19th Century English Chinoiserie Pagoda Plate

Large 19th Century Canton Famille Rose Chinese Export Porcelain Celadon Platter. Decorated with butterflies , birds and flowers. 9.8 inches diameter.

19th Century Majolica Chinoiserie Platter signed Angouleme.

19th Century Majolica Chinoiserie Platter signed Angouleme.

Oversize 19th century English Chinoiserie ironstone platter bates gildea & walker. Kioto Pattern. Earthenware and porcelain manufacturer at the Dale Hall Works, Longport, Burslem, Stoke-on-Trent. In 1878 James Gildea joined the partnership of Bates and Walker...

Small English chinoiserie plate. William IV Staffordshire plate with charming brightly hued oriental themed scene of figures with parasol,, hamper a...

Vibrant green accents on this garden scene plate appearing to show an emperor being shaded. Yellow, pale pink florals throughout. Some gold to rim. 18...

Small English chinoiserie plate. William IV chinoiserie plate or vide poche/ saucer with hand painted multicolored court figures and notables with t...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...