Etched Decorative Objects

A tall clear glass vase with abstracted geometric design in the Art Deco style. Attr La Cupole Paris.

Tall French crystal horse etched bonbonnière on stem.

Daum's best shape for miniatures is the broken egg. Great detail and color. Mint condition. France, CIRCA 1920.

Make a bowl out of a disk. PUSH XL is delivered as a flat metal plate that you can give a unique shape with your fingers. By gently applying pressure, you can create a little vessel ...

A stunning and finely detailed pair of Continental 19th century Louis XVI st. etched Crystal and Ormolu vases. Each vase is raised by a triangular mottled Ormolu base with squared en...

19th Century Silver Dutch Candlesticks Sourced by Martyn Lawrence Bullard from London, England Fitted with hallmark, and etched floral motif

Unique vase, with a “cat” motif, acid etched in warm and dark colors. Made by Le Verre Francais. Signed Le Verre Francais. Gérard Bertrand (1995) “Schneider maître verrier: Charder,...

Acid etched and enamelled glass case with silver mount. Signed Daun Nancy. France, CIRCA 1900.

Brass acid-etched wax seal stamp by Bezalel School, Jerusalem, circa 1920. Acid-etched on each side with flowers, leaves, Star of David ,and dear. The upper part of each side decorat...

Each On High candlestick is made to hold the light above, while radiating a soft glow from below. The hammered texture and shapes play with shadows and flicker of the candle. Each o...

Belgium; 1970's; Glass sculpture; Postmodern art; Michel Martens, a large glass sculpture with several punctuation marks, colored, frosted, and sandblasted glass. Signed by the artist on the bottom right corner. Belgium artist Michel Martens is famous for his impressive glass art. He created this postmodern piece of art in the 1970s. Martens (1921-2006) was a respected designer of stained glass windows and had an impressive career creating stained glass windows for churches. His credo was 'light is my material, glass my medium'. Martens was an autodidact and first taught himself the technique of stained windows. He designed an impressive 7000 meters stained glass between 1947 and 1989 for churches and monasteries. From 1968 onwards, Martens started to lose the church as a main client and therefore started to develop a practice in which he worked with mirrors that were also suitable for the private sector and private homes. With his radical and modern approach to glass art, Martens became part of the Post-war Abstract Modernist movement. Using mirrored glass opened up new perspectives for Martens. He even started using industrial glass as well, for his so-called 'Crazy Mirrors...

Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Blown Glass Ladle Sculpture #3 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and white glazes with hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...

A French 19th-20th Century Orientalist Style Cold Painted Spelter Figural Lamp-Torchere, by Barcelona born artist Pedro Ramon Rigual (1863-1917). T...