Georgian Mason's Ironstone Dinner Plate in Chinese Dragon Ptn, circa 1818

This is a very decorative dish or plate by Mason's Ironstone, Lane Delph, England in the Bamboo and Basket pattern, dating to the early 19th century, Georgian period, circa 1813-1820. The plate or dish is fairly deep and circular in shape with a notched rim. It is decorated in one of Mason's boldly colored chinoiserie...

This is a good Mason’s ironstone large dinner plate produced at the time when Mason's was owned and controlled by George L Ashworth and Brothers afte...

This is a very decorative ironstone pottery Large Dinner Plate produced by the Mason's factory at Lane Delph, Staffordshire, England, circa 1818. The plate is circular with a wavy indented edge & moulded floral detail to the inner rim edge . This Plate is beautifully and elaborately decorated in one of Mason's chinoiserie patterns, called Vase and Rock which is sometimes called Peking Vase and tends to be a rarer pattern. The pattern is very richly hand-painted, over-glaze in brilliant enamels of cobalt blue, burnt orange, green, yellow and puce all in varying shades, over a blue transfer printed...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...

A lovely large 10" antique 19th Century Chinese plate with a hand painted fire breathing dragon and decorative border in cobalt blue and wh...

French 19th Century Blue & White Dessert Plate Dragon signed Sarreguemines. Transferware. Asian decor with dragons. 7.8 inches diameter. 5 plates available.

19th century English Chinoiserie Pagoda plate.