Coral "Trapani" Decanter by Garouste and Bonetti for Daum, France, 1980s.

Design duo Garouste and Bonetti is best known for concocting Surrealist, avant-garde, romantic furniture and lighting that merge whimsy and wonder with luxury and sophistication.

Born in Paris in 1946, Élizabeth Garouste studied interior design at the École Camondo and worked as a theater set designer before meeting Mattia Bonetti in the late 1970s. Bonetti, born in Lugano, Switzerland, in 1952, attended Lugano’s Centro Scolastico per L’Industria Artistica, where he studied textile design and got into photography.

Their first collaboration came in 1981, after Garouste’s husband, interior designer Gérard Garouste, asked them both to produce designs for the Paris restaurant Le Privilège. They devised a collection of Art Brut–inspired furniture called Barbare, which debuted at the Jansen House of Interior Design, earning them the nickname Les Nouveaux Barbares (the New Barbarians).

Garouste and Bonetti achieved international acclaim in 1987 when French couturier Christian Lacroix hired them to design for his maisons de couture in Paris and London. Instead of the staid decor used by other haute couture houses, Garouste and Bonetti’s furnishings were rebellious and daring. As described in Architectural Digest, “rooms and carpets were acrid ochers, edged with black baroque swirls Louis XVI-inspired chairs upholstered in fruit tones. Tree stump stools topped with ivory tufted cushions. White curtains were trimmed with black polka dots the size of pancakes.” 

Following their success with Lacroix, Garouste and Bonetti designed interiors for illustrious clients such as German socialite Princess Gloria von Thurn und Taxis and Bernard Picasso, a French art collector and grandson of Pablo Picasso.

Throughout the late 1980s and ’90s, Garouste and Bonetti designed several modern pieces such as rainbow-colored console tables, the wavy, high-backed Koala sofa, ceramic tableware, table lamps and decorative objects. In 2002, the duo parted ways. 

Bonetti continues to create furniture, finding inspiration in everything from ancient Greece to children’s toys to UFOs. His works have been shown at the Museum of Modern Art in New York, the Victoria and Albert Museum in London and the Centre Pompidou in Paris. 

Garouste also continues to design and is inspired by the natural world for her “quirky pieces,” Élisabeth Delacarte, owner of the Paris gallery Avant-Scène, says of her designs: “You feel like you’re in a dream rather than in reality. She very much has her own universe.”

On 1stDibs, find a range of vintage Garouste and Bonetti tables, seating and serveware.

For collectors, Daum is a name in the first rank of the French makers of art glass, along with those of Émile Gallé and René Lalique. Led in its early decades by the brothers Auguste (1853–1909) and Antonin Daum (1864–1931), the company, based in the city of Nancy, established its reputation in the Art Nouveau period, and later successfully adopted the Art Deco style.

In 1878, lawyer Jean Daum took over the ownership of a glassworks as payment for a debt and installed his sons as proprietors. Initially, Daum made glass for everyday purposes such as windows, watches and tableware, but the success that Gallé enjoyed at the 1889 Universal Exposition in Paris — the international showcase for which the Eiffel Tower was built — inspired the Daum brothers to begin making art-glass pieces. They produced popular works of cameo glass, a decorative technique in which an outer layer of glass is acid-etched or carved off to reveal the layer below, but Daum became best known for vessels and sculptures in pâte de verre — a painstaking method in which finely ground colored glass is mixed with a binder, placed in a mold and then fired in a kiln. 

Though early Daum glass was never signed by individual artists, the firm employed some of the masters of the naturalistic, asymmetrical Art Nouveau style, including Jacques Grüber, Henri Bergé and Amalric Walter (whose first name is frequently misspelled). Daum also collaborated with furniture and metalware designer Louis Majorelle, who created wrought-iron and brass mounts for vases and table lamps. In the 1960s, Daum commissioned fine artists, most notably Salvador Dalí and sculptor César Baldaccini, to design glass pieces. As you see from the works offered on 1stDibs, Daum has been home to an astonishingly rich roster of creative spirits and is today a state-owned enterprise making pâte de verre figurines.