21st Century and Contemporary Ceramics

A wonderfully crafted and beautifully glazed framed pottery fragment by famed American/California ceramicist Beatrice Wood featuring her highly coveted, often experimental, gorgeous ...

Glazed Ceramic H26 x W25 x D19 cm

Unglazed porcelain H4 x W8 x D5 cm

Painted and glazed stoneware H10 x D34 cm

Castañas (chestnuts) is a sculpture made of a series of cups. The individual pieces can be rearranged to create different shapes, and can also be us...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years in Paris. He sculpts porcelain flowers to create poetic floral compositions. His work is directly inspired by the masters and manufacturers of Sevres Porcelain. This Hyacinth is handmade in hand painted glazed porcelain with copper leaves and stems, and is placed in a white biscuit porcelain...

Important glazed stoneware sculpture entitled « Flétrie »by Anne Barrès. Circa 2010. Unique piece. Can be displayed both indoors and outdoors. H : 17.7’ x 19.7’ x 19.7’ inches (c...

Glazed stoneware sculpture entitled « L’éffondrée bleue » by Anne Barrès. circa 2010. Unique piece. H : 22.4’ x 25.6’ x 27.5’ inches. Approximates dimensions.

A ceramic sculpture " Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Painted earthenware h57 x w39 x d23 cm

Decorated earthenware H17.5 x D12 cm

Painted earthenware H39 x W28 x D20 cm

Glazed ceramic

Hand thrown and glazed stoneware H30 x W20 x D12 cm

Hand-built crank clay with oxide H22 x D29 cm

Torcida by Elena Rakochy , Glazed Stoneware Composed of Rounded, Flat and Hexagonal shaped elements juxtaposed with some twisted portions for a dynamic contrast. Artist Bio and State...

White glaze on black clay H58 x W41 cm With maker’s mark

Blue glazed stoneware vase by Brigitte Pénicaud. Artist signature under the base. Circa 2015. H : 11.8 x 11.8 inches.

Beautiful folk art piece made by La Familia Castillo. Handmade in clay and painted with acrylic paint. Day of the Dead theme. Created by master artisan Soledad Martha Hernández and...

Benjamin and Miriam, founders of Objekti, discovered the pines on a trip to Mexico and fell instantly in love with these unique and rare pieces. The pine, a symbol long associated wi...

Benjamin and Miriam, founders of Objekti, discovered the pines on a trip to Mexico and fell instantly in love with these unique and rare pieces. The pine, a symbol long associated wi...

White glazed ceramic mural sculpture by Patrick Crulis. 2025. Unique piece. H : 21.6 x 15.7 x 5.9 inches. Approximate sizes.

White glazed stoneware large floor vase by Patrick Crulis. 2025. Unique piece. H : 28.3 x 20.5 x 19.3 inches. Approximate sizes.

Elegant black and white jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico while cre...

Superb high fired Cobridge trial art pottery Baluster vase designed by Andrew Hull and dated 2004. The heavily made stoneware vase is of baluster shape wit...

Benjamin and Miriam, founders of Objekti, discovered the pines on a trip to Mexico and fell instantly in love with these unique and rare pieces. The pine, a symbol long associated wi...

Benjamin and Miriam, founders of Objekti, discovered the pines on a trip to Mexico and fell instantly in love with these unique and rare pieces. The pine, a symbol long associated wi...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

Yellow glazed stoneware vase by Brigitte Pénicaud. Artist signature under the base. Circa 2015. H : 11.8 x 8.7 inches.

Benjamin and Miriam, founders of Objekti, discovered the pines on a trip to Mexico and fell instantly in love with these unique and rare pieces. The pine, a symbol long associated wi...

White glazed vessel on black clay H58 x W28 cm With maker’s mark

This Mexican ceramic hen is an egg basket/container, perfect to keep eggs fresh -- a utilitarian kitchen piece by artist Manuel Reyes. Made with clay from Oaxaca and Zacatecas, painted with oxides from the region. Done with the hand-modeled technique and cooked in traditional wood-fired oven. Reyes has been constantly innovating with his hen collection, making this one of his most iconic works. Ceramic artist, sculptor and painter, Manuel Reyes (Mexico City, 1972) atended the Escuela Nacional de Artes Plásticas in Xochimilco, México. He was later mentored by Royer Von Guten, Joy Laville...

Decorated earthenware H16 x W24 x D17 cm

Beautiful Mexican ceramic vase made with cooked clay and decorated with acrylic paint. The vessel represents the traditional dance for the good...

A very fine and unique, fresh to market, stoneware studio pottery tile shaped panel hand painted with a rear profile of a walking female nude titled Nude by renowned ceramic artist E...

Beautiful torso clay sculpture by Manuel Reyes, evoking Ceramic artist, sculptor and painter, Manuel Reyes (Mexico City, 1972) atended the Escuela Nacional de Artes Plásticas in Xochimilco, México. He was later mentored by Royer Von Guten, Joy Laville...

Stoneware and oxides sculpture entitled « Paysage intimiste » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2024. H : 14.2 x 12.9 x 5.5 inches.

Blue glazed stoneware vase by Brigitte Pénicaud. Artist signature under the base. Circa 2015. H : 11.4 x 9.8 inches.

This Mexican ceramic hen is an egg basket, perfect to keep eggs fresh -- a utilitarian kitchen piece by artist Manuel Reyes. Made with clay from Oaxaca and Zacatecas, painted with ox...

Very Large Moroccan Ceramic Platter (2026.3) Very Large Moroccan Ceramic Platter. Made in the Atlas mountains these huge platters are a labour of love. They are hand formed and hand ...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

White glazed ceramic mural sculpture by Patrick Crulis. 2025. Unique piece. H : 21.6 x 15.7 x 5.9 inches. Approximate sizes.

"As a Mexican and Oaxacan, but more as Omar, I see death as something present. It´s something that is a part of life and when you think about death, you begin to value a lot of things. Death is important to me because it’s a constant threat. If you think about dying now, you would probably do things that in another moment you would say, “I’ll do it later.” I see death as an opportunity to live a better life...a continuation of something," says Mexican ceramist Omar Hernández. Omar Hernandez is a Mexican ceramist born and raised in Oaxaca, Mexico. As a child, growing up in a family of potters he didn't have much interest in making pottery, but in his early 20's he realized he could do other things with clay that weren't necessarily utilitarian pieces. It was then that Omar started his skull...

Stoneware and oxides sculpture entitled « La vie du grand Heaume » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2023. H : 24.4 x 12.6 x 9 inches.

Purple glazed stoneware large floor vase by Patrick Crulis. 2025. Unique piece. H : 23.6 x 19.6 x 17.3 inches. Approximate sizes.

Important stoneware sculpture entitled " Corps ascendant #6 ". Artist monogram under the base. This piece can be put indoor or outdoor. Unique piece. 2023.

Ceramic sculpture entitled « Effloraison » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 2006. H : 22.4 x 21.6 x 16.5 inches.

In the heart of the Sierra Norte Mountains in the state of Oaxaca, Mexico, the settlers found that this "cold place" gave them a very special gift, clay, with which they could use to create their household goods. One of the most renowned artisans of this region is Silvia Martínez...

Stoneware and oxides sculpture entitled « Le trou noir » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. Circa 2019. H : 21.6 x 18.1 x 20.5 inches.

Stoneware and oxides sculpture entitled « Rondeurs et taches de rousseur » by Pierre Martinon. Signed at the base « Martinon ». Unique piece. 2023. H : 13.4’ x 11 x 7.5 inches.

Unique handmade indigo blue ceramic plate for wall or table decoration. Pastel blue, rose and yellow dots placed along white lines resembling flora...

Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot. Artist signature under the base « JP Bonardot ». Unique piece. Circa 2000-2010. H : 18.9’ x 16.9’ x 9.05’ inches.

Glazed stoneware vase by Adélaïde Renault. Artist signature under the base. 2025. Unique piece. H : 15.7 x 11.8 inches.

Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 14.2 x 13.4 inches.

Elevate your space with a modern reproduction of Antoni Gaudi's decorative ceramic tile, inspired by the enchanting marigold and dianthus motifs from the iconic facade of Casa Vicens...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...