Italian Ceramics

Mid-Century Modern - Hand-painted Ceramic Vase - Collectible Design Elegant and timeless Mid-Century Modern vase in Ceramic, handmade and hand-painted. This postmodern vase, whose s...

Sculptural ceramic jug vase designed by Roberto Rigon and produced by Bertoncello, Italy, 1970's. Ceramic in matte white grainy glaze.

"Lapis Lazuli" is one of the teapots from "The Indian Memory" collection designed by Ettore Sottsass in 1987 and now reissued by Alessio Sarri. All pieces in the collection are signe...

Stylized cat sculpture in polychrome ceramic firm. San Polo Venezia.

Vintage glass in good original condition. The vase looks like it has just been taken out of the box. Only one unique piece.

The bucolic flair imbuing this set in white-glazed ceramic is ennobled by the striking artistic sensibility of Patrizia Italiano, who deftly handcrafts and paints in green and black ...

A beautiful pumpkin shaped bowl with lid crowned by a brass handle by Ceramiche Batignani from the 1950's. This handmade bowl is in perfect condition.

Cantagalli Armorial Vase, Ulisse Cantagalli (1839-1901) During the 19th century Renaissance-Revival period the Cantagalli Maiolica and Ceramic Fac...

This striking sculpture is part of the Anatomica series by Vito Nesta, featuring decorative objects with simple and essential anatomical shapes characterized by bold, contrasting col...

Blue vase in amazing organic shape. Produced in 1960s. Glass in good condition. All defects shown on a pictures. The outer relief surface, the inner smooth. Thick glass vase. The ir...

Glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.

Limited edition Elgin ceramic statuette entirely realized in ceramic from the 12 Columns series designed by Alessandro Mendini for Superego, 2008. Black...

Painted ceramic vase Memphis Milano, Ilios by Luciano Florio Paccagnella, yellow color. He was an important member of the group when he created his series of unique handmade vases. ...

Vase with stand by Giorgio Spertini, SCI Laveno Italy, 1900-1908 Perfect condiction.

Vintage oval Trompe L'oeil platter with eggplant, squash & green beans on a white background. This very fine piece stands on it's own & would be a great addition to your collection.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. A lovely and refined set of four fine ceramic ashtrays in the shape of a shell; they were hand-molded, then fired in the kiln a first time, then on the white majolica the inner decoration was done with a delicate shaded blue color at this point the objects underwent a second firing, the outer part was then decorated and finally, the ashtrays were fired a third time to finally fix the colors thus creating four small works of art. The ashtrays were made between 1936 and 1938 by the firm Ceramiche Artistiche Rometti and bear the signature of the company itself on the bottom. Ceramiche Rometti...

Italian Neoclassical style white glazed Ceramic urn. This classic Tuscan vase is a refined decorative complement to both traditional and contemporary inter...

This elegant centerpiece in white clay features a base in dark grey supporting a conic body made of concentric steps that are finished in red on the outside and in vivid matte green ...

Rare pair of table or bedside lamps, ceramic, height 40 cm. Off-white enamelled ceramic, of Italian origin, signature to be identified. Mounted with a raffia lampshade (recent prod...

Rina Menardi handmade ceramic small shell bowl in shaded water. Can be ordered in many colors and sizes. Made to order. Shipping from Europe not included.  

New and made in Italy by Rina Menardi, this bouquet vase stands 10” tall. This finely crafted pottery has a saturated, matte teal green glaze inside and out, thin walls, and a sculpt...

In the past, this pair of beautiful ceramics carafes, was utilized in a Pharmacy to contain erbs and spices infusions. The carafes shows all signs of the time, but they remain a pai...

Maiolica chargers are large, decorative ceramic plates that are part of the broader tradition of Maiolica pottery, a type of tin-glazed earthenware produced in Italy since the Renais...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass. Medium size 7x25cm. .

An original work of art by famed Italian mid century makers, Del Campo. Signed. A beautiful vibrant blue. Signed Biography: Biography: Studio Del Campo in Turin, Italy (1957-1998), was a collaborative name shared by craftsmen-artists Virgilio Bari...

Made in Italy vase in Baltic blue matt color, this pottery peace was designed by Andrea Anastasio at the historical Bottega Cercamica Gatti 1928 in Faenza, Italy, specialized on creating ceramic art, that goes perfect for people passionate on home decor. Year of production: 2020. Made in cast with liquid clay and airbrush, painted with engobes. From Bottega Gatti's portfolio it has being selected a collection of vases, bowls and candlesticks from early '50, specially interesting for their soft shapes and their matt enamels that evokes the "Nature Morte" of Morandi. These pieces can make any room pop in color and design, such as for a lovely dining table decor...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). METHOD OF USE Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. ECO-SUSTAINABLE PRODUCTION The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

This striking sculpture is part of the Anatomica series by Vito Nesta, featuring decorative objects with simple and essential anatomical shapes characterized by bold, contrasting col...

Fornasetti.

Life size Shepherd in very good vintage condition made in Italy 1950s.

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.

A trio of large size minstrels by Otello Rosa for San Polo of Venezia. They are in wonderful condition. They are 24 inches tall.

REDUCED FROM $300....Modernist depiction of a Fisherman and His Catch on this 1960s colorful Italian Ceramic Wall plaque.  A combination of...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.

Alvino Bagni for Bitossi designed this pair of outstanding rare vintage black Italian ceramics in the 60's for Good Friends which was an American importer and often commissioned Bito...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Vintage glass in good original condition. The vase looks like it has just been taken out of the box. Only one unique piece.

Glazed ceramic vase, Italy, early 20th century. Signed Faenza Di Napoli.

Maiolica tureen “allo struzzo” (ostrich decoration) Milan, Felice Clerici or Pasquale Rubati factory, circa 1750-1780 Measures: 9.25 in x 12.79 in x 10.23 in (cm 23.5 x cm 32.5 x cm 26) lb 4.78 (kg 2.17) State of conservation, a felûre consolidated inside with slight edge chipping restored. In Milan in the 18th century two Majolica warehouses were opened, the first, by Felice Clerici, in 1745, the second in 1756 by Pasquale Rubati. Traditionally this type of decoration has been attributed to the Pasquale Rubati factory. In reality the motif “allo struzzo”, one of the clearest examples of how the taste for chinoiserie met with considerable success during the 18th century, had been produced, in specimens of greater or lesser quality, by both Milanese manufactories. This Maiolica tureen has a swollen and ribbed oval bowl, rests on an extroflexed foot and shows stirrup handles. The tri-color ornament, in the typical tones of Japanese "Imari" decorations, shows an idealized oriental landscape that develops around a perforated rock and has a willow tree with long lance-shaped leaves framing the long-legged bird figure. The ornamentation is enhanced by decorative elements such as butterflies, small florets and a vase with a thin flowery stem. The lid is ribbed with a pear-shaped knob on top. The decoration was called in the Milanese manufactories "allo struzzo" (ostrich decoration) and this refers to the oriental figure Xian He or the crane, symbol of longevity, here losing its symbolic value. It is hypothesized that among some 16th century engravings...

Beautiful vase made from Murano glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Venetian glass (...

Made in Italy thin neck vase in brown matt color, this pottery peace was designed by Andrea Anastasio at the historical Bottega Cercamica Gatti 1928 in Faenza, Italy, specialized on creating ceramic art, that goes perfect for people passionate on home decor. Year of production: 2020. Made in cast with liquid clay and airbrush , painted with engobes. From Bottega Gatti's portfolio it has being selected a collection of vases, bowls and candlesticks from early '50, specially interesting for their soft shapes and their matt enamels that evokes the "Nature Morte" of Morandi. These pieces can make any room pop in color and design, such as for a lovely dining table decor...

ceramic vase by Marcello Fantoni, 1960's Italy

A large pharaoh's head, reminiscent of Tutankhamun, made by Zaccagnini in the 50's and signed on the base. The brilliant turquoise glaze is luminous with great depth. In exceptional ...

Monumental Vittoria Mazzotti, Albisola iridescent vase. Signed V. Mazzotti, Albisola.

Andrea D'Arienzo ceramic vase, Vietri, Italy 1950s.

Ceramic, midcentury pitcher from Italy, circa 1950. The color is red, white and black. Good condition.

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

Fratelli Brambilla coffee set in white ceramic, Italy 1965 Impressed stamp.

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

Stunning polychrome enameled ceramic vase designed and signed on the bottom by Claudio Pulli, one of the greated Sardinian artists of the 20th century. This charming vase was realize...

Vintage - Retro Jar Ceramic Very Good Condition Please don't hesitate to get in touch with any further questions.?? With best wishes, Geert?      

Vintage glass in good original condition. The vases looks like it has just been taken out of the box. Only one unique pieces. Crystal glass.

Large scale stoneware bottle form sculpture/vase with incised line decoration to front and back faces. Off-white matte glaze with brown lip. Artist signed at base.

Set of 4 small jars with lid for pharmacy-herbalist's shop in white ceramic with cobalt blue inscriptions, to contain Juniper, Willow, Gentian, Brown seaweed of neoclassical taste wi...

This charming Sicilian ceramic vase features a delightful pink floral design, crafted using an antique crackle technique that adds character and depth ...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.  

If you’re only buying one piece for the table, it’s got to be one of these. Perfect for salads or pasta, our large splatter bowl looks lovely next to different collections of ceramic...

Aldo Londi for Bitossi Vase, Ceramic, Orange, Brown, Signed. Small ball form vase with orange glazed body and raw clay collar. Signed on underside of base: 4208 B Italy.

1970’s Italian ceramic planter. Glazed yellow and white. Retains hand made in Italy label. Measurements: 14” diameter 18” high.