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21st Century and Contemporary Ceramics

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Period: 21st Century and Contemporary
Sheep Moneybox Pop Art, Set of 2 Pieces, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

White glazed ceramic mural sculpture by Patrick Crulis, 2025.
Located in Saint-Ouen, FR
White glazed ceramic mural sculpture by Patrick Crulis. 2025. Unique piece. H : 21.6 x 15.7 x 5.9 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Black glazed ceramic mural sculpture by Patrick Crulis, 2024
Located in Saint-Ouen, FR
Black glazed ceramic mural sculpture by Patrick Crulis. 2024. Unique piece. H : 20.1 x 18.5 x 15.3 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture, « La vie du grand Heaume » by Pierre Martinon
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « La vie du grand Heaume » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2023. H : 24.4 x 12.6 x 9 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture « Rondeurs et taches de rousseur » by P Martinon
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « Rondeurs et taches de rousseur » by Pierre Martinon. Signed at the base « Martinon ». Unique piece. 2023. H : 13.4’ x 11 x 7.5 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture entitled « Le trou noir » by P. Martinon, 2019.
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « Le trou noir » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. Circa 2019. H : 21.6 x 18.1 x 20.5 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Eric James Mellon Studio Pottery Experimental Glazed Cup, 2006
Located in Bishop's Stortford, Hertfordshire
A very fine stoneware cup decorated in experimental glazes by renowned ceramic artist Eric James Mellon (British, 1925-2014) and dated 2006. Trained at the Central School of Arts and...
Category

English Modern 21st Century and Contemporary Ceramics

Materials

Stoneware

Large floor vase in purple glazed ceramic by Patrick Crulis, 2025
Located in Saint-Ouen, FR
Purple glazed stoneware large floor vase by Patrick Crulis. 2025. Unique piece. H : 23.6 x 19.6 x 17.3 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Alice Gavalet, Ceramic sculpture
Located in London, GB
Painted earthenware H45 x D20 cm
Category

21st Century and Contemporary Ceramics

Materials

Ceramic

Eric James Mellon Studio Pottery Experimental Glazed Cup 2006
Located in Bishop's Stortford, Hertfordshire
A very fine stoneware cup decorated in experimental glazes by renowned ceramic artist Eric James Mellon (British, 1925-2014) and dated 2006. Trained at the Central School of Arts...
Category

English Modern 21st Century and Contemporary Ceramics

Materials

Stoneware

Brown 20th Century Stoneware Ceramic Bottle or Vase La Borne Pottery 2007
Located in Neuilly-en- sancerre, FR
La Borne Realised in 2007 Stoneware black or brown ceramic bottle or vase Original good condition Signed Measures: Height 21 cm Large 9 cm.
Category

French Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Important Stoneware Sculpture by Kato Reikichi
By Kato Reikichi
Located in Neuilly-en- sancerre, FR
Large modern irregular shaped ceramic black vase with a ribbon-like decoration in gold, silver and red called "sho (hovering)" by Kato Reikichi (1953, Japan) from Seto, Aichi Provinc...
Category

Japanese Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

White glazed ceramic mural sculpture by Patrick Crulis, 2025.
Located in Saint-Ouen, FR
White glazed ceramic mural sculpture by Patrick Crulis. 2025. Unique piece. H : 23.6 x 15.3 x 5.1 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture entitled « Escaliers dérobés » by Pierre Martinon
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « Escaliers dérobés » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2022. H : 17.7' x 12.6' x 12.6' inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Wood fired stoneware «Pot à feu» sculpture by Île/Mer/Froid
Located in Saint-Ouen, FR
Wood fired stoneware «Pot à feu» sculpture by Île/Mer/Froid. Artist signature under the base. 2023. H : 29.9’ x 14.6’ inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture "Solctice", Exclusivity for Aurélien Gendras
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice". Unique piece. Signed under the base. 2022.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Porcelain

Eric James Mellon Studio Pottery Experimental Glazed Cup, 2006
Located in Bishop's Stortford, Hertfordshire
A very fine stoneware cup decorated in experimental glazes by renowned ceramic artist Eric James Mellon (British, 1925-2014) and dated 2006. Trained at the Central School of Arts...
Category

English Modern 21st Century and Contemporary Ceramics

Materials

Stoneware

Orange and Black Decorative Ceramic Box by Jean Grison French Art
Located in Neuilly-en- sancerre, FR
Jean Grison Original and decorative ceramic box Signed under the base, realized circa 2000 Elegant orange and black ceramic colors effects Original good condition Meas...
Category

French Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture by Wayne Fischer, 2022
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Indigo Blue, Pastel Organic Modern Ceramic Art Wall Plate, Denmark
Located in Copenhagen, DK
Unique handmade indigo blue ceramic plate for wall or table decoration. Pastel blue, rose and yellow dots placed along white lines resembling flora...
Category

Danish Scandinavian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic, Pottery, Stoneware

Gaudi's Floral Symphony: Modern Reproduction of Casa Vicens-Inspired
Located in Barcelona, Barcelona
Elevate your space with a modern reproduction of Antoni Gaudi's decorative ceramic tile, inspired by the enchanting marigold and dianthus motifs from the iconic facade of Casa Vicens...
Category

Spanish Jugendstil 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture entitled « Porter aux nues » by Pierre Martinon.
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « Porter aux nues » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2024. H : 30.7 x 7.5 x 6.7 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware and oxides sculpture entitled « Matador » by Pierre Martinon, 2023.
Located in Saint-Ouen, FR
Stoneware and oxides sculpture entitled « Matador » by Pierre Martinon. Signed at the base « Martinon ». Unique piece. 2023. H : 18.1 x 7.9 x 6.7 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Sheep Moneybox Pop Art, Set of 3 Pieces, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Sheep Moneybox Pop Art, 22K Gold, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Jane Kite, Grooved Pot
Located in London, GB
Hand carved crank clay with oxide H21 x D21 cm
Category

21st Century and Contemporary Ceramics

Materials

Clay

Sheep Moneybox Pop Art, Red, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Otto Heino Signed Imperial Chinese Yellow Glaze Vase Vessel
Located in Studio City, CA
A wonderful example of Otto Heino's famous Chinese Imperial yellow glaze - thought to have been lost for years and rediscovered by Heino. A very rare and highly coveted glaze and textured shape. Sure to brings years of aesthetic pleasure. This piece has a great feel and heft to it. A fantastic work by all accounts. Signed and dated (2002) by Heino on the base. Would make for a fantastic addition to any modern ceramics and pottery collection or an eye-catching Stand-alone work in about any setting.  Otto and his wife Vivika worked in ceramics side by side for many years until her passing. The couple is winners of the following awards: Gold Medal from the sixth Biennale internationale de céramique d'art, in Vallauris, France, (1978). Silver medal from the International Ceramics Exhibitions in Ostend, Belgium, (1959) Their work can be found in the following collections: American Craft Museum, New York City, NY County Art Museum and Craft Folk Art Museum, Los Angeles, CA De Young Museum, San Francisco, CA Museum of Fine Arts, Boston, MA Picasso Museum in Vallauris, France Smithsonian Institution, Washington, DC Craft & Folk Art Museum, Los Angeles Mingei Museum, San Diego Ventura County...
Category

American Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Sheep Moneybox Pop Art, White, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Large floor vase in black glazed ceramic by Patrick Crulis, 2024
Located in Saint-Ouen, FR
Large floor vase in black glazed ceramic by Patrick Crulis. 2024. Unique piece. H : 27.9 x 15.7 x 19.7 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Sheep Moneybox Pop Art, Yellow, Made in Italy, 2022, New Collection
Located in San Miniato PI, IT
These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...
Category

Italian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture by Wayne Fischer, 2022
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Handmade Ceramic Accessories Ladybug Red
Located in Lisbon, PT
These handmade decorative accessories combine the traditional Portuguese ceramic and glazing techniques in a modern approach of shapes and color, as they bring such brightness and jo...
Category

Portuguese Modern 21st Century and Contemporary Ceramics

Materials

Brass

Torcida by Elena Rakochy
Located in Chicago, IL
Torcida by Elena Rakochy , Glazed Stoneware Composed of Rounded, Flat and Hexagonal shaped elements juxtaposed with some twisted portions for a dynamic contrast. Artist Bio and State...
Category

American 21st Century and Contemporary Ceramics

Materials

Stoneware

Torcida by Elena Rakochy
Torcida by Elena Rakochy
$2,000 Sale Price
20% Off
Prue Piper, Jug - Female
Located in London, GB
Decorated earthenware H16 x W10 x D22 cm
Category

21st Century and Contemporary Ceramics

Materials

Ceramic

Wood fired stoneware «Pot à feu» sculpture by Île/Mer/Froid
Located in Saint-Ouen, FR
Wood fired stoneware «Pot à feu» sculpture by Île/Mer/Froid. Artist signature under the base. 2023. H : 30.7’ x 15.7’ inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware Sculpture "Solctice", by Mart Schrijvers, 2024
Located in Saint-Ouen, FR
Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 14.2 x 13.4 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Stoneware

Large floor vase in black glazed ceramic by Patrick Crulis, 2024
Located in Saint-Ouen, FR
Large floor vase in black glazed ceramic by Patrick Crulis. 2024. Unique piece. H : 28.3 x 15.7 x 15.7 inches. Approximate sizes.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture by Wayne Fischer, 2018
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Stoneware Sculpture "Solctice", by Mart Schrijvers, 2024
Located in Saint-Ouen, FR
Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 7.9 x 11.8 x 9.1 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Stoneware

Stoneware Sculpture "Solctice", by Mart Schrijvers, 2024
Located in Saint-Ouen, FR
Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 9.1 x 12.2 x 9.8 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Stoneware

Prue Piper, Rainbow Parrot Fish Vessel
Located in London, GB
Decorated earthenware with stand H22 x W11 x D7.5 cm
Category

21st Century and Contemporary Ceramics

Materials

Earthenware

Jane Kite, Black Round Bottle with Handles
Located in London, GB
Hand-built crank clay with oxide H32 x D30 cm
Category

21st Century and Contemporary Ceramics

Materials

Clay

Stoneware Sculpture "Solctice", by Mart Schrijvers, 2024
Located in Saint-Ouen, FR
Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 8.3 x 10.6 inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Stoneware

Porcelain Sculpture by Wayne Fischer, 2018
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2018. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Contemporary Clay Sculpture by Serapio Medrano
Located in Guadalajra, Jal
Terracota Sculptures handmade by Serapio Medrano, son of the late Candelario Medrano.  
Category

Mexican Folk Art 21st Century and Contemporary Ceramics

Materials

Terracotta

Svend Bayer, Gallon pitcher
Located in London, GB
Ceramic H27 x W24 x D18 cm
Category

21st Century and Contemporary Ceramics

Materials

Ceramic

Miller Ceramics, Set of five cast bottles
Located in London, GB
Cast porcelain H23 x D8 cm
Category

21st Century and Contemporary Ceramics

Materials

Porcelain

Rachael Cocker, Large cobalt harvest jug
Located in London, GB
Hand-painted ceramic H24 x D23 cm
Category

21st Century and Contemporary Ceramics

Materials

Stoneware

Porcelain Sculpture by Wayne Fischer, 2022
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Mexican Ceramic Skull Sculpture Handcrafted Folk Art, Edition 1/30
Located in Queretaro, Queretaro
Imagine a drink only drunk in weddings between royalty, accompanying the dead in their transit to the underworld, and celebrating military victories or successful commercial expediti...
Category

Mexican Organic Modern 21st Century and Contemporary Ceramics

Materials

Clay

Maya Mam Large Red Jar Pre Columbian Design, Indigenous Pottery
Located in Huay Pix, MX
MAM Collection Place of origin: Department of Huehuetenango, Guatemala Collection of jars made of red clay. They have traditionally been used to c...
Category

Guatemalan Pre-Columbian 21st Century and Contemporary Ceramics

Materials

Clay

Porcelain Sculpture by Wayne Fischer, 2006
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Sculpture in Glazed and Engobed Stoneware, Jean-Pierre Bonardot, circa 2005-2010
Located in Saint-Ouen, FR
Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot. Artist signature under the base « JP Bonardot ». Unique piece. Circa 2000-2010. H : 18.9’ x 16.9’ x 9.05’ inches.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture by Wayne Fischer, 2022
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Ceramic

Porcelain Sculpture "Solctice", by Mart Schrijvers, 2023
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice" . Unique piece. Signed under the base. 2022.
Category

French Beaux Arts 21st Century and Contemporary Ceramics

Materials

Porcelain

Rachael Cocker, Midsummer - Jug
Located in London, GB
Hand-painted ceramic H15 x W23 cm
Category

21st Century and Contemporary Ceramics

Materials

Ceramic

Prue Piper, Green man vessel with handle
Located in London, GB
Decorated appliqué earthenware H9 x W10 x D9 cm
Category

21st Century and Contemporary Ceramics

Materials

Clay

Large Stoneware Floor Vase in Ceramic by Danish Artist Ole Victor, 2022
Located in Odense, DK
Large ceramic floor vase with glaze in variations of beige and pastel colors, made by Danish artist Ole Victor, 2022. Ole Victor is a Danish artist who a...
Category

Danish Scandinavian Modern 21st Century and Contemporary Ceramics

Materials

Ceramic, Stoneware

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