Italian Ceramics

Stunning and vibrant, 30 cm high, vase with sgrafitto and hand-painted colored glossy pattern of houses. On the base is painted Italy and 4641. Fratelli Fanciullacci Pottery: during...

An Aldo Londi designed 'Vetrata' pattern covered box in orange, yellow and brown. Lovely bright condition.

Spectacular Nanni Valentini large wall plate for Ceramica Arcore Signed CA.

Splendid vase in satin white ceramic, "Umorometro - humorometer" model, with white and colored wooden elements for mood determination (see photo) Production Franco Pozzi...

Blue tea cups stack vase Italy 1980s Measures : 31 cm H - 20 cm diam. Conditions: defects & repairs. Check the pictures.

Luisa Parisi Set Of Ceramics Impronta And Pin Tray Mano For Cassina The vases and pin trays in the Impronta ceramics collection grew out of the creative talent of Ico and Luisa Pa...

Our artisan's pieces are a dream come true, as in Disney's Alice in Wonderland. Ceramic tea service are completely hand-crafted and painted with ...

Albisola ceramic jug, hand painted. ALBA DOCILIA manufacture. Italy, early twentieth century Origin Italy Period Early twentieth century Brand ALBA DOCILIA In 1919 the Albanian Adolfo Rossello, in partnership with a group of financiers, Eng. Guglielmo Camogli, the honorable Michelino Poggi, the lawyer Costantino Barile and Andrea Seitun, returns to his hometown and opens an artisan ceramic factory called 'Alba Docilia', the ancient Roman name of Albisola. In 1922 the 'Alba Docilia', directed at the time by the Roman painter Mario Gambetta, won a medal at the Diano Marina Exhibition and since 1923 has regularly participated in the Milan Trade Fair. In 1923 the factory was transformed into a cooperative company and the following year Adolfo Rossello and his children Angela Teresa, Vittorina, Francesco Adolfo and Pietro became the sole owners. In 1925 the factory took part in the 2nd Monza Biennale. In 1928 the company is present at the Artisan Exhibition of Savona and participates in the Exhibition of Artisan Products of the Albisolese Week of 1933 and '34. Also in 1934, the manufacture's production was presented at the exhibitions in Tripoli, Leipzig and Vienna. In 1938 he was present at the Ligurian Ceramics Exhibition in Rome and at the Florence Handicraft Fair, which he also participated in in 1956 and 1958. Among the ceramists who collaborated with the company between the first and second post-war periods, among others appear: Virio da Savona, Guglielmo Bozzano, Romeo Bevilacqua, Cerruti, Carlo Frumento, Benedetto Gaggero, Ida Milani, Amleto Modolo and Ivos Pacetti...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

This collector's item is part of a line of ceramic vessels designed in 2009 by Tullio Mazzotti in honor of the centenary of the founding of the Futurist Movement. Scatola dell'allegr...

Very elegant pair of Italian Egyptian Hollywood Regency ceramic bookends by Bellini, 1970s.  

Bottega Vignoli is brand created in Italy in the 1970's and makes unique and limited editions of Byzantine, Roman design ceramics, Majolica, located in Faenza.

I am offering for sale an item that is currently not strictly necessary in our homes although it was necessary in the past. Why propose it to you? Because I am sure that its charm a...

Bring the beauty of the garden to your home with our hand-painted radicchio-style salad bowl in a pink hue. Perfect for tableware, this salad bowl adds a touch of natural elegance and artistic charm to any space. 100% Ceramic Handmade and Hand-Painted in Italy...

Cinnamon is one of the teapots from the "The Indian Memory" collection designed by Ettore Sottsass in 1987 and now re-edited by Alessio Sarri. All the pieces in the collection are s...

I offer for sale an extremely decorative and fun element to set your table. This vintage jar was made in Italy between the 1950s and 1960s, by the cerami...

Selection of large Italian ceramic animals, Italian, circa 1950s. From left to right, they are: 1) Large-scale leopard print hand painted...

Ceramic pitcher by DeSimone, Italy, C 1960. This is a wild design with beautiful strong colors, red, green, yellow on a white background. The pitcher is signed. It can be used as a p...

Fioriera di Angelo Mangiarotti per Fratelli Brambilla. Elegante fioriera realizzata in ceramica smaltata con esterno nero ed interno bianco. Divisibile in due pezzi. Realizzata ne...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Elegant ceramic box made in Italy, circa 1970s. Black and white color theme with white flowers. Great condition. Perfect stash box or tabletop object. Marked Made in Italy on underside.

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Artist Amedeo Fiorese yellow sprayed ceramic flower vase sculpture, Italy 1970s.   

ceramic panel composed of four iconic and famous "triennial" tiles also known as "four times curved," designed in the 1960s by Gio Ponti and Alberto Rosselli for Ceramiche Marazzi. T...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Oxblood red vase model 585 designed by Ettore Sottsass in 1960. Realized circa 1961 by Società Ceramica Toscana di Figline for Milanese gallery Il Sestante in different colors. Signe...

For more than 30 years this artist has revolutionized the way of thinking about stone. Their artisan techniques are the result of careful research and deep knowledge of the subject: ...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). Method Of Use Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. Eco-sustainable Production The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

If you’re only buying one piece for the table, it’s got to be one of these. Perfect for salads or pasta, our large splatter bowl looks lovely next to different collections of ceramics on the table. Choose from pink & blue, tan & ivory, and antique green. Diameter: 23cm - Dishwasher safe. Founded by fashion journalist Louise Roe, Sharland England...

A vibrant Italian ceramic dish in a good condition. Abstract pattern. On the back "Italy" and the number 364. Manufacturer unknown.

Luca CL Marked colorful ceramic elephant sculpture Mid-Century Modern Italy 1970. Marked at the Base. CL Luca. Beautifully handcrafted animal sculp...

Set of 5 decorative plates designed by Gio Ponti for Ceramica Franco Pozzi. Fair condition: visible signs of wear, discolorations and some chipping. A restoration is recommended. Label maker...

Bruno Gambone ceramic jug or pitcher with handle in tan or camel glaze including bands of off-white and dark brown. Signed on underside 'GAMBONE ITALY.'

Made in Italy, 1950s. This wonderful piece is made with 25 white glazed ceramic amphoras. It is a vintage piece, therefore it might show slight traces of use, but it can be consider...

ViBi sculpture ceramic, 1950, Italy.

Studio hand made tray from Italy. It has a rectangular shape with rounded corners and a bevelled edge. The base is a lushious gold and it has been hand painted entirely with exotic f...

Limited color edition Squash gold by Maria Sanchez for Memphis-Milano. Brand new item.

From Italy, this majolica apothecary pitcher (orciuolo) is in the manner of the pitcher done by Castelli, circa 1520, housed in the MET Museum NYC,...

Made in Italy, 1950s. This sinuous, dynamic and elegant centerpiece is made in lacquered ceramic that is varnished with iridescent colors. It is a vintage piece, therefore it might s...

Bitossi vase, ceramic, Moorish stripes, brown, chartreuse and orange, signed. Small low vase from Aldo Londi's Moorish Stripes series with chartreuse and orange glaze over coarse bro...

Angelo Mangiarotti Rare Three piece vase for Fratelli Brambilla, Italy 1970s Ref: Domus July 1970.

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

Richard Ginori Giovanni Gariboldi vase ceramic, 1950, Italy.

Monumental Italian 1940s Gold on Green Painted Terracotta Vase

Italian contemporary "Canopo" serie ceramic vase designed and produced by Amaaro. This vase is directly inspired by the Egyptian canopic jars; i...

San Polo Venezia small ceramic feeding bird chicks sculpture. Italy 1950s Fully signed

Maiolica centerpiece Pasquale Antonibon factory Nove di Bassano, Venice, 1740-1770. Measures: 1.85 in x 19.21 in x 15.27 in 4.7 cm X 48.8 cm X 38.8 cm. lb 5.29 (kg 2.4) State of conservation: thin passing fêlure with covered chipping and a glued foot The Antonibon were an important family of Venetian...

A vintage hand-painted ceramic strawberry motif serving platter or relish dish. This serving dish features four wells that will accommodate dips, relishes ...

I offer for sale an extremely decorative and fun element to set your table. Made in Italy by the company between the 70s and 80s, this jar with lid is part of a successful series tha...

Whimsical set of salt & Pepper fishes in porcelain gold and silver finish circa 1990's , made in Italy great table piece of conversation.

Pair of maiolica tureens Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). a – 8.66 x 11.02 x 7.48 in (22 x 28 x 19...

Cream white glazed ceramic cat made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

Made in Italy, 1970s - 1980s. This piece is made in glazed ceramic. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as in excellent or...

Charming, unusual bowl depicts a donkey wearing pink baseball hat and pulling a cart. The piece features elaborate decor on the cart with applied wheels and decorative rims; the donk...

Large vintage green Italian ceramic ashtray designed by Studio O.P.I. for Gabbianelli Ceramiche, made in Milan, Italy, circa 1970. Rare find in original box - new old stock item.

Striking ceramic Sun Head sculpture designed by Aldo Londi for Bitossi Ceramiche in the 1970s, part of the iconic Rimini Blu collection. Executed in glazed ceramic, this sculptural ...

Italian Ceramic Flower or Plant Holder Planter Cachepot with Dragonfly Design. Has serial number F0428 Costa Italy on base. Crafted from high-qu...