer for the Portuguese market Kyoto, Momoyama-period, late 16th century In Hinoki cypress lacquered in ...

Great Ming plate with a Kraak lay out. Most likely 16th century. Southern China - Swatow - Zhangzou. Decoration of 1 deer at night under a clouded moon and ...

400 - 600 year old Burmese carved sandstone sculpture. Calf standing under the mother. From Buddha temple or Hindu temple in Burma. Untouche...

Lovely decorated piece. A rare type China Jingdezhen kilns Ming Dynastie, Jiajing reign (1522-1566) Provenance: – Private collection Netherlands Additional information: Material: Po...

A small antique Korean Buncheong stoneware vase from early Joseon Dynasty circa 16th century. The vase is of a classic pear form with a waisted neck, a flared mouth and a ringed base...

16th century Thailand Sawankhalok large ceramic vessel from the old city of Sawankhalok known for its pottery. Beautiful and natural patina from being submerged under water. Part of ...

Important Renaissance Medical Box. Spanish Or Italian Workshop, Around 1550 Renaissance Medical Casket with stepped lid and vaulted flanked dome. Polychro...

A very striking 16th century statue - head of a nobleman - crafted from Roman concrete - opus caementicium. Roman concrete is durable due to its incorporation of volcanic ash, which...

16th century Thailand, Sawankhalok large ceramic vessel from the old city of Sawankhalok known for its pottery. Beautiful and abundant fossil growth from being submerged under water. Natural original patina. Three available and sold individually. Part of a very large collection of shipwrecked pottery...

Ananda is portrayed in a typical fashion, as a youthful monk with a shaved head and dressed in simple robes. He stands upon a double lotus pedestal with hands clasped in front of him...

16th century Thailand Sawankhalok ceramic tulip shaped vase from the old city of Sawankhalok known for its pottery. Beautiful and natural patina from being submerged under water. Par...

A rare and unusual Chinese Ming Dynasty bronze figure of the Buddha as an infant. The young Prince Siddhartha, who would grow up to become the Buddha, is portrayed standing, one hand pointing to the sky, the other to the ground. He is naked, save for a baby apron...

Rectangular body casket with semicircular lid made of carved wood and covered with a worked leather that has been reinforced with a series of forged iron fittings, material in which ...

An extraordinarily rare and visually striking 16th-century Venetian iron treasure coffer, showcasing the height of Renaissance artistry and engineering. Crafted in the early to mid-1...

A small Korean ceramic shallow bowl on ringed foot in the classic Buncheong (or Punch'ong) style from Joseon Dynasty circa 15-16th century. Originally intended for wine-drinking like...

Very unusual Chinese export porcelain bowl. It has bright colors with a lot of gold throughout. Height: 5 in, Width: 10 in, Base Width: 5.25 in