18th Century and Earlier Ceramics

Very rare and beautiful Spanish earthenware bowl. Wonderful decoration with a bird sitting on a vase of flowers Sevilla, Spain, circa 1750-1850 Weathered and amazing antique repair ...

These are Four Delft ceramic wall tiles mounted on a modern wood frame, all with a blue and white hand painted flower pattern, made in the Netherlands during the 17th century, circa ...

This is a very good Chinese porcelain large plate, made for the export (Canton) market, during the middle of the 18th century, Qing-Qianl...

Kangxi period, 1662-1722, blue & white porcelain plate, Chinese. Molded body with lotus petal reserves. The 8-flute molded sides surround a reserve of flowering plants growing from a...

This is a very beautifully hand painted Chinese Imari porcelain very large Dish or Plate / Platter from the Qing, Kangxi period, 1662-1722, dating to Circa 1710. Very large diameter...

Circular baluster form with later copper liners. With central vignette with blue foliage decoration. Wrought iron bases. Note: Talavera Poblana is a historic artisanal, tin glazed ea...

Pearlware Wedgwood Creamware pottery Orange or Chestnut basket ,cover and stand. Very wall decorated in a underglaze blue Mared design. The basket and stand impressed under base "we...

Set of Spanish tiles of the 'dos por tabla/ type in the Arista y cuenca tile made in Toledo. This particular type was to adorn ceilings. Tile decorated in renaissance with stylized ...

Chinese Export Famille Rose 'Precious Objects' Porcelain Dish, Qianlong Period, Circa 1765-1775 This superb oval dish is a quintessential example of Chinese Export porcelain create...

Sharing with you this very nice example of 18th century Mandarin ware. Dating to around 1740. Absolutely top quality scene of the emperor and Falcon Hunt. The pictures show a round...

This Jug has a great old Patina. It is from France made in the 18th Century. The material is Pottery and the condtion is Fair. the decor is "fleur de Lys".

A dark brown-glazed pearlware bough pot with pierced cover and applied decoration, made by Wedgwood circa 1785. The development of a whiteware body had been a goal of ceramicists ac...

Early Arista y Cuenca tile, most likely made in Sevilla. Azulejo tile decorated with a gemetric pattern with 4 central leafs within a cirlce. Mid 16th century In very good conditi...

Chinese export porcelain service spectacularly decorated with a smart coral scale ground with panels of puce flowers. The service com...

An Italian Baroque Castelli albarllo, also known as a pharmacy or drug jar. It held 'Benedict Laxat' listed as far back as Aristotle as a medication used in by midwives. Beautifully decorated with buildings in landscapes in the free, almost impressionistic style typical of Castelli Maiolica...

Pair of Chinese Jun ware bowls, Yuan dynasty (circa 1250-1400): Large Jun Yao, purple splashed stone ware bowl Yuan Dynasty, China. Well potted, on a neatly cu...

A large and magnificent Chinese famille verte enameled porcelain large dish or charger, Qing Dynasty, Kangxi Period (1662 - 1722), circa 1700, China. The shallow, shaped dish of fo...

Large & Very Fine Chinese Export Punch Bowl, with Painted & Gilt decoration in the Mandarin palette. Jingdezhen region, China ca. 1780.

Superb Rouen wyvern platter ("à la Guivre"), 18th century France. Exquisite and rare museum quality piece. Decorations of a parrot carrying a branch, butterflies, an aquatic landscape and an Asian wyvern dragon. These dragons are different from those found in European fairy tales and films. In China, they're in the arts, zodiac signs and festivals ("Dragon Dance" at Chinese New Year). They embody power, perseverance... Linked to the sky and water, they have meteorological powers, such as making it rain. So they often live in tumultuous rivers, at the bottom of oceans... hence the lake over which this dragon "flies". What's more, this earthenware dragon...

Rare early 16th century Mudejar tile of the so-called ‘Aristo’ or 'cuerda secca' technique Geometric design with a central intertwining cords. Very ornate decoration. This type of...

An Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...

Extremely Rare Islamic Safavid Blue and White Large Dish Persian 16th Century. This Safavid fritware dish is painted under the glaze in black and coba...

Rare Rouen plate with beautiful blue decoration. France, circa 1750 Good condition.

These are Four Delft ceramic wall tiles mounted on a modern wood frame, all with a blue and white hand painted flower pattern, made in the Netherlands during the 17th century, circa ...

A very good pair of antique 17th century Spanish blue & white pottery albarelli or apothecary jars, circa 1680. From the 15th century onward cylindrical drug jars like this were used...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

A German Meissen yellow porcelain candy bowl with a figural knob. The exterior of the bowl is delicately adorned with oval shaped medallions with images of bouquets of flowers, geome...

This set of six plates, crafted by John Turner around 1795, features the exquisite Imari color palette of iron red, cobalt blue, and radiant gold. The color combination creates a vib...

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ technique with intricate geometric decoration. Good condition; some chipping to the edges, some wear to ...

Antique Savona Ceramic Albarello, 18th Century Beautiful polychrome painted majolica tree, cylindrical body with rounded shoulders from which rises a sma...

A wonderful set of four antique Dutch ‘Delft’ style manganese tiles hand decorated with biblical scenes probably originating from Rotterdam and dating f...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 266 cm x 280 cm Important note: This panel is with the tiles restored 18th ce...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 252 cm x 294 cm Important note: This panel is with the tiles restored 18th ce...

This is a very old interesting Chinese stoneware Longquan Celadon bowl or plate with incised decoration, which we date to the Yuan Dynasty, circa 1300. The bowl is well potted on a low foot.  The bowl is an olive green colour having a celadon glaze with incised decoration to its centre of what looks like a flower stem and additionally three incised string lines to the outer wall. Unglazed parts fire to a terracotta brown colour as with the base section The piece is unmarked but for similar pieces see the superb book: Chinese Ceramics by He Li published by Thames & Hudson, 1996; pages 164 to 184. NOTES Longquan is a city in South west China. These wares were produced over a long time period from 959 to 1550; which covers the Northern Song, Southern Song...

Spanish Arista Tile Fragment, Toledo, mid-16th Century (c. 1550–1575) This tin-glazed earthenware tile fragment originates from Toledo, Spain, dated to circa 1550–1575. The ceramic ...

18th Century polychrome Delft oil and vinegar stand in Imari flower decorations.

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ or 'cuerda seca' technique. The central motif is an eight-pointed star, which in turn encloses smaller on...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Saint Antony " Measures: 266 cm x 168 cm Important note: This panel is with the tiles restored 18th c...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A lovely 18th century Nevers earthenware plate featuring a charming country home, smoke billowing out of the fireplace, trees nestled around.

A fine example of a German Baroque tobacco jar with original pewter lid. The rich ocher salt glaze decorated with raised floral motifs. A handsome addition for the collector of pipes...

This is a hand-painted Chinese Export Kraak porcelain blue and white Side Plate or Dish, which we date to the Ming, Wanli period,( 1573-1620 ), datin...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

This is a hand painted Chinese export bowl from the late 18th century, Qing dynasty, Qianlong period, 1736-1795. We date this piece to...

Ancient rare Kashan lustre bowl 12th century Islamic pottery art. This beautifully decorated and well cared for lustre bowl is one of the few examples still in existence. It was made in Kashan in the 12th-early 13th century, Seljuk- Atabeg period. Kashan was an important center for the production of high quality pottery and tiles. Lustre ware was among the most innovative development of Kashan potters, who mixed silver sulfides and copper oxides to create a shiny copper toned metallic sheen on the surface of glazed earthenware bowls, plates and vessels. It was an expensive and unpredictable lustre technique. Kashan lustreware pottery can be found in the collections of the British Museum and the Hermitage Museum. Literature: O. Pancaroglu. Perpetual Glory. Medieval Islamic Ceramics...

A stylish pair antique South Italian Sicilian maiolica pottery shoe shaped flask dating from the 18th century. The handmade earthenware flask is modelled as a healed shoe in a clog f...

A small black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot with the stirrup handle was sensitively molded and the surface burnished. The seated figure has his arms folded in front of his chest. He has prominently protruding ears and an expressive face. Provenance Available to the buyer: From an American collection. For a black burnished stirrup bottle, see item 1976.287.8, 64.228.35 in the collection of Metropolitan Musuem of Art, NYC. Many black portrait stirrup bottles are in the collection of Larco Musuem, Lima...

This is a rare first period (or Dr. Wall) Worcester Coffee Cup, with a distinctive hand painted pattern, made of porcelain and dating to the 18th century, circa 1770. The cup is well potted with a grooved loop handle This delightful early Worcester Cup...

Cerámica esmaltada con decoración de reflejo metálico Se trata de una cerámica esmaltada, es decir, con un baño de esmalte blanco, muy puro en los mejores ejemplos, que se cuece en ...

A lovely 18th century Nevers earthenware plate featuring Revolutionary decoration of the Three Orders surmounted by a crown and the inscription "Union Force".

A very attractive group of four 18th century Chinese export porcelain botanical plates apparently made for the French market, circa 1775. Each plate having a scalloped rim banded wit...

This is a hand-painted Chinese Export Kraak porcelain blue and white Side Plate or Dish, which we date to the Ming, Wanli period,( 1573-1620 ), datin...

Antique 18th century Chinese plate.

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, 1662-1722. The plate is finely potted with a carefully cut base rim and a lovely rich...

A rare and unusual Chinese Qianlong porcelain plate hand decorated in puce with a floral border and with small insects around a central floral design. The plate has a stained rim and has various paper labels to the base establishing its provenance. Provenance: from the Helen Espir collection of fine Chinese porcelain and originally supplied by renowned London Asian art dealers...

The upturn rim with four cartouches depicting birds on branches alternating with floral decoration the center with figures in a outdoor garden.

This is a fine quality Derby porcelain bowl in pattern number 110, fully marked with puce crown & batons and dating to 1790, George 111rd period. The puce coloured mark on this bow...

Set of 4 early Arista y cuenca tiles made in Toledo. Tile decorated in renaissance with stylized flowers, probably made between 1550 and 1575. condition: 3 are in very good conditi...

Glazed ceramics with lustre-painted decoration This is glazed ware, i.e. it is glazed with a white enamel bath, very pure in the best examples, which is f...

18th Century Spanish Glazed ceramic tile from Triana in Blue and White of a Hand-Painted Horse.