Masons Ironstone Large Dinner Plate in rare Muscove Duck & Fence Ptn, Ca 1840

This is a beautifully hand painted Platter in the rare Muscove Duck and Fence pattern by Mason's Ironstone, Lane Delph, England, dating to circa 1840. This mid size platter is well ...

This is a good Mason’s ironstone large dinner plate produced at the time when Mason's was owned and controlled by George L Ashworth and Brothers after the bankruptcy of C J Mason in 1848. This large plate is decorated in a the striking chinoiserie pattern called "Flying Bird" pattern, as illustrated on Page 121 of "A Guide to Mason's Patent Ironstone Patterns" published by The Mason's Collectors' Club. The pattern would have been transfer printed then boldly hand enameled with good detail. The plate also has a mid-brown / ochre hand painted outer rim simulating the Chinese plates of the time and earlier periods. The base carries a blue transfer printed mark Ashworth Brothers...

English ironstone platter circa 1890. Chinoiserie or Imari style, decorated with flowers.

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...