Name: Interesting Late 19th Century Italian Capodimonte Porcelain Vase and Pedestal
Brand: Capodimonte
Rating: 5 (12 reviews)

Interesting Late 19th Century Italian Capodimonte Porcelain Vase and Pedestal

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About the Item

A large and interesting late 19th century gilt bronze and Italian Capodimonte porcelain vase and pedestal. The vase with many different figures playing and holding instruments and weapons, centred around a flame, the top painted with vines, leaves and berries, the handles with swan heads. The pedestal with a central Bacchanalian frieze with swags of birds, flowers and bows above cherubs dancing and playing. Capodimonte porcelain was established in Naples, Italy in 1743. Famous for delicate capodimonte figurines and decorative modeled flowers on cups and vases, they were a direct simulation of Meissen Porcelain. The factory that produced Capodimonte porcelain, The Royal Factory, was created by King Charles VII of Naples after marrying Maria Amelia of Saxony, whose grandfather founded the Meissen factory. King Charles VII was an avid supporter of the arts, and very excited and enthusiastic about bringing the art of porcelain making to Italy. At the time, the methods and ingredients of porcelain production in his wife's native country were kept secret. Because of this, Charles employed chemists to invent a formula that could compare with the porcelain being produced in China. The Capodimonte factory was inspired by Charles' son Ferdinand and his love of the outdoors, creating many Capodimonte figurines that portrayed him and his friends taking part in various outdoor activities during the late 18th and early 19th centuries. The factory had to close its doors in 1817. However, the Capodimonte factory artisans opened many shops throughout Italy selling capodimonte lamps and vases, thus keeping the art of porcelain making in the area alive and well.

Creator:
Capodimonte (Manufacturer)
Dimensions:
Height: 70.5 in (179.07 cm)Width: 14 in (35.56 cm)Depth: 13 in (33.02 cm)
Sold As:
Set of 2
Style:
Belle Époque (Of the Period)
Materials and Techniques:
Bronze,Porcelain,Gilt,Hand-Painted
Place of Origin:
Italy
Period:
Late 19th Century
Date of Manufacture:
circa 1880
Condition:
Wear consistent with age and use.
Seller Location:
Long Island City, NY
Reference Number:
Seller: 81681stDibs: LU905613681291

Shop All Capodimonte

Capodimonte

If success is measured by lasting name recognition, Capodimonte porcelain would seem to be in the same league as such makers as Meissen, Sèvres and Wedgwood. Early examples of Capodimonte lamps — as well as the Italian manufacturer’s celebrated porcelain vases, figurines and sculptures — can be hard to come by, but the best later pieces possess the same over-the-top charm.

The Real Fabbrica (“royal factory”) di Capodimonte hasn’t actually produced porcelain since the early 19th century, when Charles’s son Ferdinand sold it. Although secondary manufacturers have built upon the aesthetic and kept the name alive, some connoisseurs of the royal product feel these pieces should be labeled “in the style of” Capodimonte.

The timeline of royal Capodimonte porcelain is decidedly brief. From beginning to end, its manufacture lasted approximately 75 years. King Charles VII of Naples, who founded the manufactory in 1743, began experimenting with porcelain around 1738, the year he married Maria Amalia of Saxony. No coincidence there. His new bride was the granddaughter of Augustus the Strong, Elector of Saxony and founder of Meissen, the first European hard-paste porcelain manufactory. Her dowry included 17 Meissen table services.

Struck by porcelain fever, Charles built a dedicated facility on top of a hill (capo di monte) overlooking Naples. He financed expeditions to search for the right clay. He hired chemists and artisans to experiment. His earliest successes were small white snuffboxes and vases, although efforts soon progressed to full sets of tableware, decorative objects and stylized figurines of peasants and theatrical personalities.

In 1759, Charles succeeded to the throne of Spain. He moved the manufactory with him — including 40 workers and 4 tons of clay — and continued operations in Madrid. Twelve years later, his son Ferdinand IV, who inherited the throne of Naples, built a new factory there that became known for distinctly rococo designs.

The Napoleonic wars interrupted production, and around 1807, oversight of the royal factories was transferred to a franchisee named Giovanni Poulard-Prad.

Beginning in the mid-18th century, porcelain made by Charles’s factory was stamped with a fleur-de-lis, usually in underglaze blue. Pieces from Ferdinand’s were stamped with a Neapolitan N topped by a crown. When secondary manufacturers began production, they retained this mark, in multiple variations. The value of these later 19th- and 20th-century pieces is determined by the quality, not the Capodimonte porcelain marks.

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