Items Similar to Bow Porcelain Figure of Boy Putto on C-Scroll Base, Georgian circa 1760
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Bow Porcelain Figure of Boy Putto on C-Scroll Base, Georgian circa 1760
About the Item
This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760.
The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby.
This boy or putto figure was first modelled in the 1750s, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. This particular one is from a little later (1760), when Bow started putting their figures on top of a Rococo C-scroll base. This putto may originally have had a bocage, or flower tree, behind him. The putto is seated on a beautiful puce-tinted Rococo C-scroll that is typical for the Bow figures of 1760 onwards. The way we know this is a boy is the placement of the ribbon over his left shoulder; with girl figures, Bow placed the ribbons on the right shoulder.
These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. Putti were symbolic for God's omnipresence, as well as the sacred dimension of worldy pleasures. They were very popular in the 18th Century. This figure would make a fabulous gift to a loved one, and with its high artistic value it is a wonderful little piece of decoration for any interior design style.
The item is unmarked, which is common for Bow items of this era.
CONDITION REPORT The figure is in good condition although it has some professional repairs, which is common for these figures. The left arm and both legs show some signs of repair, and the face and the body have had some touch-ups. One of the legs of the base is repaired and touched up. There might have been a now missing bocage at the back of the head of the putto. There are some typical missing flower petals on the remaining bocage. However, overall the figure looks brilliant and is in good stable condition.
Antique British porcelain is never perfect. Kilns were fired on coal in the 1700s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures!
DIMENSIONS height 12cm (4.75").
- Creator:Bow Porcelain (Maker)
- Dimensions:Height: 4.75 in (12.07 cm)Width: 2.5 in (6.35 cm)Depth: 2.5 in (6.35 cm)
- Style:Rococo (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1760-1769
- Date of Manufacture:circa 1760
- Condition:Repaired: professional repairs to left arm and leg, and some touching up of face and body; front right scroll professionally repaired. Still looking bright. Wear consistent with age and use. Minor losses. Some minor losses to flower petals, some light repairs, as visible in the pictures, see description.
- Seller Location:London, GB
- Reference Number:Seller: A-BOW021stDibs: LU4805115285911
About the Seller
5.0
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2016
1stDibs seller since 2019
224 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllBow Pair of Porcelain Figures of Liberty & Matrimony, Rococo 1760-1764
By Bow Porcelain
Located in London, GB
This is a fabulous pair of figures of Liberty and Matrimony made by the Bow Porcelain factory between 1760 and 1764. These figures were a popular pair portraying marriage.
The bow...
Category
Antique 1760s English Rococo Figurative Sculptures
Materials
Porcelain
Bow Porcelain Figure of Juno with Eagle 'Jupiter', Rococo Ca 1765
By Bow Porcelain
Located in London, GB
This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...
Category
Antique 1760s English Rococo Figurative Sculptures
Materials
Porcelain
Bow Pair of Porcelain Figures, Arlecchino and Columbina, Rococo ca 1758
By Bow Porcelain
Located in London, GB
This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century.
The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby.
These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before.
This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...
Category
Antique 1750s English Rococo Figurative Sculptures
Materials
Porcelain
Derby Figure of Shepherdess with Garlanded Lamb, ca 1760
By Derby
Located in London, GB
This is a charming Derby figure of a shepherdess with a garlanded lamb, made in or shortly after 1760. The figure is one half of a set called the "Garland...
Category
Antique 1760s English Rococo Figurative Sculptures
Materials
Porcelain
Derby Porcelain Figure of Neptune and Dolphin on a Shell, ca 1785
By Derby
Located in London, GB
This is a stunning porcelain figure of Neptune with a dolphin standing on a sea shell, made by Derby around the year 1785. The figure is in beautiful original condition.
We have one other Neptune figure from 1765, please see separate listing.
The Derby Porcelain factory has its roots in the late 1740s, when Andrew Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals in his back yard. In 1756 Staffordshire enameller...
Category
Antique 1780s English Rococo Figurative Sculptures
Materials
Porcelain
Bow Porcelain Orphaned Coffee Cup, Famille Rose Peony, circa 1755
By Bow Porcelain
Located in London, GB
This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century.
The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby.
The cup is unmarked, which is normal for Bow items of this era.
Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era.
Antique British porcelain...
Category
Antique 1750s English Rococo Tea Sets
Materials
Porcelain
You May Also Like
Decorative Basket, Bow Porcelain Factory, circa 1760
By Bow Porcelain
Located in Melbourne, Victoria
A pierced basket standing on a well-formed rococo base. Perhaps for potpourri, although the internal decoration suggests another use. We think probably oranges, chestnuts, etc.
Pr...
Category
Antique Mid-18th Century English Rococo Figurative Sculptures
Materials
Porcelain
$4,060 Sale Price
30% Off
Figure of Pointing Boy by Bow Porcelain Factory, circa 1751
By Bow Porcelain
Located in Melbourne, Victoria
Presumably based on the work of the Flemish sculptor François Duquesnoy (1597-1643), also known as Il Fiammingo.
A small series of Chelsea figures from the late 1740s was also ba...
Category
Antique Mid-18th Century English Neoclassical Figurative Sculptures
Materials
Porcelain
$5,250 Sale Price
30% Off
Figure: David Garrick and the Shoeshine Boy, Bow Porcelain, circa 1751
By Bow Porcelain
Located in Melbourne, Victoria
A fashionably dressed gentleman, almost certainly the actor David Garrick: he wears a white frockcoat, pink waistcoat and red breeches, all with embroide...
Category
Antique Late 18th Century English Neoclassical Figurative Sculptures
Materials
Porcelain
Cat holding a mouse, Bow Porcelain Factory, circa 1760
By Bow Porcelain
Located in Melbourne, Victoria
An engaging cat, holding a mouse in its paw, while a second mouse escapes into a cheese.
These small 'toys' are scarce, being easily lost. They were largely hand made, and so were n...
Category
Antique Mid-18th Century English Neoclassical Porcelain
Materials
Porcelain
Figure: Running Girl, Bow Porcelain Factory, circa 1756
By Bow Porcelain
Located in Melbourne, Victoria
Small figure of a young woman wearing a puce-sprigged white skirt, lifted slightly with her left hand, pale pink jacket with typical Bow opaque blue collar and cuffs.
We've called...
Category
Antique Mid-18th Century English Rococo Porcelain
Materials
Porcelain
Figure, Mercury, Bow Porcelain, circa 1748
By Bow Porcelain
Located in Melbourne, Victoria
He wears a winged helmet and sandals, a loosely draped pink, white, and yellow washed cloak over a short tunic, and leans arrogantly against bales, his message sack over his left sho...
Category
Antique Mid-18th Century English Neoclassical Figurative Sculptures
Materials
Porcelain
$8,400 Sale Price
30% Off
Recently Viewed
View AllMore Ways To Browse
Gilt Bow
Antique Bow Ribbon
Porcelain Girl
Unmarked Porcelain
Porcelain Boy
Free Internet
Antique Chelsea
Porcelain Putti
18th Century Porcelain Figures
Chinese Porcelain Group
British Georgian 18th Century
Chinese Bow
Vintage Fine China Porcelain
Rococo Porcelain Figure
Soft Paste Antique Porcelain
Gilt Fire Back
Rococo Porcelain Figurines
Etcetera Etcetera