British Pottery

Hicks & Meigh Ironstone Armorial Sauce Tureens, 41st Regiment of Foot, Pair Description: This pair of English ironstone sauce tureens, each with its original cover and matching two-...

This is a very good teapot stand made by Mason's Ironstone when they were owned by Ashworth Brothers in the 19th century, circa 1880 Teapot stand...

George Jones Majolica 'Apple Blossom' Teapot, the pear-shaped teapot and lid molded with blooming apple tree limbs, with a mossy branch handle and spout, with basketweave banding, th...

A charming Prattware pottery model of a standing horse, attributed to the St. Anthony's Pottery, Newcastle upon Tyne, circa 1800–1820. The horse is b...

English Pearlware Pottery Large Blue Slip Jug, Dated 1787, Possibly Leeds. The large English pottery light blue slip jug is painted with gold detailing with a date of 1787 below the...

An English majolica Leaf and Dandelion floral bowl by Joseph Holdcroft, Circa 1870. Designed in the Aesthetic taste, four overlapping leaves, glazed in the colors of Autumn, are centered on a deep powder blue ground of raised Dandelion blooms with pink centers. The verso is glazed in a solid turquoise. Joseph Holdcroft held several patents for the production of earthenware. He was employed by Minton where he became proficient in the manufacture of majolica. Holdcroft established the Sunderland...

English Creamware Engine-Turned Mug, Blue Slip & Green Rouletted Bands, 1815 This cylindrical pint mug is decorated entirely on the lathe, its white creamware body cut with four bro...

Royal Doulton Pastille Pottery Bastiile Burner Tudor Watermill and Cottage Burslem, 1920s-30s The Royal Doulton pottery pastiile burner is modeled as a Tudor watermill and cotta...

Signed on bottom, with a illegible Poole Mark and incised numerals. Designed by John Adams Featured in the 1923 Decorative Art Yearbook.

Set of three antique Victorian blue and white jugs by the prestigious Samuel Alcock having shaped tops and handles decorated with trees and gentlemen riding camels in the desert. ...

Purple Bloom: Hand-Painted English Pearlware Botanical Plates Object: Pair of Hand-Painted Dinner/Dessert Plates Origin: English Potteries (Staffords...

An unusual 19th century antique Staffordshire cottage with lovely colorful decoration. It is in perfect condition.   

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An unusual and very rare pair Royal Doulton novelty figural bookends modeled as musicians dating from around 1920. The ceramic bookends portray two novelty figures of men dressed in oversized clothing...

"Clouded Perfection": 18th Century English Creamware Whieldon-type Tea Bowl & Saucer A superb example of mid-18th century English pottery, this Creamware Tea Bowl and Saucer displays the distinctive "clouded" or "tortoiseshell" glazing technique associated with Thomas Whieldon and his contemporaries in Staffordshire and Yorkshire. The set features a refined cream-colored earthenware body, decorated with sponged or applied metal oxides—specifically manganese for rich browns and copper for vibrant green splashes—creating a marbled, organic surface pattern. A defining feature of this particular model is the delicate band of molded pearl beading (relief dots) that encircles the exterior rim of the cup and frames the central well of the saucer, adding a tactile and geometric contrast to the fluid glaze. Provenance: Jonathan Horne...

Frederick Alfred Rhead for Foley Art Pottery. Small pin tray and pot. Rhead was employed in 1896, as the Arts Director. Rhead was already an importan...

Two nice sized beautifully decorated flowerpots having yellow, raspberry, and green against a very pale grey background with happy stylized tulips adorning them. Stamped Made in Engl...

Gilded Botany: A Pair of Neale Creamware Oval Dishes Circa 1785-90 This elegant pair of English Creamware oval serving dishes is attributed to the renowned Neale & Co. (or Neale & W...

A Royal Doulton Lambeth. Gothic Revival. A comical Jug depicting a monk in three scenes eating his dinner and getting rather drunk The first sce...

Circa 1880s pair of majolica begonia leaf sweetmeat dishes, English. Scalloped cobalt bordered. Each decorated with a single green with brown leaf fading into pink. Each retains the ...

A fine antique miniature Moorcroft pottery vase. In the Pomegranate pattern. With a mottled yellow ground and polychrome decoration throughout. Likely made for and retailed by Liberty & Co. ca. 1910-1911. Marked to the base with an impressed M, 53, and a William Moorcroft signature. Simply a wonderful and rare Moorcroft miniature...

A rare Martin Brothers miniature stoneware art pottery vase decorated in brown glazes by Walter Martin and believed to date from the 19th century. This lovely little vase is of rounded bulbous with a narrow rounded foot and a funnel shaped neck with rounded opening. The vase is decorated in brown glazes with a slight textured finish in places with an exposed underlying white glaze revealed around the foot and top rim. The vase is marked partially indistinctly with a W M mark to the base. The vase is offered in good condition. Provenance: acquired from an extensive private Martin Brothers pottery collection. From the private collection of a Belgium based gentleman British Art Pottery...

English Creamware "Tortoiseshell" Glaze Tea Caddy with French Silver Cover, Circa 1770 A fine 18th-century English creamware tea caddy (or canister), produced in Staffordshire circa...

Pair of Early 19th c Wedgwood Pearlware Prunus Pattern 8" Plates. With impressed 'WEDGWOOD' mark on the base and the number '10'. This is a hard to find pattern. Trent Antiques has ...

The most exceptional aspect of this pair of dishes is the fabulous gilding lavished over the cobalt borders. As a less prominent feature, the gilding carries throughout the decoratio...

Ascending to Glory: A Monumental Liverpool Creamware Jug Celebrating Washington's Apotheosis Historical Context: From Man to Myth George Washington's...

Whieldon-Type Creamware Grey Tortoiseshell Octagonal Plate Circa 1765–1775 This octagonal creamware plate is glazed, front and back, in a softly mottled grey tortoiseshell glaze, th...

Wedgwood Creamware Soup Plate, Ship with Imperial Double Eagle Flag, Circa 1775–1790 The Wedgwood Queen’s ware soup plate, of the “Royal” shape with a lobed rim, is transfer-printed...

English Redware Engine-Turned Stoneware Coffee Pot and Cover Staffordshire Circa 1765 This handsome Staffordshire red stoneware coffee pot and cover stands at the threshold of the N...

A Pinch of Regency Panache: The Banded Mocha Pepper Pot This charming English pottery pepper pot, dating to circa 1810, exemplifies the vibrant and functional aesthetic of early 19t...

Shorthose & Heath English Creamware Basin, Yellow Wave Border, Georgian, Large Hanley, Staffordshire, circa 1795–1815 At seventeen inches across, this creamware basin makes the cas...

A fine blue transfer Staffordshire pottery trivet. In the Ostrich Hunt pattern. An exceedingly rare form. Simply a wonderful trivet! Date: 1...

Wardle & Co An English Arts & Crafts Stuart Vase Depicting a Medieval Maiden playing a Lute    

Art Pottery Spatterware Vase by Sheila Fournier, England, 20th Century. Hand-crafted vase with applied spatterware design, signed on bottom, 'SF'. Shei...

A late 18th or early 19th century English Prattware baby's cradle in a rare large size. Decorated with an overall basket weave pattern and a yello...

Wedgwood Majolica plate which features pheasants amongst foliage. Coloration: green, blue, ochre, are predominant. The piece bears maker's mark...

19th century portrait bust of William Shakespeare, Vividly painted, a striking portrait of the English playwright, poet, and actor. Raised on a pedestal base with a neoclassical urn....

Royal Worcester Majolica posy holder which features a dolphin supporting a shell on it's tail. Colouration: green, cream, red, are predominant. The piece b...

Antique English terracotta recumbent pug dog, realistically modeled and subtly polychromed. Rare form.

An English pottery container from the 19th century, with hat box shape and "solid leather" depicted on the top. Created in England during the reign of Queen Victoria, this pottery co...

Antique English Copeland & Garrett (Late Spode) Oriental Ironstone Ewer C.1840 Copeland and Garrett operated from 1833-1847 in Stoke-on-Trent, England. In good overall condition: O...

Vintage Royal Doulton hand painted china side plate featuring an Asian pagoda landscape motif. Richly detailed and beautifully executed, this decorative plate showcases the quality a...

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Ironstone dish and cover in Indian Tree pattern. Circa 1860

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A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

Two Phil Rogers (1951 - 2020) Yunomi. Artist's impressed stamp marks 'PR'. One wood fired Yunomi with wax resist impressed pattern and ash glaze drip interior. The second, a salt gl...

English antique pear and apple pottery fruit. The pear was slotted to be a child's bank, while the two apples were meant for decoration. The red ware pieces w...

Exceptional unique marked / signed masterwork artisan hand carved art pottery by British ceramic / clay / stoneware master-craft artist Maggie Barnes, circa 1987. This piece represen...

A fine heavy brown salt glazed jug with embossed decorative bands with linear swags and rosettes around the shoulder. A small top opening and handle with pinched end for the thumb wh...

Lambeth Stoneware; The Woolley Collection, including Doulton Ware and products of other British Potteries, by Rhoda Edwards. London Borough of Lambet...

This vibrant jade-green Wedgwood vase, designed by renowned Art Deco artist Keith Murray, beautifully exemplifies streamlined elegance. Its clean, smoothly tapered lines and restrain...

Takeshi Yasuda is a Japanese potter who was born in Tokyo, Japan in 1943. Yasuda trained at the Daisei-Kiln in Mashiko from 1963 to 1966 and established...

19th century English spirit barrel made of stoneware with alkaline glaze. Features relief designs on both sides of lions and knights on horses.      

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A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, t...

A small 12.5cm., 5" high biomorphic pottery sculpture of a mother in a reclining pose holding two children. brown glaze. The bottom stamped 'art pot...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Large 19th century antique stoneware pottery keg barrel cask whiskey and rum bar liquor dispensers with brass spigots. Brass spouts are 2 inches long,...