Italian Ceramics

handpainted coral ceramic plates Made in italy, ceramic A piece of italian craftsmanship on your table

Vase made by hand in glazed ceramic with traditional motifs from southern Italy. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop. Special...

Moss Bowl A visually impressive yet soft play of shades describes the mesmerizing flair of this spectacular bowl, marked by a natural white color enriched...

The Glam Clam is a functional sculpture designed by Betony Vernon in 2021 and entirely handcrafted in Italy in ceramic from Faenza with the renowned mother-of-pearl glaze by Gatti. T...

Unique Mid-Century Modern Urbano Zaccagnini white and brown signed ceramic bowl with intaglio relief of African abstract mask in the style of Pablo Picasso ceramics. Urbano opened hi...

Fornasetti porcelain plate with face made with arranged vegetables. Stamped "4, Fornasetti-Milano, Made in Italy, Arcimboldesca'" and "Arzberg Germany...

Precious Italian vase from the 1950s made by the great silversmith Arrigo Finzi. The vase is made in fine porcelain. Its great elegance and preciousness is given by its working in pu...

Italian handmade ceramic

An Italian Baroque Castelli albarllo, also known as a pharmacy or drug jar. It held 'Benedict Laxat' listed as far back as Aristotle as a medication used in by midwives. Beautifully decorated with buildings in landscapes in the free, almost impressionistic style typical of Castelli Maiolica...

Pen Holder Ceramic Fornasetti.

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). Method Of Use Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. Eco-sustainable Production The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

This ceramic vase and lidded jar were designed by Aldo Londi, art director for Bitossi ceramiche in Montelupo, Italy. Both pieces feature large stylized flowers and have been finished in Bitossi's rich Rimini blu glaze reminiscent of the Adriatic. The underside of the jar and vase bear stamped and hand-painted manufacturer marks and retain their original Rosenthal-Netter paper labels. The lidded jar measures 16.5" tall with the lid, 5.5" wide at the base and 4.5" across at the mouth. The vase stands 8.5" tall, 6.5" at its widest point and 4.375" across at the mouth and foot. The combined set is substantial and weighs 10lbs. A great addition to an existing Bitossi collection...

Made in Italy, 1960s. This vase is made in hand-painted ceramic. It may show slight traces of use since it's vintage, but it can be considered as in perfect original condition and r...

Stunning polychrome enameled ceramic vase designed and signed on the bottom by Claudio Pulli, one of the greated Sardinian artists of the 20th century. This charming vase was realize...

ceramic vase by Marcello Fantoni, 1960's Italy

A sculptural ceramic vessel by Italian designer Guido Gambone (1909-1969) circa 1950s. The stoneware of dove shape is an open vessel in form. The surface is decorated with geometrica...

Painted with freshness and sophistication, this pair of Italian Art Deco plates depict elegant female figures, each balancing baskets on their heads, striding toward a tower in the distance. One in a blue Classical robe, with her Art Deco hair...

Vintage Sherle Wagner hand painted scalloped ceramic soap dish mums bouquet. Vitreous China. Hand painted and hand decorated item. Mums Bouquet pattern applied by hand, multiple firi...

Set of six majolica charger plates is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter. The elegant decoration is composed of a halo of blue foliage that resembles four groups of wings: from the center of the plate, further ornamental elements develop, projected outwards, which give movement to the entire compositional structure. The beauty of these majolica plates is underlined by the artist's visible brushstrokes that give them a unique style. Further possibility to order a set of 4 or 12 charger...

Cream white glazed ceramic bull made by Bruno Gambone in the 1970s, signed Gambone on the bottom.

Painted with freshness and sophistication, this pair of Italian Art Deco plates depict elegant, stylized horses, one ridden by a blue-coated man in a bicorn ...

Gaetano BATTAGLIA (Naples-Italy-Active between 1850 and 1885) Large circular earthenware plate in the style of Italian majolica with polychrome historiated decoration on the basin, t...

Italian artist Marcello Fantoni ceramic bottle vase is glazed stoneware made circa 1970s. This piece was acquired directly from the artist by the seller, who was a personal friend of...

Vintage Tarcisio Tosin - La Freccia wall plated - Glazed Ceramic, Italy 1934 hand painted under glaze from the 1934 to the 1942. The Diana Huntress St...

Stunning and vibrant, 19 cm high, jug vase with sgrafitto and hand-painted colored glossy pattern of stylised women. On the base is painted Italy 7872. I have also a larger one for s...

Large Ceramic totem designed by Alessandro Mendini for Superego. In glazed and silver-plated ceramic, limited edition product, signature and numbering on the bottom. In excellent con...

Memphis Milano painted ceramic vase, Hsing by Ettore Sottsass, red star-shaped. Memphis Group, an Italian design and architecture collective founded by Ettore Sottsass, active betwee...

This Italian design serveware ceramic set of three pottery items is composed of a jug, a pitcher and a little sweets bowl or tray. The set dating back to 1930s was created by Lenci manufacture, established in Turin in 1919. The matte ivory beige background is enriched with floral patterns throughout both on the body and on handles of these gorgeous vessel group. The flowers' decoration is rendered in a soft palette of colors with different shades of yellow, orange and pink outlined with a black contour line along the flower's decoration edges. The all purpose carafe has a long neck and an awesome Amphora shape, the pot-bellied decanter bottle has a nice molded nozzle while the round shaped tray has a pleasant curly handle. These objects of everyday use have simple clear lines and modernist forms, perfect as a table set for wine or water. The little bowl could be used as a sweet tray, sugar bowl or candleholder. These ceramics are ready to embellish your dining table or to be displayed in a vitrine cabinet or as a centrepiece on a sideboard. Stamped with Lenci made in Italy mark and original manufacturer label. Both the jars and the little tray are in perfect vintage condition, no chippings or cracks. price is for set of three, each item can be sold individually, please send a message for a customized offer. Shipping is complimentary. Measures: Bottles height 22 cm, diameter 18, tray height 12 cm diameter 11 cm. Lenci Manufacturing started with the production of dolls and toys, in 1927 the company decided to expand its production to a line of figurines and objects in enameled ceramic. In 1928, this led to a very rich catalogue of statuettes and objects that immediately became the fashion for Italian middle and upper classes and bourgeoisie. In order to attain this goal, the manufacturing company availed itself of the creative collaboration of important Turin-born artists such as Sandro Vacchetti, Gigi Chessa, Mario Sturani, Abele Jacopi...

Decorative ceramic vase handmade in Italy and decorated with platinum luster, the luster process requires three firings of the vase. Dimensions: D 22 cm, H 31 cm. The vase draws in...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Cherry is one of the teapots from the The Indian Memory collection designed by Ettore Sottsass in 1987 and now re-edited by Alessio Sarri. All the pieces in the collection are signe...

Painted ceramic vase Memphis Milano by Luciano Florio Paccagnella, Lola, yellow color. He was an important member of the group when he created his series of unique handmade vases. F...

1960s Fornasetti Cammei Mythological Collection Gold Leaf Plates Signed Set of 6 Fornasetti 1960s 'Cammei' series porcelain plates decorated with pure gold leaf, set of 6. Designed ...

Colourful Mid Century, Italian ceramic dish with raised decoration of a stork in crackle glaze. Signed to the base Fantoni. We have three dishes av...

Nice vase from Bitossi by Aldo Londi. The pattern is Stambecchi or Caprone (goat), designed by Aldo Londi. A sgraffito and glazed pattern of goats in grey, brown and orange on a brus...

Collectible sculpture bottle in ceramic, porcelain Canova Padova production, 1960s, depicting a woman's face It measures 24 cm in height, 20 cm in dep...

Elevate your table with The Sultan's Garden plate, a harmonious blend of artistry and elegance. The hand-painted border frames a delicate floral design, created with a hand-applied d...

Ceramic vase by Aldo Londi Bitossi, Italy, C 1960, signed. Cylinder vase glazed in orange with gold details. Signed on the bottom, 79/2, Italy.

1950s Mid-Century Modern Albisola Ceramic Vide-Poche by Ivos Pacetti A charming and rare piece of Italian mid-century design, this ceramic vide-poche (catchall tray) was crafted in A...

Handcrafted from glazed green ceramic, this vase features traditional lime motifs inspired by southern Italy. Each piece showcases meticulous craftsmanship, reflecting the region's r...

A stylish Italian small rounded wall plaque hand decorated with a geometrical pattern by Ceramica D'Amore Vietri and dating from around 1950. The sma...

Made in Italy, 1950s. This wonderful piece is made in black lacquered ceramic with multicolored holes. It is a vintage piece, therefore it might show slight traces of use, but it ca...

Decorative hand painted plates are ornamental items that are designed for display rather than functional use. These plates come in various shapes, sizes, and designs, and they are of...

Colorful huge bowl in blue, dark grey and golden glazed ceramic made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

A very large and extremely rare lamp base by Aldo Londi for Bitossi, Italy, circa 1964. The pattern is Persian Blu glazed and manganese brown body, with sgraffito cross-banded lines,...

An Aldo Londi designed candleholder with a yellow version of the Spagnoli [Spanish] pattern.

Sculpture in gray terracotta glazed in white, depicting a hand. The sculpture is obtained by gradually adding individual terracotta elements by hand. The hand is an example of sculpt...

Large Italian ceramic from the 1960s signed by the artist Clizia. The ceramic rests on three small feet and is decorated throughout with added decorative elements, also in ceramic. T...

Elegant slender vase by Guido Gambone in a solid white glaze. Signed with donkey mark.

Artsy ceramic box made in Italy, circa 1970s. White box with black birds painted on. Great vintage condition. Fun stash box and tabletop object. Marked Raymor and Made in Italy on un...

Stunning and vibrant, 38cm high, vase with sgrafitto and hand-painted colored glossy pattern. On the base is painted Italy 8614. Fratelli Fanciullacci Pottery: during the first half...

Very elegant design in this ashtray by the well known artist/designer Aldo Londi.

This organic centerpiece is created as a piece of Art by Italian artist and designer. Realised using recycled fiberglass and resin with the concept...

Painted ceramic, good condition. Beautiful and unique decorative big sculpture. Tiger was produced in 1960s in Italy. All defects and chipping are on pictures.

Vintage white ceramic lamb or sheep plant pot, planter. Made in Italy. No chips or breaks.

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

This is a pair of Hollywood Regency Era Italian signed ceramic Cachepot or figurines. They are white and green and signed on the underside. They depict a fish riding a wave with a sh...

Midcentury pattern Vetrata vase by Aldo Londi for Bitossi Italy. Black and blue on a brushed background.

An Italian contemporary large ornamental plate centerpiece, the plate is signed by Tarshito author in the 2004. Tarshito architect first artist after...