British Pottery

Staffordshire Pearlware model of a stag seated on a waisted green-washed rectangular base. From the collection of Peggy and David Rockefeller. Circa ...

A small 15cm., 6" high biomorphic two-tone wooden sculpture of a father and mother in a seated pose holding a child. The sculptor has selected a piece of walnut with both heartwood a...

A classic Greatbatch teapot, with ear-shaped handle, double-flower finial, and “Aurora, Goddes of the Dawn” decoration. Prov: Kantar Collection.  

Regina Heinz B. 1957 SUNRISE 1998 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Striking, sculptural ceramic piece Technically complex to make a piece of this form The delicate, slender neck and thin, pie crust top seemingly float and balance with the circular...

Tin-glazed earthenware, decorated with a woman in a landscape. Known as a monument plate, after the monument surmounted by a vase. Prov: Troy Chappell c...

A brightly coloured majolica sweetmeat dish in the form of a bucolic young man leaning on a basket. Minton majolica is a type of ceramic ware that was produced by the Minton pottery in the 19th century. It was created in response to the growing popularity of Italian Renaissance maiolica...

Regina Heinz B. 1957 WINDOW 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

Two nice sized beautifully decorated flowerpots having yellow, raspberry, and green against a very pale grey background with happy stylized tulips adorning them. Stamped Made in Engl...

Tricolour portrait medallion of the last Maîtresse-en-titre (official mistress) of Louis XV. Produced by Bert Bentley from the 18th century model, with his usual excellent detail...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

A large pair of stone garden urns in a scalloped bowl shape. This pair have a natural patina and look amazing with or without plants. These u...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

Tin glazed earthenware (Delftware) dish, in an unusual shape; elaborately and skillfully painted with a man coursing a stag. Probably London; perhaps Bristol. Probably the salver for a large ewer. English Delftware is considered to be one of the most important forms of English ceramic production of the period, and it had a major influence on the development of the British ceramics...

A charming, small jug in salt-glazed earthenware. Plain: just the way we like it.  

An ink well, mode according to Wedgwood's patent, which stopped the ink from evaporating. Made in black basalt, with a form of decoration known as 'Chinese Flowers...

An ironstone green ground vase with with cover topped by a lion finial with floral decoration and gilding.

Two handled vase in creamware, with moonstone glaze and platinum lustre decoration. Designed by Louise Powell for the bicentenary of Wedgwood’s birth. ...

A salt-glaze plate, probably made about the time of Frederick the Great's successes in the Seven Years War and his convention with England in 1756 against France and her Allies.  ...

Pair of Staffordshire Pearlware models of a stag and hind, each spotted deer modeled recumbent on a grassy mound. From the collection of Peggy and David Rockefeller...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentary colour to the body of each piece. CUSTHOM studio has developed the forms over several years, resulting in a 5 piece breakfast set , paying attention to the small details, exploring the form and investing time in the materials they choose to make with. Jemma Ooi, co-founder at CUSTHOM, comments: “We want these pieces to be enjoyed, shared, loved, gifted and cherished. To hold your favourite flavours, to encourage traditions, or to be the starting point to newly formed rituals and simple pleasures.” The range includes a milk jug, large jug, cup, plate and bowl which can be purchased alone or in sets. COUNTER is a continuation of the tableware ranges that CUSTHOM have been designing over the past few years which make the most of bold graphic lines in a way that is a statement on your table yet subtle enough to compliment each piece and their edible contents. Additional Info Size – 5cmW x 5cmD x 7cmH Composition – Handpainted rim onto stoneware clay body. Made in small batches in London, England Product Care • Stoneware should only be hand washed. • When storing do not stack. With plates, try not to slide them over one another as this may cause tiny scratches in the glaze. We recommend a paper napkin...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...