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Early Spode Regency Dollar Pattern Punch Bowl

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Early Spode Red Greek Pattern Tile
By Josiah Spode, Spode
Located in Fort Lauderdale, FL
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...
Category

Antique Early 19th Century English Neoclassical Pottery

Materials

Earthenware, Creamware

Early 19th Century Spode Red Greek Pattern Tile
By Spode, Josiah Spode
Located in Fort Lauderdale, FL
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...
Category

Antique Early 19th Century English Neoclassical Pottery

Materials

Earthenware, Creamware

Set of 11 Early Spode Ironstone Imari Dessert Dishes Made circa 1815
By Spode
Located in Fort Lauderdale, FL
A set of 11 Imari style ironstone dessert dishes, made by Spode circa 1815. Josiah Spode II began producing stone china in 1813 as an alternative to porcelain. Stone china, also kno...
Category

Antique Early 19th Century English Regency Dinner Plates

Materials

Ironstone

Daisy Makeig-Jones Wedgwood Butterfly Lustre Bowl
By Wedgwood Fairyland Lustre, Daisy Makeig-Jones, Wedgwood
Located in Fort Lauderdale, FL
A butterfly lustre bowl designed by Daisy Makeig-Jones for Josiah Wedgwood & Sons circa 1915. This butterfly lustre bowl is a gorgeous example of Daisy Makeig-Jones’s unique artistr...
Category

Vintage 1910s British Art Nouveau Serving Bowls

Materials

Porcelain

Copeland Spode Aesthetic Movement Comport or Cake Stand
By Copeland Spode, Spode
Located in Fort Lauderdale, FL
An 1870s Spode Aesthetic Movement comport in cream-colored earthenware with a beautiful transfer-printed pattern of birds and butterflies. After Japan was forcibly opened to Western...
Category

Antique 1870s English Aesthetic Movement Centerpieces

Materials

Earthenware

19th Century Greek Revival Copeland Spode Bowl
By Copeland Spode
Located in Fort Lauderdale, FL
A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...
Category

Antique Late 19th Century British Neoclassical Revival Pottery

Materials

Earthenware, Pearlware

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Regency Spode Imari Punch Bowl, Pattern # 2283
By Spode
Located in Downingtown, PA
Spode Imari Bowl, Pattern # 2283, Spodes New Stone China, Circa 1815-1820 The beautiful Spode new stone Imari punch bowl is painted in Imari col...
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Antique Early 19th Century English Regency Barware

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Spode Bowl
Located in Wilson, NC
This bowl has an impressed mark: " Spodes New Stone", and is decorated in the burnt red , white, and blue colors popular in this time period, and has a...
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Twelve Spode Neo-Classical Greek Pattern Blue Soup Plates
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Spode Neo-classical Greek pattern blue soup plates, Refreshment for Phliasian Horseman, Set of twelve (12) Early-19th century The Spode Greek pattern ...
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Antique Early 19th Century English Georgian Pottery

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Spode Pottery Neoclassical Greek Pattern Blue Printed Supper Set
By Spode
Located in Downingtown, PA
Spode pottery neoclassical Greek pattern blue printed supper set Early-19th century From a large collection of Greek pattern pieces in various colors ...
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Antique Early 18th Century English Neoclassical Serving Bowls

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Boy in the Window pattern Punch Bowl
Located in Huntington, NY
Boy in the Window pattern Punch Bowl punch bowl, circa 1800, printed and painted with the 'Boy in the window' pattern in Chinese export Famille Rose style, script mark in blue , 11....
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Antique Early 19th Century Chinese Chinese Export Serving Bowls

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Spode Porcelain Teacup Trio, Red Imari Dollar Pattern, Regency, ca 1810
By Spode
Located in London, GB
This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...
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Antique Early 1800s English Regency Porcelain

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Porcelain

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